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Chamber Folk
Folk baroque or baroque guitar, is a distinctive and influential guitar fingerstyle developed in Britain in the 1960s, which combined elements of American folk, blues, jazz and ragtime with British folk music to produce a new and elaborate form of accompaniment. It has been highly important in folk music, folk rock and British folk rock playing, particularly in Britain, Ireland, North America and France. Definition Particularly notable in the folk baroque style was the adoption of DADGAD tuning, which gave a form of suspended-fourth D chord, usefully neither major or minor, which could be employed as the basis for modal-based folk songs.V. Coelho, '' The Cambridge Companion to the Guitar'' (Cambridge University Press, 2003), p. 39. It is uncertain who first developed this tuning, as both Davy Graham and Martin Carthy attributed it to each other, but it has been speculated that Graham may have acquired it from the oud while visiting north Africa. This was combined with a fingerstyl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Folk Music
Contemporary folk music refers to a wide variety of genres that emerged in the mid 20th century and afterwards which were associated with traditional folk music. Starting in the mid-20th century a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction. The transition was somewhat centered in the US and is also called the American folk music revival. Fusion genres such as folk rock and others also evolved within this phenomenon. While contemporary folk music is a genre generally distinct from traditional folk music, it often shares the same English name, performers and venues as traditional folk music; even individual songs may be a blend of the two. While the Romantic nationalism of the first folk revival had i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Travis Picking
Fingerstyle guitar is the technique of playing the guitar or bass guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking (plucking individual notes with a single plectrum, commonly called a "pick"). The term "fingerstyle" is something of a misnomer, since it is present in several different genres and styles of music—but mostly, because it involves a completely different technique, not just a "style" of playing, especially for the guitarist's picking/plucking hand. The term is often used synonymously with fingerpicking except in classical guitar circles, although fingerpicking can also refer to a specific tradition of folk, blues and country guitar playing in the US. The terms "fingerstyle" and "fingerpicking" also applied to similar string instruments such as the banjo. Music arranged for fingerstyle playing can include chords, arpeggios (the notes of a chord played one after the other, as opposed t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mingus
Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz upright bassist, pianist, composer, bandleader, and author. A major proponent of collective improvisation, he is considered to be one of the greatest jazz musicians and composers in history,See the 1998 documentary ''Triumph of the Underdog'' with a career spanning three decades and collaborations with other jazz musicians such as Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie, and Herbie Hancock. Mingus' compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty, and Mingus Orchestra, to the high school students who play the charts and compete in the Charles Mingus High School Competition. In 1993, the Library of Congress acquired Mingus' collected papers—including scores, sound recordings, correspondence and photos—in what they described as "the most important acquisition of a manuscript collection relating to jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anji (song)
"Anji" (or "Angi", "Angie" or "On gee") is an acoustic fingerstyle guitar piece composed and recorded by noted folk guitarist Davy Graham in 1961 and originally released as part of his EP debut '' 3/4 AD''. The piece is one of the best-known acoustic blues-folk guitar pieces ever composed, with many notable artists covering it, such as Bert Jansch (included on his first, eponymous album in 1965, renamed as "Angie" - the album cover credits Graham), John Renbourn, Lillebjørn Nilsen, Paul Simon (on the Simon & Garfunkel album ''Sounds of Silence''), and Harry Sacksioni (on his ''Optima Forma - Live'' album). The song is in the key of A minor (often used with a capo at the second fret) and is notable for its trademark descending bassline. However, the original recording by Davy Graham is in the key of C minor with a capo at the third fret. Parts of the tune were sampled for the Chumbawamba track "Jacob's Ladder" from their album '' Readymades'' and the anti-war single " Jacob's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexis Korner
Alexis Andrew Nicholas Koerner (19 April 1928 – 1 January 1984), known professionally as Alexis Korner, was a British blues musician and radio broadcaster, who has sometimes been referred to as "a founding father of British blues". A major influence on the sound of the British music scene in the 1960s, Korner was instrumental in the formation of several notable British bands including The Rolling Stones and Free. Early career Alexis Andrew Nicholas Koerner was born on 19 April 1928 in Paris, France, to an Austrian Jewish father and a mother of Greek, Turkish and Austrian descent. He spent his childhood in France, Switzerland and North Africa and arrived in London in 1940 at the start of World War II. One memory of his youth was listening to a record by black pianist Jimmy Yancey during a German air raid. Korner said, "From then on all I wanted to do was play the blues." After the war, the man played piano and guitar (his first guitar was built by friend and author Sydney Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extended Play
An extended play record, usually referred to as an EP, is a musical recording that contains more tracks than a single but fewer than an album or LP record.Official Charts Company , access-date=March 21, 2017 Contemporary EPs generally contain four or five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of other than 78 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Topic Records
Topic Records is a British folk music label, which played a major role in the second British folk revival. It began as an offshoot of the Workers' Music Association in 1939, making it the oldest independent record label in the world.M. Brocken, ''The British Folk Revival 1944-2002'' (Aldershot: Ashgate, 2003), pp. 55-65. History The label began as an offshoot of the communist led Workers' Music Association in 1939, selling Soviet and left-wing political music by mail order. After a period of relative inactivity in the Second World War, production resumed in the later 1940s, moving towards traditional music for the emerging revival market. Up to 1949 the composer Alan Bush was involved with choral and orchestral music released on the label. Topic also produced some of the first American blues records to be commercially available in Britain. From about 1950 the two key figures of the second revival, Ewan MacColl and A. L. Lloyd, became heavily involved, producing several records o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Renbourn
John Renbourn (8 August 1944 – 26 March 2015) was an English guitarist and songwriter. He was best known for his collaboration with guitarist Bert Jansch as well as his work with the folk group Pentangle, although he maintained a solo career before, during and after that band's existence (1967–1973). He worked later in a duo with Stefan Grossman. While most commonly labelled a folk musician, Renbourn's musical tastes and interests took in early music, classical music, jazz, blues and world music. His most influential album, ''Sir John Alot'' (1968), featured his take on tunes from the medieval period. Biography John Renbourn studied classical guitar at school and it was during this period that he was introduced to early music. In the 1950s, along with many others, he was greatly influenced by the musical craze of skiffle and this eventually led him to explore the work of artists such as Lead Belly, Josh White and Big Bill Broonzy. In the 1960s, the new craze in popula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bert Jansch
Herbert Jansch (3 November 1943 – 5 October 2011) was a Scottish folk musician and founding member of the band Pentangle. He was born in Glasgow and came to prominence in London in the 1960s as an acoustic guitarist and singer-songwriter. He recorded more than 28 albums and toured extensively from the 1960s to the 21st century. Jansch was a leading figure in the 1960s British folk revival, touring folk clubs and recording several solo albums, as well as collaborating with other musicians such as John Renbourn and Anne Briggs. In 1968, he co-founded the band Pentangle, touring and recording with them until their break-up in 1972. He then took a few years' break from music, returning in the late 1970s to work on a series of projects with other musicians. He joined a reformed Pentangle in the early 1980s and remained with them as they evolved through various changes of personnel until 1995. Until his death, Jansch continued to work as a solo artist. Jansch's work influenced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Modes
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. (Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skiffle
Skiffle is a genre of folk music with influences from American folk music, blues, country, bluegrass, and jazz, generally performed with a mixture of manufactured and homemade or improvised instruments. Originating as a form in the United States in the first half of the 20th century, it became extremely popular in United Kingdom in the 1950s, where it was played by such artists as Lonnie Donegan, The Vipers Skiffle Group, Ken Colyer, and Chas McDevitt. Skiffle was a major part of the early careers of some musicians who later became prominent jazz, pop, blues, folk, and rock performers, The Beatles and Rory Gallagher amongst them. It has been seen as a critical stepping stone to the second British folk revival, the British blues boom, and the British Invasion of American popular music. Origins in the United States The origins of skiffle are obscure but generally thought to lie in African-American musical culture in the early 20th century. Skiffle is often said to have developed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
