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Chaka Khan (1982 Album)
''Chaka Khan'' is the fourth solo album by American R&B/funk singer Chaka Khan, released on the Warner Bros. Records label in 1982. Overview Two singles were released from ''Chaka Khan'': the Michael Jackson cover "Got to Be There" (US Pop #67, US R&B #5) and "Tearin' It Up" (US R&B #48), the latter also as a 12" single including an extended remix (7:21) as well as an instrumental version (8:07), both mixed by Larry Levan and included on Warner Music Japan's 1999 compilation ''Dance Classics of Chaka Khan''. The album track "Slow Dancin'" was a funky ballad duet with Rick James. On Billboard's charts, the album reached #5 on Black Albums and #52 on Pop Albums. The "Be Bop Medley" won producer Arif Mardin and Khan a Grammy Award in 1984 in the ''Best Vocal Arrangement For Two Or More Voices'' category. Following the release of the ''Chaka Khan'' album and the greatest hits package ''The Very Best of Rufus featuring Chaka Khan'', Khan reunited with the band Rufus later that year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaka Khan
Yvette Marie Stevens (born March 23, 1953), better known by her stage name Chaka Khan (), is an American singer. Her career has spanned more than five decades, beginning in the 1970s as the lead vocalist of the funk band Rufus. Known as the " Queen of Funk", Khan was the first R&B artist to have a crossover hit featuring a rapper, with " I Feel for You" in 1984. Khan has won ten Grammy Awards and has sold an estimated 70 million records worldwide. With Rufus, she achieved four gold singles, four gold albums, and two platinum albums. In the course of her solo career, Khan achieved three gold singles, three gold albums, and one platinum album with '' I Feel for You''. She has collaborated with Steve Winwood, Ry Cooder, Robert Palmer, Ray Charles, Quincy Jones, Guru, Chicago, De La Soul, Mary J. Blige, among others. In December 2016, ''Billboard'' magazine ranked her as the 65th most successful dance artist of all time. She was ranked at No. 17 in VH1's original list of the 100 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award
The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize "outstanding" achievements in the music industry. They are regarded by many as the most prestigious, significant awards in the music industry worldwide. It was originally called the Gramophone Awards, as the trophy depicts a gilded Phonograph, gramophone. The Grammys are the first of the Big Three television networks, Big Three networks' major music awards held annually, and is considered one of the EGOT, four major annual American entertainment awards, alongside the Academy Awards (for films), the Emmy Awards (for television), and the Tony Awards (for theater). The 1st Annual Grammy Awards, first Grammy Awards ceremony was held on May 4, 1959, to honor the musical accomplishments of performers for the year 1958. After the 2011 ceremony, the Recording Academy overhauled many Grammy Award categories for 2012. History The Grammys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lou Stein
Lou Stein (April 22, 1922 – December 11, 2002) was an American jazz pianist. Born in Philadelphia, Pennsylvania, Stein joined Ray McKinley's band in 1942. He played with Glenn Miller when the latter was stateside during World War II. After the war he worked with Charlie Ventura (1946–47) and became a session musician. He performed with the Lawson-Haggart Band, Benny Goodman, Sarah Vaughan, the Sauter-Finegan Orchestra, Louie Bellson, Red Allen, Coleman Hawkins, and Lester Young, and recorded as a bandleader. In 1957 he had a U.S. Top 40 hit with "Almost Paradise", which peaked at No. 31 on the ''Billboard'' Hot 100. His cover version of "Got a Match" made the ''Cashbox'' Top 60 in 1958. He played with Joe Venuti from 1969 to 1972. Discography * ''Lou Stein Trio'' ( Brunswick, 1954) * ''House Hop'' ( Epic, 1954) * ''Lou Stein at Large!'' (Brunswick, 1954) * ''Six for Kicks'' (Jubilee, 1954) * ''The Lou Stein 3, 4, and 5'' (Epic, 1955) * ''Eight for Kicks, Four for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadd Dameron
Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist. Biography Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940-41 he was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote " If You Could See Me Now" for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington. In the late 1940s, Dameron wrote arrangements for Gillespie's big band, who gave the première of his large-scale orchestral piece ''Soulphony in Three Hearts'' at Carnegie Hall in 1948. Also in 1948, Dameron led his own group in New York, which included F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giant Steps (composition)
"Giant Steps" is a jazz composition by American saxophonist John Coltrane. It was first recorded in 1959 and released on the 1960 album ''Giant Steps''. The composition features a cyclic chord pattern that has come to be known as Coltrane changes. The composition has become a jazz standard, covered by many artists. Due to its speed and rapid transition through the three keys of B major, G major and E♭ major, '' Vox'' described the piece as "the most feared song in jazz" and "one of the most challenging chord progressions to improvise over" in the jazz repertoire. Background "Giant Steps" was composed and recorded during Coltrane's 1959 sessions for Atlantic Records, his first for the label. The original recording features Coltrane on tenor saxophone, Paul Chambers on double bass, Tommy Flanagan on piano, and Art Taylor on drums. As with other compositions, Coltrane brought "Giant Steps" to the studio without rehearsal. On the original recording, Flanagan played a choppy start-s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Con Alma
"Con Alma" is a jazz standard written by Dizzy Gillespie, appearing on his 1954 album ''Afro''. The tune incorporates aspects of bebop jazz and Latin rhythm, and is known for its frequent changes in key centers (occurring every two bars), while still maintaining a singable melody. Notable recordings It has been noted that "As good as Dizzy's versions of his own tune are, it's probably not too crazy to say that 'Con Alma' really took off in the hands of other musicians."Ben Gray"Con Alma: A Critical Analysis of Covers" Nextbop.com Among those who have recorded versions are: * Sonny Rollins * Sonny Stitt * Hal McKusick ('' Triple Exposure'', 1957) * Oscar Peterson (''The Jazz Soul of Oscar Peterson'', 1959; ''Swinging Brass with the Oscar Peterson Trio'', 1959) * Roy Haynes ('' Just Us'', 1960) * The Jazztet ('' Big City Sounds'', 1960) * Ray Bryant (''Con Alma'', 1961) * Wes Montgomery ('' Bumpin''', 1965) * Charles McPherson ('' Con Alma!'', 1965) * Ed Bickert * Brian Bennett (' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yardbird Suite
"Yardbird Suite" is a bebop standard composed by jazz saxophonist Charlie Parker in 1946. The title combines Parker's nickname "Yardbird" (often shortened to "Bird") and a colloquial use of the classical music term " suite" (in a manner similar to such jazz titles as Lester Young's "Midnight Symphony" and Duke Ellington's "Ebony Rhapsody"). The composition uses an 32-bar AABA form. The "graceful, hip melody, became something of an anthem for beboppers." Three Charlie Parker recordings Although, as Bob Dorough wrote in the liner notes to the re-release of his album ''Yardbird Suite'', fans used to follow Parker everywhere he played and often taped his performances, there are only three known commercial recordings of Parker himself playing the tune. The first two were recorded with a septet at Radio Recorders in Hollywood on March 28, 1946. The session was supervised and produced by Ross Russell for his Dial Records label. Besides Parker on alto saxophone was Miles Davis on trump ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epistrophy (composition)
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the '' Genius of Modern Music'' sessions. It also appears on ''5 by Monk by 5'', and ''Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot House (composition)
"Hot House" is a bebop jazz standard, standard, composed by United States, American jazz musician Tadd Dameron in 1945. Its harmony, harmonic structure is identical to Cole Porter's "What Is This Thing Called Love?" (see contrafact). The tune was made famous by Dizzy Gillespie and Charlie Parker as a quintet arrangement and become synonymous with those musicians; "Hot House" became an anthem of the Be-bop movement in jazz, American jazz. The most famous and referred to recording of the tune is by Charlie Parker, Parker and Dizzy Gillespie, Gillespie on the May 1953 live concert recording entitled Jazz at Massey Hall, after previously recording it for Savoy records in 1945 and at Carnegie Hall in 1947. The tune continues to be a favorite among jazz musicians and enthusiasts: * In 1962, Bud Powell recorded it on his Bouncing with Bud album for Delmark records * In 1964, Charles McPherson (musician), Charles McPherson played it with Carmell Jones on his Prestige album ''Bebop Revisited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elliot Willensky
Elliot A. Willensky (August 6, 1943 – March 29, 2010) was an American composer, lyricist and music producer. He wrote Michael Jackson's first solo hit "Got to Be There" and the Jermaine Jackson/Whitney Houston duet "If You Say My Eyes Are Beautiful." Willensky composed the music for the 1999 off-Broadway musical ''Abby's Song'' and served as the music coordinator for the Tony Orlando and Dawn variety show on CBS. Biography He was born in Bayonne, New Jersey on August 6, 1943, to Raymond Willensky and Gertrude Berlin. He attended Bayonne High School and graduated from Boston University with a degree in biology. He undertook post-graduate studies at Boston University and the University of Massachusetts Amherst and worked as a research scientist of the National Institutes of Health. Willensky left the scientific field to become a songwriter in 1969. Arguably Willensky's most well-known work is "Got to Be There," which was Michael Jackson's first solo hit and reached number 4 on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Musker
Frank John Musker (born 1951) is a British songwriter and composer. Most prolific in the 1980s and 1990s, he worked with artists such as Sheena Easton, the Babys, Robert Miles, Jennifer Rush, Bucks Fizz, Air Supply, Lucio Battisti, Zucchero, Lisa Stansfield and Brian May (for the Queen song "Too Much Love Will Kill You"). His collaboration with May was awarded Best Song Musically and Lyrically at the 1997 Ivor Novello Awards. One of Musker's earlier successes was the 1977 North American hit "Heaven on the 7th Floor", written with co-writer Dominic Bugatti. It became a hit for Paul Nicholas and The Mighty Pope. Musker and Bugatti then collaborated with John Waite, frontman for the Babys at the time, to compose "Back on My Feet Again", which would become the Babys' last top 40 hit, peaking at No. 33 in 1980. Two years later, Musker and Bugatti recorded their duo album on Atlantic Records, entitled ''The Dukes''. The album was produced by Arif Mardin and recorded and mixed by Gary Sk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunny Sigler
Walter "Bunny" Sigler (March 27, 1941 – October 6, 2017) was an American R&B singer, songwriter, multi-instrumentalist and record producer who did extensive work with the team of Kenny Gamble and Leon Huff, and was instrumental in creating the "Philly Sound" in the early 1970s. Career Sigler was born in Philadelphia, Pennsylvania, United States, and was nicknamed "Bunny" by his family as a young child. He sang in churches, and joined several local doo-wop groups, including the Opals, in which he sang with his brother James Sigler, Ritchie Rome and Jack Faith. By the late 1950s he had started performing in local venues as a singer and pianist, and he first recorded for the V-Tone Records label in 1959. Leon Huff then recommended him to record producers John Medora and Dave White at Cameo-Parkway Records. His second single for the Parkway label, a medley of two Shirley and Lee hits, " Let the Good Times Roll & Feel So Good", rose on both the national pop and R&B charts, r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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