Chanting The Light Of Foresight
''Chanting the Light of Foresight'' (''imbas forasnai'') is a 1987 composition by Terry Riley written for and commissioned by the Rova Saxophone Quartet, though during the course of the composition it was decided that Rova would compose "The Chord of War" and "The Pipes of Medb/Medb's Blues" contains improvisation. The piece is based on the '' Taín Bó Cuailnge'' (The Cattle Raid of Cooley, translated by Thomas Kinsella), a part of the eighth-century Ulster Cycle of heroic tales. The work is partly in resonant intonation, requiring false fingerings, jaw manipulations, and straining the lips and lungs, and contains many unusual time signatures. "The Tuning Path" and "The Pipes of Medb" progresses from simple to more complex areas of tuning, statically depicting night on the battlefield. "Medb's Blues" is in the form of a 6 bar 10/4 blues where players alternately keep a cantus firmus while others improvise. "Song Announcing Dawn's Combat" depicts foster brothers and main character ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Terry Riley
Terrence Mitchell "Terry" Riley (born June 24, 1935) is an American composer and performing musician best known as a pioneer of the minimalist school of composition. Influenced by jazz and Indian classical music, his music became notable for its innovative use of repetition, tape music techniques, and delay systems. His best known works are the 1964 composition '' In C'' and the 1969 LP ''A Rainbow in Curved Air'', both considered landmarks of minimalism and important influences on experimental music, rock, and contemporary electronic music. Raised in California, Riley began studying composition and performing solo piano in the 1950s. He befriended and collaborated with composer La Monte Young, and later became involved with the San Francisco Tape Music Center. A three-record deal with CBS in the late 1960s, resulting in an LP recording of ''In C'' (1968) and ''A Rainbow in Curved Air'' (1969), brought his work to wider audiences. In 1970, he began intensive studies under Hin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rova Saxophone Quartet
Rova Saxophone Quartet is an American, San Francisco-based saxophone quartet, formed in October 1977. The name "Rova" is an acronym formed from the last initials of the founding members: Jon Raskin, Larry Ochs, Andrew Voigt, and Bruce Ackley. When Voigt left in 1988, he was replaced by Steve Adams, but the group did not change the acronym. Music The quartet's music was inspired by a broad spectrum of influences, such as John Cage, John Coltrane, Ornette Coleman, Anthony Braxton, Steve Lacy, Charles Ives, Edgard Varése, and Olivier Messiaen. Its debut album, ''Cinema Rovaté'', was released by Metalanguage Records in 1978. Metalanguage was founded in 1978 by Henry Kaiser and Ochs. It showcased Rova as well as many independent artists and produced the Rova Arts Festival in 1980. Rova's tour of the Soviet Union in 1983 was filmed and shown on PBS. In 1985, it became a non-profit organization. Reception In noting Rova's role in developing the all-saxophone ensemble as "a regula ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thomas Kinsella
Thomas Kinsella (4 May 192822 December 2021) was an Irish poet, translator, editor, and publisher. Born outside Dublin, Kinsella attended University College Dublin before entering the civil service. He began publishing poetry in the early 1950s and, around the same time, translated early Irish poetry into English. In the 1960s, he moved to the United States to teach English at universities including Temple University. Kinsella continued to publish steadily until the 2010s. Early life and work Thomas Kinsella was born on 4 May 1928 in Inchicore to Agnes (Casserly) and John Kinsella. He spent most of his childhood in the Kilmainham/Inchicore area of Dublin. He was educated at the Model School, Inchicore, where classes were taught in the Irish language, and at the O'Connell Schools in North Richmond Street, Dublin. His father and grandfather both worked in Guinness's brewery. He entered University College Dublin in 1946, initially to study science. After a few terms in college, he ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ulster Cycle
The Ulster Cycle ( ga, an Rúraíocht), formerly known as the Red Branch Cycle, is a body of medieval Irish heroic legends and sagas of the Ulaid. It is set far in the past, in what is now eastern Ulster and northern Leinster, particularly counties Armagh, Down and Louth. It focuses on the mythical Ulster king Conchobar mac Nessa and his court at Emain Macha, the hero Cú Chulainn, and their conflict with the Connachta and queen Medb. The longest and most important tale is the epic ''Táin Bó Cúailnge'' (Cattle Raid of Cooley). The Ulster Cycle is one of the four 'cycles' of Irish mythology and legend, along with the Mythological Cycle, the Fianna Cycle and the Kings' Cycle. Ulster Cycle stories The Ulster Cycle stories are set in and around the reign of King Conchobar mac Nessa, who rules the Ulaid from Emain Macha (now Navan Fort near Armagh). The most prominent hero of the cycle is Conchobar's nephew, Cú Chulainn. The Ulaid are most often in conflict with the Connacht ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Just Intonation
In music, just intonation or pure intonation is the tuning of musical intervals Interval may refer to: Mathematics and physics * Interval (mathematics), a range of numbers ** Partially ordered set#Intervals, its generalization from numbers to arbitrary partially ordered sets * A statistical level of measurement * Interval e ... as whole number ratios (such as 3:2 or 4:3) of Frequency, frequencies. An interval (music), interval tuned in this way is said to be pure, and is called a just interval. Just intervals (and chords created by combining them) consist of tones from a single harmonic series (music), harmonic series of an implied fundamental frequency, fundamental. For example, in the diagram, if the notes G3 and C4 (labelled 3 and 4) are tuned as members of the harmonic series of the lowest C, their frequencies will be 3 and 4 times the fundamental frequency. The interval ratio between C4 and G3 is therefore 4:3, a just fourth (music), fourth. In Western musical practice ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Musical Tuning
In music, there are two common meanings for tuning: * Tuning practice, the act of tuning an instrument or voice. * Tuning systems, the various systems of pitches used to tune an instrument, and their theoretical bases. Tuning practice Tuning is the process of adjusting the pitch of one or many tones from musical instruments to establish typical intervals between these tones. Tuning is usually based on a fixed reference, such as A = 440 Hz. The term "''out of tune''" refers to a pitch/tone that is either too high (sharp) or too low (flat) in relation to a given reference pitch. While an instrument might be in tune relative to its own range of notes, it may not be considered 'in tune' if it does not match the chosen reference pitch. Some instruments become 'out of tune' with temperature, humidity, damage, or simply time, and must be readjusted or repaired. Different methods of sound production require different methods of adjustment: * Tuning to a pitch with one's voic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cantus Firmus
In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect treatment of ''cantus'' as a second- rather than a fourth-declension noun) can also be found. The Italian is often used instead: (and the plural in Italian is ). History The term first appears in theoretical writings early in the 13th century (e.g., Boncampagno da Signa, ''Rhetorica novissima'', 1235). The earliest polyphonic compositions almost always involved a cantus firmus, typically a Gregorian chant, although by convention the term is not applied to music written before the 14th century. The earliest surviving polyphonic compositions, in the ''Musica enchiriadis'' (around 900 AD), contain the chant in the top voice, and the newly composed part underneath; however, this usage changed around 1100, after which the cantus firmus typicall ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Drone (music)
In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is ''burden'' (''bourdon'' or ''burdon'') such as a "drone ipeof a bagpipe", the pedal point in an organ, or the lowest course of a lute. Α ''burden'' is also part of a song that is repeated at the end of each stanza, such as the chorus or refrain.Brabner, John H F., ed. (1884). The national encyclopædia', Vol. V, p.99. Libr. ed. William McKenzie. . Musical effect "Of all harmonic devices, it droneis not only the simplest, but probably also the most fertile." A drone effect can be achieved through a sustained sound or through repetition of a note. It most often establishes a tonality upon which the rest of the piece is built. A drone can be instrumental, vocal or both. Drone (both instrumental and vocal) can be place ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bhagavad Gita
The Bhagavad Gita (; sa, श्रीमद्भगवद्गीता, lit=The Song by God, translit=śrīmadbhagavadgītā;), often referred to as the Gita (), is a 700- verse Hindu scripture that is part of the epic ''Mahabharata'' (chapters 23–40 of book 6 of the Mahabharata called the Bhishma Parva), dated to the second half of the first millennium BCE and is typical of the Hindu synthesis. It is considered to be one of the holy scriptures for Hinduism. The Gita is set in a narrative framework of a dialogue between Pandava prince Arjuna and his guide and charioteer Krishna. At the start of the dharma yuddha (or the "righteous war") between the Pandavas and the Kauravas, Arjuna is preoccupied by a moral and emotional dilemma and despairs about the violence and death the war will cause in the battle against his kin. Wondering if he should renounce the war, he seeks Krishna's counsel, whose answers and discourse constitute the Gita. Krishna counsels Arjuna to "fu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |