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Chanson à Bouche Fermée
(Song for closed mouth), JA 039, is a composition for unaccompanied four-part choir by Jehan Alain. He wrote the music in 1933. It is to be performed with closed mouth. It was published in 1989, edited by his sister Marie-Claire Alain. History Jehan Alain composed in 1933 for a four-part choir (SATB, ), to be sung without text and with closed mouth, in the vocal technique. It is one of few secular choral works by Alain. It was published in 1989 by Editions de la Schola Cantorum, edited by his sister, the organist Marie-Claire Alain. Music The music is written in G minor and common time. The duration is about three minutes. It has the character of a lullaby, with a gentle swing of simple melodic Motif (music), motifs. The first motiv has only three notes, with beginning and ending with G, the ending being a sequence of eighth-notes G-A-G-A-G. This characteristic figure appears in the four voices at different times and levels. The music begins softly, is carefully marked for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jehan Alain
Jehan-Aristide Paul Alain (; 3 February 1911 – 20 June 1940) was a French organist, composer, and soldier. Born into a family of musicians, he learned the organ from his father and a host of other teachers, becoming a composer at 18, and composing until the outbreak of the Second World War 10 years later. His compositional style was influenced by the musical language of the earlier Claude Debussy, as well as his interest in music, dance and philosophy of the far east. At the outbreak of the Second World War, Alain became a dispatch rider in the Eighth Motorised Armour Division of the French Army; he took part in the Battle of Saumur, in which he was killed. His younger brother was composer-organist-pianist-musicologist Olivier Alain and his younger sister was renowned organist Marie-Claire Alain who was also responsible for popularising his works. Biography Alain was born in Saint-Germain-en-Laye in the western suburbs of Paris, into a family of musicians. His father, Albert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perdendosi
A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1′ : "sifflet" or one foot organ stop ; I : usually for orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest string ; ′ : Tierce organ stop ; 2′ : two feet – pipe organ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choral Music
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'chorus' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Guillard
Georges Guillard (born 19 May 1939) is a French organist, former holder of the Great Organ of the Notre-Dame-des-Blancs-Manteaux church in Paris. Life Born in Saint-Just-la-Pendue, Guillard was for a long time the holder of the Grandes Orgues de Notre-Dame-des-Blancs-Manteaux and the Église Saint-Louis-en-l'Île in Paris. Founder and former head of the Department of early music at the , he is also a doctor of musicology: his thesis, defended in 1993 under the supervision of Danièle Pistone, is entitled ''L'orgue à Paris de 1964 à 1986''. He is a regular guest at Radio France and the main festivals of the capital (Festival Estival, Festival d'Art Sacré), and has also given numerous concerts in the provinces and in Europe. He has also been executive producer at Radio France (France Musique) for organ cycles. In 2002, he launched a complete set of Bach' Cantatas in the Notre-Dame-des-Blancs-Manteaux church, which was a great public success, is to last for more than twenty y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio France
Radio France is the French national public radio broadcaster. Stations Radio France offers seven national networks: *France Inter — Radio France's "generalist" station, featuring entertaining and informative talk mixed with a wide variety of music, plus hourly news bulletins with extended news coverage in the morning, midday, and early-evening peaks *France Info — 24-hour news *France Culture — cultural programming covering the arts, history, science, philosophy, etc. together with in-depth news coverage at peak times *France Musique — classical music and jazz *France Bleu — a network of 44 regional stations, mixing popular music with locally based talk and information, including: ** France Bleu 107.1 — for the Paris-Île-de-France region **France Bleu Béarn — Pyrénées-Atlantiques **France Bleu Nord — Nord and Pas de Calais * FIP — specialising in a wide range of music – classical, hip hop, jazz, chanson, rock, blues, world music – and minimal speech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quatre Motets Sur Des Thèmes Grégoriens
' (Four motets on Gregorian themes), Opus number, Op. 10, are four Sacred music, sacred motets composed by Maurice Duruflé in 1960, based on Gregorian chant, Gregorian Theme (music), themes. He set Ubi caritas et amor, Tota pulchra es, Tu es Petrus and Tantum ergo. History Maurice Duruflé composed the four motets in 1960, based on Gregorian chant, Gregorian Theme (music), themes, as he had done before in his Requiem (Duruflé), Requiem of 1948. He set Latin texts, scored for unaccompanied voices: a mixed choir in Nos. 1, 3 and 4, and a women's choir in No. 2. Duruflé dedicated the work to Auguste Le Guennant, the director of the Gregorian Institute of Paris. The motets were published in 1960 by Éditions Durand, Duruflé's primary publisher. The motets were first performed on 4 May 1961 at the church of Saint-Merri in Paris by the Chorale Stéphane Caillat. Structure, texts and music The four motets set Latin texts for different liturgical occasions: # Ubi caritas et amor # ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Litanies à La Vierge Noire
' (; "Litany to the Black Virgin"), FP (Poulenc), FP 82, is a piece of sacred music composed by Francis Poulenc in 1936 for a three-part choir of women (or children) and organ, setting a French litany recited at the pilgrimage site Rocamadour which the composer visited. The subtitle, ''Notre-Dame de Rocamadour'', refers to the venerated black sculpture of Mary, mother of Jesus, Mary. The composition is Poulenc's first piece of sacred music. In 1947 he wrote a version for voices accompanied by string orchestra and timpani. History Poulenc returned to the Catholic faith of his youth in 1936 and began to compose sacred music with this piece. He made a pilgrimage to the shrine of the Black Virgin of Rocamadour shortly after learning of the death of his friend, the composer Pierre-Octave Ferroud, in a car accident. His account of the pilgrimage reads: The piece was published by Auguste Durand, Durand & Cie in Paris in 1937. Text and music Poulenc heard the French text of the litany ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notre-Dame De Paris
Notre-Dame de Paris (; meaning "Our Lady of Paris"), referred to simply as Notre-Dame, is a medieval Catholic cathedral on the Île de la Cité (an island in the Seine River), in the 4th arrondissement of Paris. The cathedral, dedicated to the Virgin Mary, is considered one of the finest examples of French Gothic architecture. Several of its attributes set it apart from the earlier Romanesque style, particularly its pioneering use of the rib vault and flying buttress, its enormous and colourful rose windows, and the naturalism and abundance of its sculptural decoration. Notre Dame also stands out for its musical components, notably its three pipe organs (one of which is historic) and its immense church bells. Construction of the cathedral began in 1163 under Bishop Maurice de Sully and was largely completed by 1260, though it was modified frequently in the centuries that followed. In the 1790s, during the French Revolution, Notre-Dame suffered extensive desecration; much of i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maîtrise Notre Dame De Paris
Maîtrise Notre Dame de Paris is a pre-college music school situated in Paris, France France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of Overseas France, overseas regions and territories in the Americas and the Atlantic Ocean, Atlantic, Pacific Ocean, Pac .... Its origins can be dated to the 12th century and are associated with the rise of the cathedral of Notre-Dame. External links Notre-Dame de Paris's Singers Education in Paris Notre-Dame de Paris {{France-school-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maîtrise De Radio France
Maîtrise de Radio France (known as Maîtrise de Radiodiffusion-Télévision Française prior to 1975) is the choir school of Radio France. The school and its choir were founded in 1946 by the composer Henry Barraud and the pedagogue Maurice David. Its first Director was Marcel Couraud. As a performing ensemble the Maîtrise choir has appeared on numerous recordings and in live concert performances, with a particular emphasis on choral works by French composers. It is one of the four permanent ensembles of Radio France along with the Orchestre philharmonique de Radio France, Orchestre national de France and Chœur de Radio France. The school's administration is based at the Maison de la Radio in the 16th arrondissement of Paris, while its academic base is the nearby Lycée La Fontaine. A second site was opened in Bondy in 2007 to serve children and young people resident in the north-eastern suburbs of Paris. Sofi Jeannin has served as the director of both the school and its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decrescendo
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir", of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's ''Polish Requiem''. or SSATB, with divided sopranos, which is a typical scoring in English church music. A listing for Bach's ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
