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Chhayavaad
Chhayavad ( hi, छायावाद) (approximated in English as "Romanticism", literally "Shaded") refers to the era of Neo-romanticism in Hindi literature, particularly Hindi poetry, 1922–1938, and was marked by an increase of romantic and humanist content. ''Chhayavad'' was marked by a renewed sense of the self and personal expression, visible in the writings of the time. It is known for its leaning towards themes of love and nature, as well as an individualistic reappropriation of the Indian tradition in a new form of mysticism, expressed through a subjective voice. Period Chhayavad Yug dates from 1918 to 1937. It was preceded by '' Bharatendu Yug'' (1868–1900) and '' Dwivedi Yug'' (1900–1918) and was followed by the Contemporary Period from 1937 onward. Chhayavad continued until the latter half of the 1930s, when the golden era of modern Hindi poetry was gradually replaced by social didacticism inspired by rising nationalist fervour. Some of the later poets of this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindi Literature
Hindi literature ( hi, हिन्दी साहित्य, translit=hindī sāhitya) includes literature in the various Hindi language which have writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa like Awadhi, Magadhi, Ardhamagadhi and Marwari languages. Hindi literature is composed in three broad styles- गद्य (Gadya-prose), पद्य( Padya- poetry) and चम्प्पू (Campū -Prosimetrum.) In terms of historical development, it is broadly classified into five prominent forms (genres) based on the date of production. They are: * Ādi Kāl /Vīr-Gāthā Kāl (आदि काल/वीरगाथा काल) -- '' prior_to_&_including_14th_century_CE..html" ;"title="u>prior to & including 14th century CE.">u>prior to & including 14th century CE./u>'' This period was marked by Poems extolling brave warriors. * * Bhakti Kāl (भक्ति काल) -''- 4th–18th century CE./u>'' Promi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahadevi Varma
Mahadevi Varma (26 March 1907 – 11 September 1987) was an Indian Hindi-language poet, essayist, sketch story writer and an eminent personality of Hindi literature. She is considered one of the four major pillars of the ''Chhayavaad, Chhayawadi'' era in Hindi literature. She has been also addressed as the Modern Meera. Poet Suryakant Tripathi, Nirala had once called her "Saraswati in the vast temple of Hindi Literature". Varma had witnessed India both before and after independence. She was one of those poets who worked for the wider society of India. Not only her poetry but also her social upliftment work and welfare development among women were also depicted deeply in her writings. These largely influenced not only the readers but also the critics especially through her novel ''Deepshikha''. She developed a soft vocabulary in the Hindi poetry of :hi:खड़ीबोली, Khadi Boli, which before her was considered possible only in Braj bhasha. For this, she chose the so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sumitranandan Pant
Sumitranandan Pant (20 May 1900 – 28 December 1977) was an Indian poet. He was one of the most celebrated 20th century poets of the Hindi language and was known for romanticism in his poems which were inspired by nature, people and beauty within.Rubin, David (1993). ''The Return of Sarasvati: Four Hindi Poets''. Oxford University Press. pp. 105–106. Early life His father served as the manager of a local tea garden, and was also a landholder, so Pant was never in want financially growing up. He grew up in the same village and always cherished a love for the beauty and flavor of rural India, which is evident in all his major works. Pant enrolled in Queens College in Banaras in 1918. There he began reading the works of Sarojini Naidu and Rabindranath Tagore, as well as English Romantic poets. These figures would all have a powerful influence on his writing. In 1919 he moved to Allahabad to study at Muir College. As an anti-British gesture he only attended for two years. He t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makhanlal Chaturvedi
Pandit Makhanlal Chaturvedi (4 April 1889 – 30 January 1968), also called Pandit ji, was an Indian poet, writer, essayist, playwright and a journalist who is particularly remembered for his participation in India's national struggle for independence and his contribution to Chhayavaad, the Neo-romanticism movement of Hindi literature. He was awarded the first Sahitya Akademi Award in Hindi for his work ''Him Tarangini'' in 1955. The Government of India awarded him the civilian honour of the Padma Bhushan in 1963. For his works reinforcing Indian nationalism during the British Raj, he is referred to as the ''Yug Charan''. Early life Chaturvedi was born in a Babai village of Narmadapuram district of Madhya Pradesh on 4 April 1889. He became a schoolteacher when he was aged 16. Later, he was the editor of the nationalist journals ''Prabha'', Pratap and ''Karmaveer'', and was repeatedly incarcerated during the British Raj. After the Indian independence, he refrained from seeking a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindi Literary Movements
Hindi (Devanāgarī: or , ), or more precisely Modern Standard Hindi (Devanagari: ), is an Indo-Aryan language spoken chiefly in the Hindi Belt region encompassing parts of northern, central, eastern, and western India. Hindi has been described as a standardised and Sanskritised register of the Hindustani language, which itself is based primarily on the Khariboli dialect of Delhi and neighbouring areas of North India. Hindi, written in the Devanagari script, is one of the two official languages of the Government of India, along with English. It is an official language in nine states and three union territories and an additional official language in three other states. Hindi is also one of the 22 scheduled languages of the Republic of India. Hindi is the ''lingua franca'' of the Hindi Belt. It is also spoken, to a lesser extent, in other parts of India (usually in a simplified or pidginised variety such as Bazaar Hindustani or Haflong Hindi). Outside India, several othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhushala
''Madhushala'' ( hi, मधुशाला) (The Tavern/The House of Wine) is a book of 135 "quatrains": verses of four lines ( Ruba'i) by Hindi poet and writer Harivansh Rai Bachchan (1907–2003). The highly metaphorical work is still celebrated for its deeply Vedantic and Sufi incantations and philosophical undertones and is an important work in the Chhayavaad (Neo-romanticism) literary movement of early 20th century Hindi literature. All the ''rubaaiaa'' (the plural for ''rubaai'') end in the word ''madhushala''. The poet tries to explain the complexity of life with his four instruments, which appear in almost every verse: ''madhu'', ''madira'' or ''haala'' (wine), ''saaki'' (server), ''pyaala'' (cup or glass) and of course ''madhushala'', ''madiralaya'' (pub/bar). The publication of the work in 1935 brought Harivanshrai Bachchan instant fame, and his own recitation of the poems became a "craze" at poetry symposiums. ''Madhushala'' was part of his trilogy inspired by Omar Khay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamayani
''Kamayani'' (Hindi : कामायनी) (1936) is a Hindi epic poem (Mahakavya) by Jaishankar Prasad (1889–1937). It is considered one of the greatest literary works written in modern times in Hindi literature. It also signifies the epitome of Chhayavadi school of Hindi poetry which gained popularity in the late 19th and early 20th centuries. Theme Kamayani depicts the interplay of human emotions, thoughts, and actions by taking mythological metaphors. Kamayani has personalities like Manu, Ida and Śraddhā who are found in the Vedas. The great deluge described in the poem has its origin in Satapatha Brahmana. Explaining his metaphorical presentation of Vedic characters, the poet said: ''Ida was the sister of the gods, giving consciousness to the entire mankind. For this reason, there is an Ida Karma in the Yagnas. This erudition of Ida created a rift between Shraddha and Manu. Then with the progressive intelligence searching for unbridled pleasures, the impasse was inevi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suryakant Tripathi 'Nirala'
Suryakant Tripathi "Nirala" (21 February 1897 – 15 October 1961) was an Indian poet, novelist, essayist and story-writer who wrote in Hindi. He was also an artist, who drew many contemporary sketches. Biography Tripathi was born on 21 February 1897 in Medinipur in Bengal. Nirala's father, Pandit Ramsahaya Tripathi, was a government servant and was a tyrannical person. His mother died when he was very young. Nirala was educated in the Bengali medium at Mahishadal Raj High School at Mahishadal, Purba Medinipur. Subsequently, he shifted to Lucknow and thence to village Gadhakola of Unnao district, to which his father originally belonged. Growing up, he gained inspiration from personalities like Ramakrishna Paramhansa, Swami Vivekananda, and Rabindranath Tagore. After his marriage at the age of 20, Nirala learned Hindi at the insistence of his wife, Manohara Devi. Soon, he started writing poems in Hindi, instead of Bengali. After a bad childhood, Nirala had a few good ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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