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Charles Deburau
Jean-Charles Deburau (February 15, 1829– December 19, 1873) was an important French mime, the son and successor of the legendary Jean-Gaspard Deburau, who was immortalized as Baptiste the Pierrot in Marcel Carné's film ''Children of Paradise'' (1945). After his father's death in 1846, Charles kept alive his pantomime, pantomimic legacy, first in Paris, at the Théâtre des Funambules, and then, beginning in the late 1850s, at theaters in Bordeaux and Marseille. He is routinely credited with founding a southern "school" of pantomime; indeed, he served as tutor to the Marseille mime Louis Rouffe, who, in turn, gave instruction to Séverin Cafferra, known simply as "Séverin". But their art was nourished by the work of other mimes, particularly of Charles's rival, Paul Legrand, and by earlier developments in nineteenth-century pantomime that were alien to the Deburaux' traditions. Life and career Deburau ''père'', feeling burdened by the hardships of the performer, discouraged C ...
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Pierrot With Fruit By Nadar, 1854-55
Pierrot ( , , ) is a stock character of pantomime and ''commedia dell'arte'', whose origins are in the late seventeenth-century Italian troupe of players performing in Paris and known as the Comédie-Italienne. The name is a hypocorism, diminutive of ''Pierre'' (Peter), via the suffix ''wikt:-ot#French, -ot.'' His character in contemporary popular culture — in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall — is that of the sad clown, often pining for love of Columbina, Columbine, who usually breaks his heart and leaves him for Harlequin. Performing unmasked, with a whitened face, he wears a loose white blouse with large buttons and wide white pantaloons. Sometimes he appears with a frilled collaret and a hat, usually with a close-fitting crown and wide round brim and, more rarely, with a conical shape like a dunce's cap. Pierrot's character developed from being a buffoon to an avatar of the disenfranchised. Many Cultural refer ...
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Haussmann's Renovation Of Paris
Haussmann's renovation of Paris was a vast public works programme commissioned by Emperor Napoleon III and directed by his prefect of Seine, Georges-Eugène Haussmann, between 1853 and 1870. It included the demolition of medieval neighbourhoods that were deemed overcrowded and unhealthy by officials at the time; the building of wide avenues; new parks and squares; the annexation of the suburbs surrounding Paris; and the construction of new sewers, fountains and aqueducts. Haussmann's work was met with fierce opposition, and he was finally dismissed by Napoleon III in 1870; but work on his projects continued until 1927. The street plan and distinctive appearance of the centre of Paris today are largely the result of Haussmann's renovation. Overcrowding, disease, crime and unrest in the centre of the old Paris In the middle of the 19th century, the centre of Paris was viewed as overcrowded, dark, dangerous, and unhealthy. In 1845, the French social reformer Victor Considerant ...
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Louis Rouffe As Pierrot, C
Louis may refer to: * Louis (coin) * Louis (given name), origin and several individuals with this name * Louis (surname) * Louis (singer), Serbian singer * HMS ''Louis'', two ships of the Royal Navy See also Derived or associated terms * Lewis (other) * Louie (other) * Luis (other) * Louise (other) * Louisville (other) * Louis Cruise Lines * Louis dressing, for salad * Louis Quinze, design style Associated names * * Chlodwig, the origin of the name Ludwig, which is translated to English as "Louis" * Ladislav and László - names sometimes erroneously associated with "Louis" * Ludovic, Ludwig, Ludwick, Ludwik Ludwik () is a Polish given name. Notable people with the name include: * Ludwik Czyżewski, Polish WWII general * Ludwik Fleck (1896–1961), Polish medical doctor and biologist * Ludwik Gintel (1899–1973), Polish-Israeli Olympic soccer player ...
, names sometimes translated to English as "Louis" {{disambiguation ...
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Tartuffe
''Tartuffe, or The Impostor, or The Hypocrite'' (; french: Tartuffe, ou l'Imposteur, ), first performed in 1664, is a theatrical comedy by Molière. The characters of Tartuffe, Elmire, and Orgon are considered among the greatest classical theatre roles. History Molière performed his first version of ''Tartuffe'' in 1664. Almost immediately following its performance that same year at Versailles' grand fêtes (The Party of the Delights of the Enchanted Island/''Les fêtes des plaisirs de l'ile enchantée''), King Louis XIV suppressed it, probably due to the influence of the archbishop of Paris, Paul Philippe Hardouin de Beaumont de Péréfixe, who was the King's confessor and had been his tutor. While the king had little personal interest in suppressing the play, he did so because, as stated in the official account of the fête: although it was found to be extremely diverting, the king recognized so much conformity between those that a true devotion leads on the path to heave ...
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Auguste Jouhaud
Auguste Jouhaud (6 October 1805, Brussels – 27 January 1888, Paris) was a 19th-century Belgian writer and playwright who authored more than 600 theatre plays. Main plays * ''Un voyage à melun'' (1842) * ''La fauvette : opéra-comique'' * ''Les Hussards de la République'' * ''La folle de Waterloo'' * ''Un mari en location'' * ''L'Amour au village : opérette'' * ''Mes petits mémoires'' * ''Les deux Pierrots'' * ''Catherine 3/6'', three-act comédie en vaudeville, parody of '' La Reine Margot'' by Alexandre Dumas, with Adolphe Salvat Jean Frédéric Adolphe Salvat, died in Paris in 1876, was a 19th-century French playwright. His plays were presented on the most important Parisian stages of his time, including the Théâtre des Variétés, Théâtre de la Porte-Saint-Antoine, ... External links Auguste Jouhaudon data.bnf.fr {{DEFAULTSORT:Jouhaud, Auguste 19th-century Belgian writers 19th-century Belgian dramatists and playwrights 19th-century Belgian male writers ...
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Théodore De Banville
Théodore Faullain de Banville (14 March 1823 – 13 March 1891) was a French poet and writer. His work was influential on the Symbolist movement in French literature in the late 19th century. Biography Banville was born in Moulins in Allier, Auvergne, the son of a captain in the French navy. His boyhood, by his own account, was cheerlessly passed at a ''lycée'' in Paris; he was not harshly treated, but took no part in the amusements of his companions. On leaving school with but slender means of support, he devoted himself to letters, and in 1842 published his first volume of verse (''Les Cariatides''), which was followed by ''Les Stalactites'' in 1846. The poems encountered some adverse criticism, but secured for their author the approbation and friendship of Alfred de Vigny and Jules Janin. From then on, Banville's life was steadily devoted to literary production and criticism. He printed other volumes of verse, among which the ''Odes funambulesques'' (1857) received unstint ...
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Joseph Albert Alexandre Glatigny
Joseph Albert Alexandre Glatigny (May 21, 1839, at Lilleborne, Seine Inférieure - April 16, 1873, at Sèvres), was a French poet, comedian and playwright. Life and work His father was a carpenter who moved to Bernay in 1844 on being made a gendarme. After an uncertain period on leaving school, the teenager took apprenticeship under a printer at Pont Audemer and there wrote a three-act verse drama for the local theatre about the townsfolk in the 17th century. He then joined a travelling company of actors as prompter. In the course of a wandering existence about the north of France, he fell in with the publisher Auguste Poulet-Malassis, who introduced him to the ''Odes funambulesques'' (Fantastic Odes) of Théodore de Banville. Inspired by these, he published at eighteen his ''Vignes folles'' (Mad Vines, 1857), which he dedicated to his 'beloved master'. During a subsequent stay in Paris he had an act in the cafes and bars in which he improvised poems on rhymes suggested by his ...
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Jean Baptiste Antoine Auget De Montyon
Antoine Jean Baptiste Robert Auget, Baron de Montyon (23 December 173329 December 1820) was a French philanthropist, born in Paris. Biography His father was a ''maître des comptes''; he was educated in law, and became a lawyer at the Châtelet in 1755, ''maître des requêtes'' to the Conseil d'État in 1760, and intendant successively of Auvergne, Provence and La Rochelle. He had repeatedly shown great independence of character, protesting against the accusation of Louis-René de Caradeuc de La Chalotais in 1766, and refusing in 1771 to suppress the local courts of justice in obedience to Maupeou. He was made a councillor of state in 1775 by the influence of Louis de Bourbon, duke of Penthièvre, and in 1780 he was attached to the court in the honorary office of chancellor to the comte d'Artois (afterwards Charles X). He followed the princes into exile, and lived for some years in London. During the emigration period he spent large sums on the alleviation of the poverty ...
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William Busnach
William Bertrand Busnach (7 March 1832, Paris – 20 January 1907, Paris) was a French dramatist. Biography Busnach was a nephew of the composer Fromental Halévy. His father was associated with David Ben Joseph Coen Bakri, to whom France was indebted to the amount of some twenty-odd million francs for provisions furnished to Napoleon Bonaparte in Egypt. The lawsuit lasted for more than fifty years, and Busnach and his partner were not paid in full at the end. The elder Busnach, an Algerian Jew, became a naturalised Italian in the time of the Deys, and was the first interpreter of the French army. He established himself in Paris in 1835. William – an Italian Jew born in France of an Algerian father, with a German surname and an English given name – was at first employed in the customs department. He subsequently devoted himself to dramatic work, writing many plays, a number of which have been successful. They include: ''Les Virtuoses du Pavé'', 1864; ''Première Fraîcheu ...
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Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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