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Chalchihuitlicue
Chalchiuhtlicue (from ''chālchihuitl'' "jade" and ''cuēitl'' "skirt") (also spelled Chalciuhtlicue, Chalchiuhcueye, or Chalcihuitlicue) ("She of the Jade Skirt") is an Aztec deity of water, rivers, seas, streams, storms, and baptism. Chalchiuhtlicue is associated with fertility, and she is the patroness of childbirth. Chalchiuhtlicue was highly revered in Aztec culture at the time of the Spanish conquest, and she was an important deity figure in the Postclassic Aztec realm of central Mexico. Chalchiuhtlicue belongs to a larger group of Aztec rain gods, and she is closely related to another Aztec water god called Chalchiuhtlatonal. Religious significance Chalchiuitlicue directly translates to "Jade her skirt"; however, her name is most commonly interpreted as "she of the jade skirt." She was also known as Chalchiuhtlatonac (chalchihu tltla-tona-c) "She who shines like jade" and Matlalcueye "Possessor of the Blue Skirt" by the Tlaxcalans, an indigenous group who inhabited the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chalchiuhtlicue Copy
Chalchiuhtlicue (from ''chālchihuitl'' "jade" and ''cuēitl'' "skirt") (also spelled Chalciuhtlicue, Chalchiuhcueye, or Chalcihuitlicue) ("She of the Jade Skirt") is an Aztec deity of water, rivers, seas, streams, storms, and baptism. Chalchiuhtlicue is associated with fertility, and she is the patroness of childbirth. Chalchiuhtlicue was highly revered in Aztec culture at the time of the Spanish conquest, and she was an important deity figure in the Postclassic Aztec realm of central Mexico. Chalchiuhtlicue belongs to a larger group of Aztec rain gods, and she is closely related to another Aztec water god called Chalchiuhtlatonal. Religious significance Chalchiuitlicue directly translates to "Jade her skirt"; however, her name is most commonly interpreted as "she of the jade skirt." She was also known as Chalchiuhtlatonac (chalchihu tltla-tona-c) "She who shines like jade" and Matlalcueye "Possessor of the Blue Skirt" by the Tlaxcalans, an indigenous group who inhabited the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chalchiuhtlicue
Chalchiuhtlicue (from ''chālchihuitl'' "jade" and ''cuēitl'' "skirt") (also spelled Chalciuhtlicue, Chalchiuhcueye, or Chalcihuitlicue) ("She of the Jade Skirt") is an Aztec deity of water, rivers, seas, streams, storms, and baptism. Chalchiuhtlicue is associated with fertility, and she is the patroness of childbirth. Chalchiuhtlicue was highly revered in Aztec culture at the time of the Spanish conquest, and she was an important deity figure in the Postclassic Aztec realm of central Mexico. Chalchiuhtlicue belongs to a larger group of Aztec rain gods, and she is closely related to another Aztec water god called Chalchiuhtlatonal. Religious significance Chalchiuitlicue directly translates to "Jade her skirt"; however, her name is most commonly interpreted as "she of the jade skirt." She was also known as Chalchiuhtlatonac (chalchihu tltla-tona-c) "She who shines like jade" and Matlalcueye "Possessor of the Blue Skirt" by the Tlaxcalans, an indigenous group who inhabited the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Codex Borbonicus
The Codex Borbonicus is an Aztec codex written by Aztec priests shortly before or after the Spanish conquest of the Aztec Empire. It is named after the Palais Bourbon in France and kept at the Bibliothèque de l'Assemblée Nationale in Paris. The codex is an outstanding example of how Aztec manuscript painting is crucial for the understanding of Mexica calendric constructions, deities, and ritual actions.Keber, Eloise Quiñones. "Borbonicus, Codex." In Davíd Carrasco (ed). .html" ;"title="ol 1">The Oxford Encyclopedia of Mesoamerican Cultures [vol 1/nowiki>">ol 1">The Oxford Encyclopedia of Mesoamerican Cultures [vol 1/nowiki>' . : Oxford University Press, 2001 History The Codex Borbonicus is one of a very few Aztec codices that survived the colonial Spanish inquisition. When the Spanish conquistadors (lead by Hernán Cortés) entered Aztec cities, they would often find libraries filled with thousands of native works. However, most of the works were destroyed during the con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aztec Empire
The Aztec Empire or the Triple Alliance ( nci, Ēxcān Tlahtōlōyān, Help:IPA/Nahuatl, [ˈjéːʃkaːn̥ t͡ɬaʔtoːˈlóːjaːn̥]) was an alliance of three Nahua peoples, Nahua altepetl, city-states: , , and . These three city-states ruled that area in and around the Valley of Mexico from 1428 until the combined forces of the Spanish and their native allies who ruled under defeated them in 1521. The alliance was formed from the victorious factions of a civil war fought between the city of and its former tributary provinces. Despite the initial conception of the empire as an alliance of three self-governed city-states, the capital became dominant militarily. By the time the Spanish arrived in 1519, the lands of the alliance were effectively ruled from , while other partners of the alliance had taken subsidiary roles. The alliance waged wars of conquest and expanded after its formation. The alliance controlled most of central Mexico at its height, as well as some more di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Codex Ríos
''Codex Ríos'' is an Italian translation and augmentation of a Spanish colonial-era manuscript, Codex Telleriano-Remensis, that is partially attributed to Pedro de los Ríos, a Dominican Order, Dominican Dominican friar, friar working in Oaxaca and Puebla between 1547 and 1562. The codex itself was likely written and drawn in Italy after 1566. Description The manuscript is focused on the Tolteca-Chichimeca culture in the Tehuacan Valley in modern-day Puebla and Oaxaca. It can be divided into seven sections: :# Cosmological and mythological traditions with emphasis on the four epochs. :# An almanac, or ''tonalamatl'', for the 260-day divinatory year common in Mesoamerica. :# Calendar tables for the years 1558 through 1619, without drawings. :# An 18-month festival calendar, with drawings of the gods of each period. :# Ritual customs, with portraits of Indians. :# Pictorial chronicles for the years 1195-1549 beginning with the migration from Chicomoztoc and covering later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Codex Borgia
The Codex Borgia ( The Vatican, Bibl. Vat., Borg.mess.1), also known as ''Codex Borgianus'', ''Manuscrit de Veletri'' and ''Codex Yohualli Ehecatl'', is a pre-Columbian Middle American pictorial manuscript from Central Mexico featuring calendrical and ritual content, dating from the 16th century. It is named after the 18th century Italian Cardinal, Stefano Borgia, who owned it before it was acquired by the Vatican Library after the Cardinal's death in 1804. The Codex Borgia is a member of, and gives its name to, the Borgia Group of manuscripts. It is considered to be among the most important sources for the study of Central Mexican gods, ritual, divination, calendar, religion and iconography. It is one of only a handful of pre-Columbian Mexican codices that were not destroyed during the conquest in the 16th century; it was perhaps written near Cholula, Tlaxcala, Huejotzingo or the Mixtec region of Puebla. Its ethnic affiliation is unclear, and could either have been produced by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pre-Columbian
In the history of the Americas, the pre-Columbian era spans from the original settlement of North and South America in the Upper Paleolithic period through European colonization, which began with Christopher Columbus's voyage of 1492. Usually, the era covers the history of Indigenous cultures until significant influence by Europeans. This may have occurred decades or even centuries after Columbus for certain cultures. Many pre-Columbian civilizations were marked by permanent settlements, cities, agriculture, civic and monumental architecture, major earthworks, and complex societal hierarchies. Some of these civilizations had long faded by the time of the first permanent European colonies (c. late 16th–early 17th centuries), and are known only through archaeological investigations and oral history. Other civilizations were contemporary with the colonial period and were described in European historical accounts of the time. A few, such as the Maya civilization, had their own wri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Five Suns
In the context of creation myths, the term Five Suns describes the doctrine of the Aztec and other Nahua peoples in which the present world was preceded by four other cycles of creation and destruction. It is primarily derived from the mythological, cosmological and eschatological beliefs and traditions of earlier cultures from central Mexico and the Mesoamerican region in general, and fits into a broader category of Fifth World mythologies. The Late Postclassic Aztec society inherited many traditions concerning Mesoamerican creation accounts, while modifying some aspects and supplying novel interpretations of their own. In the creation myths which were known to the Aztec and other Nahua peoples of the Late Postclassic era, the central tenet was that there had been four worlds, or "Suns," before the present universe. These earlier worlds and their inhabitants had been created, then destroyed by the catastrophic action of leading deity figures. The present world is the fifth sun, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creation Myth
A creation myth (or cosmogonic myth) is a symbolic narrative of how the world began and how people first came to inhabit it., "Creation myths are symbolic stories describing how the universe and its inhabitants came to be. Creation myths develop through oral traditions and therefore typically have multiple versions." While in popular usage the term ''myth'' often refers to false or fanciful stories, members of cultures often ascribe varying degrees of truth to their creation myths. In the society in which it is told, a creation myth is usually regarded as conveying profound truthsmetaphorically, symbolically, historically, or literally. They are commonly, although not always, considered cosmogonical mythsthat is, they describe the ordering of the cosmos from a state of chaos or amorphousness. Creation myths often share several features. They often are considered sacred accounts and can be found in nearly all known religious traditions. They are all stories with a plot and charac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xiuhtecuhtli
In Aztec mythology, Xiuhtecuhtli ("Turquoise Lord" or "Lord of Fire"), was the god of fire, day and heat. In historical sources he is called by many names, which reflect his varied aspects and dwellings in the three parts of the cosmos. He was the lord of volcanoes, the personification of life after death, warmth in cold (fire), light in darkness and food during famine. He was also named Cuezaltzin ("flame") and Ixcozauhqui , and is sometimes considered to be the same as Huehueteotl ("Old God"), although Xiuhtecuhtli is usually shown as a young deity.Matos Moctezuma & Solis Olguín 2002, p.476. His wife was Chalchiuhtlicue. Xiuhtecuhtli is sometimes considered to be a manifestation of Ometecuhtli, the Lord of Duality, and according to the Florentine Codex Xiuhtecuhtli was considered to be the father of the Gods, who dwelled in the turquoise enclosure in the center of earth.Matos Moctezuma 1988, p.94. Xiuhtecuhtli-Huehueteotl was one of the oldest and most revered of the indigeno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
