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Charmed Life (Half Japanese Album)
''Charmed Life'' is an album by the punk rock group Half Japanese, released in 1988. It is their second studio album released on their label, 50 Skidillion Watts. The eighth song, " Bright Lights, Big City," was originally sung and recorded by the American blues musician Jimmy Reed, in 1961. Critical reception ''The Quietus'' wrote: "Less whiny and needy than ''Music To Strip By'', the lyrics are spouted from a lip with more curl and less pucker ... as accessible as Half Japanese get." ''Trouser Press'' called the album "a guileless burst of optimism that mutes the shriller frequencies considerably, replacing them with an unaffected, exuberant guitar/harmonica backdrop played by a band." Track listing Personnel *Jad Fair - guitar, harmonica, vocals *David Fair - guitar, harmonica, vocals * Don Fleming - guitar, vocals *John Dreyfuss - organ, saxophone *Rick Dreyfuss - composer *Mark Jickling - bass guitar, guitar *John Moremen - guitar *Jay Spiegel - drums *Don Zientara ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Half Japanese
Half Japanese is an American art punk band formed by brothers Jad and David Fair around 1975, sometime after the family's relocation to Uniontown, Maryland. Their original instrumentation included a small drum set, which they took turns playing; vocals; and an out-of-tune, distorted guitar. Both Fair brothers sang, although over time Jad moved into the frontman role. As of the last several releases since the 1990s, according to the album and CD credits, the band composes and plays the entirety of the music while Fair, eschewing his role as guitarist from earlier albums, plays almost no guitar but is responsible for the vocals and lyrics, which typically divide into either "love songs or monster songs." The band, still a vital "art punk" unit, has released six albums since 2014 with the same personnel that recorded Hot in 1993. Their last three releases, Why Not?, Invincible and Crazy Hearts have all received four-star reviews from the U.K. magazine, Record Collector, while New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1988 Albums
File:1988 Events Collage.png, From left, clockwise: The oil platform Piper Alpha explodes and collapses in the North Sea, killing 165 workers; The USS Vincennes (CG-49) mistakenly shoots down Iran Air Flight 655; Australia celebrates its Bicentennial on January 26; The 1988 Summer Olympics are held in Seoul, South Korea; Soviet troops begin their withdrawal from Afghanistan, which is completed the next year; The 1988 Armenian earthquake kills between 25,000-50,000 people; The 8888 Uprising in Myanmar, led by students, protests the Burma Socialist Programme Party; A bomb explodes on Pan Am Flight 103, causing the plane to crash down on the town of Lockerbie, Scotland- the event kills 270 people., 300x300px, thumb rect 0 0 200 200 Piper Alpha rect 200 0 400 200 Iran Air Flight 655 rect 400 0 600 200 Australian Bicentenary rect 0 200 300 400 Pan Am Flight 103 rect 300 200 600 400 1988 Summer Olympics rect 0 400 200 600 8888 Uprising rect 200 400 400 600 1988 Armenian earthquake ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Zientara
Don Zientara ( ) is an American record producer and musician. He owns and runs Inner Ear Studios in Arlington, Virginia, located just outside Washington D.C., and is most widely known for his production work with Fugazi, Minor Threat and various other Dischord Records artists. Zientara released four albums of music on the Northern Liberties label. Music by Zientara has also been released by Crooked Beat Records in Alexandria, Virginia. He contributed four songs to ''A Bang On The Ear'', released in 2016 for Record Store Day. He also contributed to ''Recutting The Crap, Volume One'', a tribute to the Clash released by Crooked Beat Records. Production credits Zientara's production/engineering credits include the following: * Minor Threat – ''Minor Threat'' (1981) * Government Issue – ''Legless Bull'' (1981) * Void/Faith – '' Void/Faith split'' (1982) * No Trend - '' Teen Love'' (1982) * Scream – ''Still Screaming'' (1983) * Minor Threat – '' Out of Step'' (1983) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Fleming (musician)
Donald Gene Fleming (born September 25, 1957) is an American musician and producer. Besides fronting a number of his own bands, (Velvet Monkeys, B.A.L.L., and Gumball) Fleming has produced Sonic Youth, Screaming Trees, Teenage Fanclub and Hole. Career Bands The Stroke Band Fleming started his musical career with the art/garage/punk group The Stroke Band of Adel, Georgia in the late 1970s. They released one album, ''Green and Yellow,'' in 1978 on Abacus Records. Citizen 23 After The Stroke Band, Don relocated to Norfolk, Va. in 1979 and formed the punkish/new wave group Citizen 23 with Elaine Barnes, Mark Myers, and, Stephen Soles. Their only recorded output was on the compilation album ''No Room to Dance'' in 1980. The Velvet Monkeys Citizen 23 broke up in early 1981; all members but Mark Mayers relocated to Washington, D.C. shortly thereafter and formed the three-piece psychedelic/post-punk band The Velvet Monkeys in the fall of 1981. The Velvet Monkeys line-up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jad Fair
Jad Fair (born June 9, 1954) is an American singer, guitarist, graphic artist, and founding member of lo-fi alternative rock group Half Japanese. Biography Fair was born in Coldwater, Michigan. In 1974, he and his brother David formed the lo-fi group Half Japanese. Since then, Half Japanese has released nearly 30 records. Besides Half Japanese, Fair performs and records as a solo artist, and collaborates with artists such as Terry Adams (musician), Terry Adams, Kramer (musician), Kramer, Norman Blake (Scottish musician), Norman Blake, Kevin Blechdom, Isobel Campbell, Eugene Chadbourne, DQE (band), DQE, Steve Fisk, Fred Frith, God Is My Co-Pilot (band), God Is My Co-Pilot, Richard Hell, Daniel Johnston, J. Mascis, Jason Willett, Monster Party, Weird Paul Petroskey, R. Stevie Moore, Thurston Moore, The Pastels, Phono-Comb, Steve Shelley, Strobe Talbot, Teenage Fanclub, The Tinklers, Moe Tucker, Bill Wells, Jason Willett, Adult Rodeo, Lumberob, Yo La Tengo, and John Zorn. In 1982 F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouser Press
''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to a song by the Bonzo Dog Doo-Dah Band and an acronymic play on the British TV show ''Top of the Pops)''. Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by ''Rolling Stone'' sister publication ''Record'', which itself folded in 1985. ''Trouser Press'' has continued to exist in various formats. History The magazine's original scope was British bands and artists (early issues featured the slogan "America's Only British Rock Magazine"). Initial issues contained occasional interviews with major artists like Brian Eno and Robert Fripp and extensive record reviews. After 14 issues, the title was shortened to simply ''Trouser Press'', and it gradually transformed into a professional magazine w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Quietus
''The Quietus'' is a British online music and pop culture magazine founded by John Doran and Luke Turner. The site is an editorially independent publication led by Doran with a group of freelance journalists and critics. Content ''The Quietus'' primarily features writings on music and film, as well as interviews with a wide range of notable artists and musicians. The magazine also occasionally includes pieces on literature, graphic novels, architecture, and TV series. The website is edited by John Doran, who claims that it caters for "the intelligent music fan between the age of 21 and, well, 73". Its staff list includes former writers for publications such as '' Melody Maker'', '' Select'', ''NME'' and '' Q'', including journalist David Stubbs, BBC Radio 1 DJ Steve Lamacq, Professor Simon Frith and Simon Price among others. Among its best known columns is its "Baker's Dozen," in which artists select 13 personal favourite albums. Content from the site's interviews have been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Reed
Mathis James Reed (September 6, 1925 – August 29, 1976) was an American blues musician and songwriter. His particular style of electric blues was popular with blues as well as non-blues audiences. Reed's songs such as "Honest I Do" (1957), "Baby What You Want Me to Do" (1960), " Big Boss Man" (1961), and " Bright Lights, Big City" (1961) appeared on both ''Billboard'' magazine's rhythm and blues and Hot 100 singles charts. Reed influenced other musicians, such as Elvis Presley, Hank Williams Jr., and the Rolling Stones, who recorded his songs. Music critic Cub Koda describes him as "perhaps the most influential bluesman of all," due to his easily accessible style. Biography Reed was born in Dunleith, Mississippi, United States. He learned the harmonica and guitar from his friend Eddie Taylor. After several years of busking and performing there, he moved to Chicago, Illinois, in 1943. He was then drafted into the U.S. Navy and served in World War II. He was discharged in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bright Lights, Big City (song)
"Bright Lights, Big City" is a classic blues song which was written and first recorded by American bluesman Jimmy Reed in 1961. Besides being "an integral part of the standard blues repertoire", "Bright Lights, Big City" has appealed to a variety of artists, including country and rock musicians, who have recorded their interpretations of the song. Background and lyrics Called a "textbook Jimmy and Mama Reed duet", "Bright Lights, Big City" was a collaborative writing effort between Reed and his wife, Mary "Mama" Reed. It is a cautionary tale about urban life, with the narrator lamenting the loss of his wife or girlfriend to the nightlife and enticement of an unnamed city: The song has a traditional twelve-bar blues form in Reed's signature "steady-rolling style". It was recorded in Chicago in 1961 with Jimmy Reed (vocal and harmonica), Mama Reed (vocal), Jimmy Reed, Jr. (guitar), Lefty Bates (guitar), Earl Phillips (drums), and an unidentified bassist. The song was one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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