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Chennaveera Kanavi
Chennaveera Kanavi (28 June 1928 – 16 February 2022) was an Indian Kannada language poet and author. In a career spanning over seven decades he wrote over 25 anthologies and over 28 books across genres. He was considered one of the major poets and writers in the Kannada language and received the Sahitya Akademi Award for his poem "Jeeva Dhwani" () in 1981. He was popularly known as "''Samanvayada Kavi'' ("the poet of reconciliation"), "''Chembelakina Kavi'' ("the poet of beautiful light"), and "''Soujanyada Kavi'' ("the poet of courtesy"). In 2011, he was awarded the Sahitya Kala Kaustubha Award. He was also a recipient of the Karnataka Sahitya Academy Award, Karnataka Rajyotsava award, and the Pampa Award. Early life Kanavi was born on 28 June 1928 in Hombal, a village in present-day northern Karnataka, to Pravathavva and Sakkareppa. His father, Sakkareppa, was a school teacher who was noted to have taught poems from saint-poets like Nijaguna Shivayogi and Sarpabhushana Shi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hombal
Hombal is a village in the southern state of Karnataka, India.Village code= 627800 Hombal, Gadag, Karnataka It is located in the Gadag taluk of Gadag district. Education Hombal has several co-educational schools for both genders. Most are government-run, they are the government Urdu Higher Primary School, which provides the standard first to eighth grades and a co-ed high school. There is also the Government High school, the Government ITI College by DGET, there are Mailarling government schools on Gadag Homabal road, and the co-ed Rani Chennamma primary school at Station Road. However, the local Shri Shankarling Secondary and Higher Secondary School are run by private organizations and are named after the nearby Shri Shankarling Temple. Infrastructure The inner road system in Hombal resembles other rural cities with concrete roads. While serviceable, the roads can certainly be improved. Since September 2015, this road system has been connected with the State Highway 45 (Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dharwad
Dharwad (), also known as Dharwar, is a city located in the north western part of the Indian state of Karnataka. It is the headquarters of the Dharwad district of Karnataka and forms a contiguous urban area with the city of Hubballi. It was merged with Hubballi in 1962 to form the twin cities of Hubballi–Dharwad, Hubballi-Dharwad. It covers an area of and is located northwest of Bangalore, on National Highway 48 (India), NH-48, between Bangalore and Pune. Etymology The word "Dharwad" is derived from the Sanskrit word 'dwarawata', 'dwara' meaning "door" and 'wata' or 'wada' meaning "town". It means a place of rest in a long travel or a small habitation. For centuries, Dharwad acted as a resting place for travellers and a gateway between the ''Malenadu'' (western mountains) and the ''Bayalu Seeme'' (plains). History The Chalukyas ruled Dharwad during the 12th century. A stone inscription indicates that there was a ruler by the name of BhaskaraDeva in 1117. In the 14th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pragatisheela
Pragatishila ( kn, ಪ್ರಗತಿಶೀಲ is a form of literature in Kannada language. It is one of the five forms of modern Kannada literature, the other four being ''Navodaya'', ''Navya'', ''Dalita'' and ''Bandaya''. ''Pragatishila'' which literally means ''Progressive'', is a simplistic form of fiction literature meant for the common man. It gained the popularity for a short period of time. Prominent writers Some of the important writers in this form of literature were A.N. Krishna Rao (''A.Na.Kru''), Basavaraj Kattimani, T.R. Subba Rao (''Ta Ra Su'') and Chaduranga Subramanyaraje Urs (1916 – 19 October 1998), known by his pseudonym Chaduranga, was an Indian writer in Kannada language. He wrote four novels—''Sarvamangala'', ''Uyyale'', ''Vaishakha'', and ''Hejjala''—and a few other short storie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Kannada Literature
Modern Kannada literature refers to the body of literature written in the Kannada language, a language spoken mainly in the Indian state of Karnataka. The Kannada script is the writing system used in Kannada literature. In the last forty years, eight modern Kannada authors have been awarded the Jnanpith, Jnanpith award, a prestigious private literary award in India. In addition, the Sahitya Akademi Award, the second-highest award for literature granted by the Government of India, has been conferred upon Kannada writers fifty times. Dawn of modern literature 1800–1900 The nascent beginnings of modern Kannada literature can be traced to the early 19th century under the stewardship of Maharaja Krishnaraja Wodeyar III, the ruler of the princely state of Kingdom of Mysore, Mysore, and court poets who attempted to steer away from the ancient ''champu'' form of prose and popularize prose renderings of Sanskrit epics and plays. Kempu Narayana's ''Mudramanjusha'' ("Seal Casket", 1823) c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Da Ra Bendre
Dattātreya Rāmachandra Bēndre (31 January 1896 – 26 October 1981), popularly known as Da Rā Bēndre, is generally considered the greatest Kannada lyric poet of the 20th century and one of the greatest poets in the history of Kannada literature. A pioneering poet of Kannada's ''Navōdaya'' movement and a leading figure in the linguistic renaissance of Kannada in the region of North Karnataka (then part of the Bombay Presidency), Bendre forged a new path in Kannada literature Kannada literature is the Text corpus, corpus of written forms of the Kannada language, a member of the Dravidian language, Dravidian Language family, family spoken mainly in the Indian state of Karnataka and written in the Kannada script. A ... and modern Kannada poetry through his original use of Kavirajamarga, ''desi'' Kannada, particularly Dharwad district, Dharwad Kannada – the form of Kannada spoken in the North Karnataka region of Dharwad. The richness, originality, and euphony of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harihara (poet)
Harihara (or Harisvara) ( kn, ಹರಿಹರ) was a noted Kannada poet and writer in the 12th century. A native of Halebidu in modern Hassan district, he came from a family of accountants (''Karnikas'') and initially served in that capacity in the court of Hoysala King Narasimha I (r.1152–1173 CE).Kamath (2001), p. 133 Later, he moved to Hampi and authored many landmark classics. Among his important writings, the ''Girijakalyana'' written in ''champu'' metre (mixed prose-verse) is considered one of the enduring classics of Kannada language.Narasimhacharya (1988), p. 20 Famous writings Magnum opus Harihara, although one of the earliest Veerashaiva writers, was not part of the famous ''Vachana'' literary tradition. He wrote under the patronage of King Narasimha I. He wrote his ''magnum opus'', the ''Girijakalyana'' ("Marriage of the mountain born Goddess") in the Kalidasa tradition, though employing the old Jain ''champu'' style, with the story leading to the marriage of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raghavanka
Raghavanka ( kn, ರಾಘವಾಂಕ) was a noted Kannada writer and a poet in the Hoysala court who flourished in the late 12th to early 13th century. Raghavanka is credited for popularizing the use of the native ''shatpadi'' metre (hexa metre, 6 line verse) in Kannada literature.Sastri (1955), p. 362 ''Harishchandra Kavya'', in ''shatpadi'' metre, is known to have been written with an interpretation unlike any other on the life of King Harishchandra is well known and is considered one of the important classics of Kannada language. He was a nephew and protégé of the noted Early 12-century Kannada poet Harihara.Narasimhacharya (1988), p. 20Kamath (2001), p. 134 Although the ''shatpadi'' metre tradition existed in Kannada literature prior to Raghavanka, Raghavanka inspired the usage of the flexible metre for generations of poets, both Shaiva (devotees of God Shiva) and Vaishnava (devotees of God Vishnu) to come.Shiva Prakash in K. Ayyappapanicker (1997), p. 208 Epic Writing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vacana
Vachana sahitya is a form of rhythmic writing in Kannada (see also Kannada poetry) that evolved in the 11th century and flourished in the 12th century, as a part of the Sharana movement. Madara Chennaiah, an 11th-century cobbler-saint who lived during the reign of the Western Chalukyas is regarded by some scholars as the "father of Vachana poetry." The word "vachanas" literally means "(that which is) said". These are readily intelligible prose texts. Jedara Dasimayya who lived in the mid 10th century is considered the first proponent of lingayatism. Later poets, such as Basavanna (1160), the founder of Lingayatism, prime minister of Southern Kalachuri King Bijjala II, considered Chennaiah to be his inspiration. Vachanas and Sharana movement Basavaadi Sharana's Vachanas are their experiences in the process of God realization. About 800 sharanas practiced the technique and wrote their experiences in terms of ''Guru'' (Unmanifest Chaitanya), ''Linga'' (Manifest Chaitanya), ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mallikarjun Mansur
Pandit Mallikarjun Bheemaraayappa Mansur (Kannada: ಮಲ್ಲಿಕಾರ್ಜುನ ಮನ್ಸೂರ), (31 December 1910 – 12 September 1992) was an Indian classical singer from Karnataka, an excellent vocalist in the khyal style in the Jaipur-Atrauli gharana (singing style). Early life and background Mallikarjun was born on New Year's Eve of 1910, at Mansur, a village five kilometres west of Dharwad, Karnataka. According to his biography, he was born on an Amavasya day. His father, Bheemaraayappa, was the village headman, a farmer by occupation and an ardent lover and patron of music. He had four brothers and three sisters. His elder brother Basavaraj owned a theatre troupe, and thus at age nine Mallikarjun did a small role in a play. Spotting the talent in his son, Mallikarjun's father engaged him to a travelling Yakshagana (Kannada theatre) troupe. The owner of this troupe took a liking to the tender and melodious voice of Mallikarjun and encouraged him to sing diffe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lingayatism
Lingayatism or Veera Saivism is a Hindu denomination based on Shaivism. Initially known as ''Veerashaivas'', since the 12th-century adherents of this faith are known as ''Lingayats''. The terms ''Lingayatism'' and '' Veerashaivism'' have been used synonymously, but ''Veerashaivism'' may refer to the broader ''Veerashaiva'' philosophy which predates Lingayatism, to the historical community now called ''Lingayats'', and to a contemporary (sub)tradition within Lingayatism with Vedic influences. Veerashaiva Lingayatism was revived, by the 12th-century philosopher and statesman Basava in Karnataka. ''Lingayatism'' may refer to the whole Veerashaiva Lingayat community, but also to a contemporary sub-tradition dedicated to Basava's original thought, and to a movement within this community which strives toward recognition as an independent religion. Lingayat scholars thrived in northern Karnataka during the Vijayanagara Empire (14th–18th century). In the 21st century, some Lingayats ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jnanpith Award
The Jnanpith Award is the oldest and the highest Indian literary award presented annually by the Bharatiya Jnanpith to an author for their "outstanding contribution towards literature". Instituted in 1961, the award is bestowed only on Indian writers writing in Indian languages included in the Eighth Schedule to the Constitution of India and English, with no posthumous conferral. From 1965 till 1981, the award was given to the authors for their "most outstanding work" and consisted of a citation plaque, a cash prize and a bronze replica of Saraswati, the Hindu goddess of knowledge and wisdom. The first recipient of the award was the Malayalam writer G. Sankara Kurup who received the award in 1965 for his collection of poems, Odakkuzhal (Poetry), Odakkuzhal (''The Bamboo Flute''), published in 1950. The rules were revised in subsequent years to consider only works published during the preceding twenty years, excluding the year for which the award was to be given and the cash priz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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