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Charles Simon (astronome)
Charles Simon or Charles-Simon may refer to: Simon as surname * Charles Martin Simon (1941–2007), better known as Charlie Nothing, American musician, musical instrument maker and writer * Charles Simon (tennis), Swiss tennis player * Charles Simon (actor) (1909-2002) British actor Simon as second name * Charles-Simon Pradier (1786–1847), Swiss engraver * Charles-Simon Catel (1773–1830), French composer and educator * Charles Simon Clermont-Ganneau (1846–1923), French orientalist * Charles Simon Favart (1710–1792), French playwright See also * Charles Simons (other) Charles Simons may refer to: People * Charles Casper Simons (1876–1964), American judge * Charles Earl Simons, Jr. (1916–1999), American judge * Charles Simons (footballer) (1906–1979), Belgian footballer Other * Charles E. Simons Jr. Federa ...
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Charlie Nothing
Charles Martin Simon (July 8, 1941 – October 23, 2007), better known as Charlie Nothing, was an American musician, musical instrument maker and writer. He created the dingulator, guitar sculptures made out of American cars, and performed at several music festivals in the United States and Europe. He made two albums and published 12 books. Biography Charles Martin Simon was schooled at the Montclair Academy for Boys (later the Montclair Kimberley Academy) in Montclair, New Jersey. After graduating in 1959, Simon went to Rutgers University in New Jersey, where he majored in agriculture and English literature. But after two years at university he grew unhappy with the courses and dropped out. After the death of his artist wife in 1965, Simon was "reduced to nothing", which produced a "psyche fragmentation" he called Charlie Nothing the Artist. As Charlie Nothing, he pursued music and the visual arts. He created guitar sculptures made out of American cars he called dingulator ...
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Charles Simon (tennis)
Armand Simon (1880 – 14 April 1957) was a Swiss tennis player. He competed at the 1920 Summer Olympics representing Switzerland. Charles participated in the men's singles and in men's doubles. In the men's doubles at the 1920 Summer Olympics, he partnered the fellow tennis player, Hans Syz Hans G. Syz (15 October 1891 – 23 December 1954) was a Swiss tennis player. He has represented Switzerland at the 1920 Summer Olympics and in the 1924 Summer Olympics The 1924 Summer Olympics (french: Jeux olympiques d'été de 1924), of .... References External links Profile at Olympic.org Swiss male tennis players Tennis players at the 1920 Summer Olympics Olympic tennis players for Switzerland 1880 births 1957 deaths Place of birth missing {{Switzerland-tennis-bio-stub ...
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Charles-Simon Pradier
Charles-Simon Pradier (1786 – 21 July 1847) was a Swiss engraver who also worked in France and Brazil. He was recognized as one of the leading engravers of his day. He collaborated with Jean Auguste Dominique Ingres on several works. Life Charles-Simon Pradier came from a family of refugees from Languedoc. He was born in Geneva in 1786. His brother was the sculptor Jean-Jacques Pradier (1790-1852), better known as James Pradier. He was a pupil of Auguste Gaspard Louis Desnoyers, who was in turn a pupil of Pierre Alexandre Tardieu (1756-1844). He was to become one of the most distinguished engravers of his day. He became a member of the Drawing Committee of the ''Société des Arts'' in 1812, but was not active in it since he usually lived in Geneva. Pradier was a member of the ''Missão Artística Francesa'' organized by Joachim Lebreton which brought a number of artists to Brazil, arriving on 25 March 1816. These included the painters Jean-Baptiste Debret (1768-1848) and Nico ...
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Charles-Simon Catel
Charles-Simon Catel (10 June 1773 – 29 November 1830) was a French composer and educator born at L'Aigle, Orne. Biography Catel studied at the Royal School of Singing in Paris. He was the chief assistant to François-Joseph Gossec at the orchestra of the National Guard in 1790. A member of the Institute, he jointly composed pieces of military music for official state ceremonies, including ''L'Hymne à la Victoire'' (Victory Hymn), with words by Ponce-Denis Écouchard-Lebrun. He was appointed inaugural professor of harmony at the Conservatoire de Paris, but was destitute in 1814. Amongst his students were the Prix de Rome winning composers Joseph Daussoigne-Méhul and Victor Dourlen, the Belgian composer Martin-Joseph Mengal, and the famous, if eccentric, harpist Nicolas-Charles Bochsa. Catel died in Paris. His works include a ''Treatise on Harmony'' (1802), which was used by the young Berlioz, several concert band works, several dramatic compositions at the Opéra Nation ...
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Charles Simon Clermont-Ganneau
Charles Simon Clermont-Ganneau (19 February 1846 – 15 February 1923) was a noted French Orientalist and archaeologist. Biography Clermont-Ganneau was born in Paris, the son of Simon Ganneau, a sculptor and mystic who died in 1851 when Clermont-Ganneau was five, after which Théophile Gautier took him under his wing. After an education at the Institut national des langues et civilisations orientales, he entered the diplomatic service as ''dragoman'' to the consulate at Jerusalem, and afterwards at Constantinople. He laid the foundation of his reputation by his involvement with the Mesha Stele (Moabite Stone), which bears the oldest Semitic inscription known. In 1871, Clermont-Ganneau identified the biblical city of Gezer (Joshua 16:11) with that of Abu Shusha, formerly known as ''Tell el Jezer''. In the same year he discovered the Temple Warning inscription in Jerusalem. In 1874 he was employed by the British government to take charge of an archaeological expedition to Pale ...
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Charles Simon Favart
Charles Simon Favart (13 November 1710 – 12 May 1792) was a French playwright and theatre director. The Salle Favart in Paris is named after him. Biography Born in Paris, the son of a pastry-cook, he was educated at the Lycée Louis-le-Grand, and after his father's death he carried on the business for a time. His first success in literature was ''La France delivrée par la Pucelle d'Orléans'', a poem about Joan of Arc which obtained a prize of the Académie des Jeux Floraux. After the production of his first ''vaudeville'', ''Les Deux Jumelles'' (1734), circumstances enabled him to relinquish business and devote himself entirely to the drama. He provided many pieces anonymously for the lesser theatres, and first put his name to ''La Chercheuse d'esprit'', which was produced in 1741. Among his most successful works were ''Annette et Lubin; Le Coq du milage'' (1743); ''Les Vendanges de Tempé'' (1745), later reworked as ''La Vallée de Montmorency'' (1752); ''Ninette à la cour' ...
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