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Charles Kenningham
Charles Kenningham (18 November 1860 – 24 October 1925) was an English opera singer and actor best remembered for his roles in the 1890s with the D'Oyly Carte Opera Company. After singing as a boy soprano, Kenningham briefly served in the 5th Dragoon Guards. After nearly five years' service as a tenor at Canterbury Cathedral, he performed in Arthur Sullivan's grand opera ''Ivanhoe'' in 1891. He then became principal tenor with the D'Oyly Carte Opera Company until 1898. There he created several roles, including the tenor roles in the last two Gilbert and Sullivan operas. He was also a composer who had a number of songs published in the 1890s. From 1898 to 1906, he toured in Australia and New Zealand with the J. C. Williamson opera company. Early career Kenningham was born in Hull, England. He began his musical career as a boy soprano soloist, at the age of eight, at Holy Trinity Church in Hull. Two years later he was principal boy chorister at St Paul's Cathedral in London, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtice Pounds
Charles Courtice Pounds (30 May 1861 Gänzl, Kurt"Pounds of Pyes, or mea culpa No. 2" Kurt Gänzl's blog, 4 May 2018. Note that hibirth registrationis in central London in the third quarter of 1861 – 21 December 1927), better known by the stage name Courtice Pounds, was an English singer and actor known for his performances in the tenor roles of the Savoy Operas with the D'Oyly Carte Opera Company and his later roles in Shakespeare plays and Edwardian musical comedies. As a young member of D'Oyly Carte, Pounds played tenor leads in the Gilbert and Sullivan operas in New York and on tour in Britain and continental Europe from 1881 to 1887. After being promoted to principal tenor at the Savoy Theatre, he created the principal tenor roles in ''The Yeomen of the Guard'' (1888), ''The Gondoliers'' (1889), '' The Nautch Girl'' (1891) and ''Haddon Hall'' (1892), and played other principal roles. After leaving D'Oyly Carte in 1895, Pounds became a prominent performer during the tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Princess Ida
''Princess Ida; or, Castle Adamant'' is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert. It was their eighth operatic collaboration of fourteen. ''Princess Ida'' opened at the Savoy Theatre on 5 January 1884, for a run of 246 performances. The piece concerns a princess who founds a women's university and teaches that women are superior to men and should rule in their stead. The prince to whom she had been married in infancy sneaks into the university, together with two friends, with the aim of collecting his bride. They disguise themselves as women students, but are discovered, and all soon face a literal war between the sexes. The opera satirizes feminism, women's college, women's education and Charles Darwin, Darwinian evolution, which were controversial topics in conservative Victorian era, Victorian England. ''Princess Ida'' is based on a narrative poem by Alfred, Lord Tennyson called ''The Princess (Tennyson poem), The Princess'' (1847), and Gilb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Theatre (London)
The Lyric Theatre is a West End theatre in Shaftesbury Avenue in the City of Westminster. It was built for the producer Henry Leslie, who financed it from the profits of the light opera hit, ''Dorothy'', which he transferred from its original venue to open the new theatre on 17 December 1888. Under Leslie and his early successors the house specialised in musical theatre, and that tradition has continued intermittently throughout the theatre's existence. Musical productions in the theatre's first four decades included ''The Mountebanks'' (1892), ''His Excellency'' (1894), '' The Duchess of Dantzig'' (1903), ''The Chocolate Soldier'' (1910) and '' Lilac Time'' (1922). Later musical shows included ''Irma La Douce'' (1958), ''Robert and Elizabeth'' (1964), '' John, Paul, George, Ringo ... and Bert'' (1974), '' Blood Brothers'' (1983), ''Five Guys Named Moe'' (1990) and ''Thriller – Live'' (2009). Many non-musical productions have been staged at the Lyric, from Shakespeare to O' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
His Excellency (opera)
''His Excellency'' is a two-act comic opera with a libretto by W. S. Gilbert and music by F. Osmond Carr. The piece concerns a practical-joking governor whose pranks threaten to make everyone miserable, until the Prince Regent kindly foils the governor's plans. Towards the end of the Gilbert and Sullivan partnership, Arthur Sullivan declined to write the music for this piece after Gilbert insisted on casting his protege, Nancy McIntosh, in the lead role; Sullivan and producer Richard D'Oyly Carte, proprietor of the Savoy Theatre, did not feel that McIntosh was adequate. The opera premiered instead under the management of George Edwardes in 1894 at the Lyric Theatre, running for 162 performances. It starred many of the Savoy Theatre regulars, such as George Grossmith, Rutland Barrington and Jessie Bond, as well as Ellaline Terriss, who was to become a major West End star. It was also produced in New York in 1895, and in German translation at the Carltheater, Vienna, in both 1895 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osmond Carr
Frank Osmond Carr (23 April 1858 – 29 August 1916), known as F. Osmond Carr, was an English composer who wrote the music for several Victorian burlesques before turning to the new genre of Edwardian musical comedy, and also composing some comic operas. He often worked with the lyricist Adrian Ross, and several of his pieces were created for the producer George Edwardes. Life and career Carr was born in Bradford, Yorkshire, England.F. Osmond Carr profile at the British Musical Theatre website of The Gilbert and Sullivan Archive (2004) His parents were George Saxton Carr, a schoolmaster and Margaret Durden Carr, née Painter.Lamb, Andrew. "Carr, Frank Osmond (1858–191 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mirette (opera)
''Mirette'' is an opéra comique in three acts composed by André Messager, first produced at the Savoy Theatre, London, on 3 July 1894. ''Mirette'' exists in two distinct versions. The first version of the libretto was written in French by Michel Carré but this was never performed. English lyrics were written by Frederic E. Weatherly, and English dialogue based on the Carré libretto was written by Harry Greenbank. This first English version of the opera ran for 41 performances, closing on 11 August 1894. This was the shortest run of any opera produced at the Savoy Theatre under the management of Richard D'Oyly Carte. The second version, advertised as a "new version with new lyrics by Adrian Ross," ran for 61 performances, from 6 October 1894 to 6 December 1894. Both versions essentially tell the same story, with the second version emphasising comedy over the romance of the first version. The music has been mostly forgotten. However, one song ("Long ago in Alcala") becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utopia, Limited
''Utopia, Limited; or, The Flowers of Progress'', is a Savoy opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on 7 October 1893 for a run of 245 performances. It did not achieve the success of most of their earlier productions. Gilbert's libretto satirises limited liability companies, and particularly the idea that a bankrupt company could leave creditors unpaid without any liability on the part of its owners. It also lampoons the Joint Stock Company Act by imagining the absurd convergence of natural persons (or sovereign nations) with legal commercial entities under the limited companies laws. In addition, it mocks the conceits of the late 19th-century British Empire and several of the nation's beloved institutions. In mocking the adoption by a "barbaric" country of the cultural values of an "advanced" nation, it takes a tilt at the cultural aspects of imperialis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Annie
''Jane Annie, or The Good Conduct Prize'' is a comic opera written in 1893 by J. M. Barrie and Arthur Conan Doyle, with music by Ernest Ford, a conductor and occasional composer. When the Gilbert and Sullivan partnership disbanded after the production of ''The Gondoliers'' in 1889, impresario Richard D'Oyly Carte was forced to find new works to present at the Savoy Theatre. Barrie was then a journalist and a novelist with a few popular books to his credit. He had not yet created his classic ''Peter Pan'', and his only stage productions included a biography that closed after one night, a parody of new-to-London Henrik Ibsen, and in 1892 his first real success, ''Walker, London'' for Toole's Theatre. Barrie brought his idea for ''Jane Annie'' to D'Oyly Carte, who suggested that Arthur Sullivan collaborate with him, but Sullivan suggested his former pupil Ford, instead. Ford had composed several operettas, including the one-act ''Mr. Jericho'' (premiered at the Savoy in 1893). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haddon Hall (opera)
''Haddon Hall'' is an English light opera with music by Arthur Sullivan and a libretto by Sydney Grundy. The opera, set at the eponymous hall, dramatises the legend of Dorothy Vernon's elopement with John Manners, resetting the tale in the 17th century. It premiered at the Savoy Theatre on 24 September 1892 for a modestly successful run of 204 performances, closing on 15 April 1893. The piece was popular with amateur theatre groups, particularly in Britain, up to the 1920s, but it has been produced only sporadically since then. The National Gilbert & Sullivan Opera Company presented the opera in August 2018 in Buxton and Harrogate, England.Walker, Ramond J"Haddon Hall is a Grundy and Sullivan Rarity" ''Seen and Heard International'', 4 August 2018; and Hall, George"''Haddon Hall'' review at Royal Hall, Harrogate – 'rare resuscitation of Arthur Sullivan's pedestrian work'" ''The Stage'', 21 August 2018 Background When the Gilbert and Sullivan partnership disbanded after the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Vicar Of Bray (opera)
''The Vicar of Bray'' is a comic opera by Edward Solomon with a libretto by Sydney Grundy which opened at the Globe Theatre, in London, on 22 July 1882, for a run of only 69 performances. The public was not amused at a clergyman's being made the subject of ridicule, and the opera was regarded by some as scandalous. An 1892 revival at the Savoy Theatre was more successful, lasting for 143 performances, after public perceptions had changed.Rollins and Witts, p. 13 The opera is based on the character described in a satirical 18th-century English folk song "The Vicar of Bray", as well as on ''The History of Sandford and Merton'', a series of 18th century moral tales. In the parlour song, the eponymous vicar was the clergyman of the parish of Bray-on-Thames, Berkshire. The most familiar version of the lyrics recounts his adaptability (some would say amorality) over half a century, from the reigns of Charles II to George I. Over this period he embraced whichever form of liturgy, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
