Charles Hermans
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Charles Hermans
Charles Hermans (7 August 1839 – 7 December 1924) was a Belgian painter of genre scenes, portraits, landscapes and some still lifes.Charles Hermans
at the
Through a number of his monumental genre paintings he played an important role in the recognition of in Belgian art.Denis Laoureux (ed.), ''En nature La Société libre des Beaux-Arts D’Artan à Whistler'', Musée Félicien Rops, 2013, p. 14


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Hermans was born in

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Charles Hermans
Charles Hermans (7 August 1839 – 7 December 1924) was a Belgian painter of genre scenes, portraits, landscapes and some still lifes.Charles Hermans
at the
Through a number of his monumental genre paintings he played an important role in the recognition of in Belgian art.Denis Laoureux (ed.), ''En nature La Société libre des Beaux-Arts D’Artan à Whistler'', Musée Félicien Rops, 2013, p. 14


Life

Hermans was born in

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Société Libre Des Beaux-Arts
The Société Libre des Beaux-Arts ("Free Society of Fine Arts") was an organization formed in 1868 by Belgian artists to react against academicism and to advance Realist painting and artistic freedom. Based in Brussels, the society was active until 1876, by which time the aesthetic values it espoused had infiltrated the official Salon. It played a formative role in establishing avant-gardism in Belgium. History The first exhibition of the Free Society was held in 1868 to provide an alternative art space beyond the Salon. Three exhibitions were held in 1872. The society's manifesto was written by Camille van Camp and published 31 January, 1869. It promoted the "free and individual interpretation of nature" characteristic of Realist art, along with avant-garde concepts such as "struggle, change, freedom, progress, originality and tolerance." The society published the periodicals ''L'Art Libre'', a bi-monthly review (1871–72), and ''L'Art Universel'' (1873–76). In the firs ...
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Menton
Menton (; , written ''Menton'' in classical norm or ''Mentan'' in Mistralian norm; it, Mentone ) is a commune in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur region on the French Riviera, close to the Italian border. Menton has always been a frontier town. Since the end of the 14th century, it was on the border between County of Nice, held by the Duke of Savoy, and Republic of Genoa. It was an exclave of the Principality of Monaco until the disputed French plebiscite of 1860, when it was added to France. It had been always a fashionable tourist centre with grand mansions and gardens. Its temperate Mediterranean climate is especially favourable to the citrus industry, with which it is strongly identified. Etymology Although the name's spelling and pronunciation in French are identical to those for the word that means "chin", there does not seem to be any link with this French word. According to the French geographer Ernest Nègre, the name ''Menton'' c ...
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Pennsylvania Academy Of The Fine Arts
The Pennsylvania Academy of the Fine Arts (PAFA) is a museum and private art school in Philadelphia, Pennsylvania."Pennsylvania Academy of the Fine Arts"
Encyclopedia Britannica, Retrieved 28 July 2018.
It was founded in 1805 and is the first and oldest art museum and art school in the United States. The academy's museum is internationally known for its collections of 19th- and 20th-century American paintings, sculptures, and works on paper. Its archives house important materials for the study of American art history, museums, and art training. It offers a Bachelor of Fine Arts,
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Gustave Courbet
Jean Désiré Gustave Courbet ( , , ; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged convention by depicting unidealized peasants and workers, often on a grand scale traditionally reserved for paintings of religious or historical subjects. Courbet's subsequent paintings were mostly of a less overtly political character: landscapes, seascapes, hunting scenes, nudes, and still lifes. Courbet, ...
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Théodore Baron
Théodore Baron (19 August 1840, Ixelles - 4 September 1899, Saint-Servais) was a Belgian landscape painter in the Realistic style. Biography He was initially trained in the Academic style; first by Hippolyte de la Charlerie in Brussels, then by Louis Dubois, Guillaume Van der Hecht, and François-Joseph Navez. By 1860, he was already working at the artists' colony in Genk, making him a member of the . In 1863, together with Louis Artan, he explored the wooded areas around Brussels and came into contact with artists painting en plein aire. During that time, he developed a predilection for creating more realistic landscapes than those he had studied. From 1865 to 1868, he lived in Kalmthout and focused on painting the typically desolate landscapes found in the Campine region. There, he met a group of like-minded artists; Jacques Rosseels (1828-1912), , Adrien-Joseph Heymans and Florent Crabeels, generally referred to as the . He returned to Brussels in 1868, and renewed his ...
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Louis Artan De Saint-Martin
Louis Victor Antonio Artan de Saint-Martin (20 April 1837 – 23 May 1890)Profile @ the Rijksbureau voor Kunsthistorische Documentatie. was a Dutch-Belgian painter and etcher who specialized in seascapes. Biography He was born into a noble family in The Hague. His father was an army officer who served as an adjutant to Prince Frederick. In 1842, his family moved to Ixelles and acquired Belgian citizenship. His father died later that same year and the family moved to Brussels. Artan began training for a military career, but quit when he was twenty and spent the next six years travelling through the Ardennes, making nature studies. During this time, he became friends with Edouard Delvaux and, after 1858, began visiting Paris, where he was influenced by the Barbizon school and the French marine painter, Eugène Boudin. Although he took some lessons from Delvaux, he remained largely self-taught.
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Félicien Rops
Félicien Victor Joseph Rops (7 July 1833 – 23 August 1898) was a Belgian artist associated with Symbolism and the Parisian Fin-de Siecle. He was a painter, illustrator, caricaturist and a prolific and innovative print maker, particularly in intaglio (etching and aquatint). Although not well known to the general public, Rops was greatly respected by his peers and actively pursued and celebrated as an illustrator by the publishers, authors, and poets of his time. He provided frontispieces and illustrations for Jules Barbey d'Aurevilly, Charles Baudelaire, Charles De Coster, Théophile Gautier, Joris-Karl Huysmans, Stéphane Mallarmé, Joséphin Péladan, Paul Verlaine, Voltaire, and many others. Best known today for his prints and drawings illustrating erotic and occult literature of the period, he also produced oil paintings including landscapes, seascapes, and occasional genre paintings. Rops is recognized as a pioneer of Belgian comics.Robert L. Delevoy (1978) Symbolists an ...
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Louis Dubois (painter)
Louis Dubois (1830–1880) was a Belgian painter who specialized in landscapes and Portraits in a naturalistic style. He also painted genre and still-life subjects. Personal life Louis Dubois was born in 1830 in Brussels, Belgium. He died of a respiratory illness in Brussels in 1880 at the age of 50. Free Society for the Fine Arts Louis Dubois belonged to a group of artists who, in the style of the second half the 19th century, rebelled against the traditional painting of the past in favor of the style of this period. With the painters Théodore Baron, Louis Artan, Edmond Lambrichs, F. Foudin, on 1 March 1868, he became one of the founders of La Société Libre des Beaux-Arts. The society was officially established in 1868 as "Comité de Salut Public révolutionnaire, pour la libération de l'Art" according to Lucien Solvay. The society members scorned the rules of the Academy and the aesthetics currently accepted; the artists of the "Free Society for the Fine Arts" freel ...
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