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Charles Hardouin
Charles Hardouin (1694 in Brittany, fl. Paris – 1718) was a French operatic baritone (''basse taille''). Beginning his career as a cathedral singer, Hardouin was engaged by the Paris Opéra as a principal singer around 1693–1694, though from 1697 onwards he was eclipsed by the more powerful Gabriel-Vincent Thévenard. He was still singing in 1718 when he was acclaimed as Poliphème in Lully's '' Acis et Galatée''. Roles created *The grand priest in Destouches's '' Issé'' (Paris, 1697) *Mars in Desmarets' '' Vénus et Adonis'' (Paris, 1697) *Argante in André Campra's ''Tancrède'' (Paris, 1702) *Cadmus in Marin Marais's ''Sémélé'' (Paris, 1709) *Filindo/Héraclite in Campra's ''Les fêtes vénitiennes'' (Paris, 1710) *Eole/Arbas in Campra's ''Idoménée ''Idoménée'' (English: ''Idomeneus'') is an opera by the French composer André Campra. It takes the form of a ''tragédie en musique'' in a prologue and five acts. ''Idoménée'' was first performed on 12 January 1 ...
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Brittany
Brittany (; french: link=no, Bretagne ; br, Breizh, or ; Gallo language, Gallo: ''Bertaèyn'' ) is a peninsula, Historical region, historical country and cultural area in the west of modern France, covering the western part of what was known as Armorica during the period of Roman occupation. It became an Kingdom of Brittany, independent kingdom and then a Duchy of Brittany, duchy before being Union of Brittany and France, united with the Kingdom of France in 1532 as a provinces of France, province governed as a separate nation under the crown. Brittany has also been referred to as Little Britain (as opposed to Great Britain, with which it shares an etymology). It is bordered by the English Channel to the north, Normandy to the northeast, eastern Pays de la Loire to the southeast, the Bay of Biscay to the south, and the Celtic Sea and the Atlantic Ocean to the west. Its land area is 34,023 km2 . Brittany is the site of some of the world's oldest standing architecture, ho ...
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André Campra
André Campra (; baptized 4 December 1660 – 29 June 1744) was a French composer and conductor of the Baroque era. The leading French opera composer in the period between Jean-Baptiste Lully and Jean-Philippe Rameau, Campra wrote several '' tragédies en musique'' and ''opéra-ballets'' that were extremely well received. He also wrote three books of cantatas as well as religious music, including a requiem. Biography Campra was the son of Giovanni Francesco Campra, a surgeon and violinist from Graglia, Italy, and Louise Fabry, from Aix-en-Provence. His father was his first music teacher. He was baptised on 4 December 1660 in the Église de la Madeleine in Aix. He became a choirboy in the Cathédrale Saint-Sauveur there in 1674 and commenced ecclesiastical studies four years later. He was reprimanded by his superiors in 1681 for having taken part in theatrical performances without permission, but was nevertheless made a chaplain on 27 May of that year. He served as ''maître de ...
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Year Of Birth Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year ( ...
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Year Of Death Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the mea ...
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French Operatic Baritones
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ...
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New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ...
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Idoménée
''Idoménée'' (English: ''Idomeneus'') is an opera by the French composer André Campra. It takes the form of a ''tragédie en musique'' in a prologue and five acts. ''Idoménée'' was first performed on 12 January 1712 by the Académie royale de musique at the Théâtre du Palais-Royal in Paris. The libretto, by Antoine Danchet, is based on a stage play by Crébillon père. It later formed the basis of Giambattista Varesco's libretto for Wolfgang Amadeus Mozart's opera ''Idomeneo''. Roles Synopsis *Prologue Vénus visits Eole (Aeolus) in his cavern to ask him to release the winds so she can punish the Greek hero Idoménée (Idomeneus), on his way back from the siege of Troy to his home in Crete. *Act 1: In Crete, Ilione, daughter of King Priam of Troy reveals she has rejected the advances of Idoménée, but is secretly in love with his son Idamante. He returns her love, spurning Electre, who jealously plots revenge. News arrives that Idoménée has been lost in a storm at se ...
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Les Fêtes Vénitiennes
''Les festes vénitiennes'' ("Venetian Festivities"), also spelled ''Les fêtes vénitiennes'', is an ''opéra-ballet'' by the French composer André Campra. It consists of a prologue (later sometimes omitted, abridged or replaced) and three ''entrées'' (four or five in subsequent versions). All versions of the libretto are by Antoine Danchet. It was first performed on 17 June 1710 by the Académie royale de musique in the Salle du Palais-Royal in Paris. According to the usage of the time, it was originally simply billed as a "''ballet''", but it is one of the most important and successful instances of the new genre later classified by scholars as ''opéra-ballet'', which had become popular in Paris around the end of the 17th century.Anthony. Performance history At the beginning of the 18th century the Paris Opéra public was growing dissatisfied with the traditional "operatic fare consisting of lyric tragedies cast invariably in the mould created by Lully and Quinault",Pitou, p. ...
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Sémélé
is an opera by Marin Marais with a libretto by Antoine Houdar de la Motte first performed on 9 April 1709, by the Paris Opera at the Théâtre du Palais-Royal. The opera is in the form of a ''tragédie en musique'' with a prologue and five acts. Master viol player and composer Marin Marais became director of the Paris Opera in 1705 and presented, along with the established works of Jean-Baptiste Lully, two operas of his own during his brief tenure which ended in 1709. His opera ''Alcyone'' (1706) proved a successful stage work and was revived several times during the 18th Century. His final opera ''Sémélé'' (1709) did not fare as well. Opening during The Great Frost, an extraordinarily cold European winter that afflicted France particularly hard with food shortages and violent revolts in the streets of Paris, demand for ''Sémélé'' (and other new works introduced during this period) was modest. Amid the tumult, Marais retired as Director of the Opera to return to writing vi ...
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Marin Marais
Marin Marais (; 31 May 1656, in Paris – 15 August 1728, in Paris) was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colombe for six months. In 1676 he was hired as a musician to the royal court of Versailles and was moderately successful there, being appointed in 1679 as ''ordinaire de la chambre du roy pour la viole,'' a title he kept until 1725. He was the father of the composer Roland Marais (c. 1685 – c. 1750). Career Marin Marais was a master of the viol, and the leading French composer of music for the instrument. He wrote five books of '' Pièces de viole'' (1686–1725) for the instrument, generally suites with basso continuo. These were quite popular in the court, and for these he was remembered in later years as he who "founded and firmly established the empire of the viol" ( Hubert Le Blanc, 1740). His other works include a book of ''Pièces en ...
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Tancrède
''Tancrède'' is a 1702 ''tragédie en musique'' (a French opera in the lyric tragedy tradition) in a prologue and five acts by composer André Campra and librettist Antoine Danchet, based on ''Gerusalemme liberata'' by Torquato Tasso. The opera contains 23 dances in addition to the singing. It is famous for having the alleged first contralto role in French opera. (However, in modern terms it is considered more of a mezzo-soprano range.) The role was written for Julie d'Aubigny, known as 'La Maupin', the most colorful singer of this era.The part of Clorinde is notated in the soprano cleforiginal score, p. 71, but, although it never descends below d′, tradition has it that it was the first major ''bas-dessus'' (contralto) role in the French opera history (Sadie, Julie Anne, ''Maupin'', in Sadie, Stanley (ed), ''op. cit.'', III, p. 274). It's also notable for the unusual choice of three low-lying voices for the main male parts. Performance history ''Tancrède'' was first perform ...
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Vénus Et Adonis
''Vénus et Adonis'' is an opera (''tragédie en musique'') in a prologue and 5 acts composed by Henri Desmarets to a libretto by Jean-Baptiste Rousseau. Based on the story of Venus and Adonis in Book X of Ovid's ''Metamorphoses'', it was first performed by the Académie Royale de Musique at the Théâtre du Palais-Royal in Paris on 28 July 1697 with Marie Le Rochois and Louis Gaulard Dumesny in the title roles. Desmarets staged a major revival of the work with a new prologue at the court of Leopold, Duke of Lorraine in 1707. During the composer's lifetime, it was performed in Germany, Belgium, and France, but then fell into obscurity. Its first staging in modern times took place at the Opéra de Nancy on 28 April 2006. Background and performance history ''Vénus et Adonis'' was Desmarets' eighth stage work and his third to be premiered at the Académie Royale de Musique. Between 1695 and 1697, Desmarets was working simultaneously on ''Vénus et Adonis'', ''Les festes galante ...
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