Cheap Imitation
   HOME
*





Cheap Imitation
''Cheap Imitation'' is a piece for solo piano by John Cage, composed in 1969. It is an indeterminate piece created using the '' I Ching'' and based, rhythmically, on ''Socrate'' by Erik Satie. History of composition Like numerous other works by Cage, ''Cheap Imitation'' was a result of his collaboration with Merce Cunningham's dance company. However, in this case the original choreography relied not on Cage's music, but on a piano arrangement of Erik Satie's symphonic drama ''Socrate''. In 1947 Cunningham choreographed a dance based on the first movement of Satie's work, and Cage provided a two-piano transcription of the music (since Cunningham's dances were usually accompanied by piano only). In 1968 it was decided to expand the choreography by two movements, based on the remaining two movements of the Satie work.Pritchett 1993, 162. Cage, who was at the time working on ''HPSCHD'', a large multimedia work, requested help of an acquaintance from the University of Illinois, Arth ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Freeman Etudes
''Freeman Etudes'' are a set of etudes for solo violin composed by John Cage. Like the earlier ''Etudes Australes'' for piano, these works are incredibly complex, nearly impossible to perform, and represented for Cage the "practicality of the impossible" as an answer to the notion that resolving the world's political and social problems is impossible. Details In 1977 Cage was approached by Betty Freeman, who asked him to compose a set of etudes for violinist Paul Zukofsky (who would, at around the same time, also help Cage with work on the violin transcription of ''Cheap Imitation''). Cage decided to model the work on his earlier set of etudes for piano, ''Etudes Australes''. That work was a set of 32 etudes, 4 books of 8 etudes each, and composed using Indeterminacy in music, controlled chance by means of star charts and, as was usual for Cage, the ''I Ching''. Zukofsky asked Cage for music that would be notated in a conventional manner, which he assumed Cage was returning to in '' ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Perspectives Of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.David Carson Berry, "''Journal of Music Theory'' under Allen Forte's Editorship," ''Journal of Music Theory'' 50/1 (2006), 21, n49. The first issue was favorably reviewed in the ''Journal of Music Theory'', which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay preceding the yet-unborn Spring 1963 issue may reflect a scarcity of material up to their standard". However, as the journal's editorial "perspective" coalesced, Fromm became—in the words of David Gable—disenchanted with the "exclusive viewpoint hatcame to dominate" ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Richard Kostelanetz
Richard Cory Kostelanetz (born May 14, 1940) is an American artist, author, and critic. Birth and Education Kostelanetz was born to Boris Kostelanetz and Ethel Cory and is the nephew of the conductor Andre Kostelanetz. He has a B.A. (1962) from Brown University and an M.A. (1966) in American History from Columbia University under Woodrow Wilson, NYS Regents, and International Fellowships; he also studied at King's College London as a Fulbright Scholar during 1964-1965.''Directory of American Scholars'', 6th ed. (Bowker, 1974), Vol. I, p. 350. He is the recipient of grants from the Guggenheim Foundation (1967), Pulitzer Foundation (1965), the DAAD Berliner Kunstlerprogramm (1981–1983), Vogelstein Foundation (1980), Fund for Investigative Journalism (1981), Pollock-Krasner Foundation (2001), CCLM (1981), ASCAP (1983 annually to the present), American Public Radio Program Fund (1984), and the National Endowment for the Arts with ten individual awards (1976, 1978, 1979, 1981, 19 ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Writings '67–'72
Writing is a medium of human communication which involves the representation of a language through a system of physically inscribed, mechanically transferred, or digitally represented symbols. Writing systems do not themselves constitute human languages (with the debatable exception of computer languages); they are a means of rendering language into a form that can be reconstructed by other humans separated by time and/or space. While not all languages use a writing system, those that do can complement and extend capacities of spoken language by creating durable forms of language that can be transmitted across space (e.g. written correspondence) and stored over time (e.g. libraries or other public records). It has also been observed that the activity of writing itself can have knowledge-transforming effects, since it allows humans to externalize their thinking in forms that are easier to reflect on, elaborate, reconsider, and revise. A system of writing relies on many of ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  



MORE