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Chabrol
Claude Henri Jean Chabrol (; 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave (''nouvelle vague'') group of filmmakers who first came to prominence at the end of the 1950s. Like his colleagues and contemporaries Jean-Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a Film criticism, critic for the influential film magazine ''Cahiers du cinéma'' before beginning his career as a film maker. Chabrol's career began with ''Le Beau Serge'' (1958), inspired by Alfred Hitchcock, Hitchcock's ''Shadow of a Doubt'' (1943). Thrillers became something of a trademark for Chabrol, with an approach characterized by a distanced objectivity. This is especially apparent in ''Les Biches (film), Les Biches'' (1968), ''The Unfaithful Wife, La Femme infidèle'' (1969), and ''The Butcher (1970 film), Le Boucher'' (1970) – all featuring Stéphane Audran, who was his wife at the time. Sometimes characterized as a "mainstrea ...
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Thomas Chabrol
Thomas Chabrol (born 24 April 1963) is a French actor, director and screenwriter. Filmography On stage References External links * {{DEFAULTSORT:Chabrol, Thomas 1963 births 20th-century French male actors 21st-century French male actors French male film actors French male screenwriters French male television actors French screenwriters French television directors Living people ...
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Jacques Rivette
Jacques Rivette (; 1 March 1928 – 29 January 2016) was a French film director and film critic most commonly associated with the French New Wave and the film magazine '' Cahiers du Cinéma''. He made twenty-nine films, including '' L'amour fou'' (1969), '' Out 1'' (1971), ''Celine and Julie Go Boating'' (1974), and ''La Belle Noiseuse'' (1991). His work is noted for its improvisation, loose narratives, and lengthy running times. Inspired by Jean Cocteau to become a filmmaker, Rivette shot his first short film at age twenty. He moved to Paris to pursue his career, frequenting Henri Langlois' Cinémathèque Française and other ciné-clubs; there, he met François Truffaut, Jean-Luc Godard, Éric Rohmer, Claude Chabrol and other future members of the New Wave. Rivette began writing film criticism, and was hired by André Bazin for ''Cahiers du Cinéma'' in 1953. In his criticism, he expressed an admiration for American films – especially those of genre directors such as J ...
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La Cérémonie
''La Cérémonie'' is a 1995 crime drama film by Claude Chabrol, adapted from the 1977 novel ''A Judgement in Stone'' by Ruth Rendell. The film echoes the case of Christine and Lea Papin, two French maids who brutally murdered their employer's wife and daughter in 1933, as well as the 1947 play they inspired, '' The Maids'' by Jean Genet. Plot ''La Cérémonie'' tells the story of a young woman, Sophie Bonhomme ( Sandrine Bonnaire), who is hired as a maid by the Lelièvre family. The Lelièvres live in an isolated mansion in Brittany. The family consists of four members: Catherine ( Jacqueline Bisset) and Georges, the parents, who have no children together, but one each from previous marriages. Gilles is Catherine's and her ex-husband's son. He is a lonely teenager who loves reading and has a passion for arts in general. Melinda is Georges' and his late wife's daughter. She studies at a university and only spends the weekends at home, where she invites her boyfriend Jérémie. T ...
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Le Beau Serge
''Le Beau Serge'' (, literal English translation: "Handsome Serge") is a 1958 French film directed by Claude Chabrol. It has been cited as the first product of the Nouvelle Vague, or French New Wave, film movement. The film is often compared with Chabrol's subsequent film '' Les Cousins'', which also stars Gérard Blain and Jean-Claude Brialy. Plot François, a young man recovering from a mild case of a respiratory illness (probably tuberculosis), returns to his home town of Sardent after a long absence to spend the winter there. He is surprised to find that his old friend Serge has, dissatisfied with life in the village, become a wretched alcoholic. Serge had hoped to leave the village to study, but had to stay to marry a local girl, Yvonne, when she became pregnant. Their first child was stillborn, but Yvonne is pregnant again. Though François feels somewhat out of place in the provincial village, he is driven by his desire to figure out a way to help Serge. While he works o ...
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Stéphane Audran
Stéphane Audran (born Colette Suzanne Dacheville; 8 November 1932 – 27 March 2018) was a French actress. She was known for her performances in award-winning films such as ''The Discreet Charm of the Bourgeoisie'' (1972) and ''Babette's Feast'' (1987), and in critically acclaimed films like '' The Big Red One'' (1980) and ''Violette Nozière'' (1978). Biography Audran was raised by her mother after her father, a doctor, died while she was young. In 1964, she married director and screenwriter Claude Chabrol, after a short marriage to the actor Jean-Louis Trintignant. Her son by her marriage to Chabrol (which ended in 1980) is the actor Thomas Chabrol (born 1963). Her first major role was in Chabrol's film '' Les Cousins'' (1959). She later appeared in most of Chabrol's films. Some of the more noteworthy of his films Audran appeared in were '' Les Bonnes Femmes'' (1960), '' La Femme Infidèle'' (1968), ''Les Biches'' (1968) as a wealthy bisexual who becomes involved in a ménag ...
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Les Biches (film)
''Les Biches'' ( en, The Does) is a 1968 drama film directed by Claude Chabrol. It depicts a tortured love triangle between characters portrayed by Stéphane Audran and Jacqueline Sassard; Jean-Louis Trintignant also stars. Audran won the Silver Bear for Best Actress at the 18th Berlin International Film Festival. The film had a total of 627,164 admissions in France. While the film does not acknowledge any literary sources, ''Les Biches'' is loosely based on Patricia Highsmith's 1955 novel '' The Talented Mr. Ripley'', with the main characters' genders being switched. Chabrol's screenwriter Paul Gégauff had previously adapted the novel into ''Purple Noon'' in 1960. Plot On the Pont des Arts in Paris, a rich and beautiful woman, Frédérique, picks up a penniless female street artist called Why. Frédérique seduces Why and takes her to her villa in Saint Tropez. The villa is occupied by two gay friends of Frédérique, Robegue and Riasis. At a party, Why meets an architect, P ...
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The Unfaithful Wife
''The Unfaithful Wife'' (french: La Femme infidèle) is a 1969 French crime thriller film directed by Claude Chabrol. The film had a total of 682,295 admissions in France. Plot Insurer Charles Desvallées lives in a beautiful house in the countryside near Paris with his wife Hélène and their young son. He works in the city in a leisurely job, often drinking and smoking. His wife often goes to Paris for shopping, beauty treatments and cinema sessions. By accident he discovers she was not at the hairdresser when she was meant to be. He gradually grows more suspicious about the way she employs her time and asks a private investigator to follow her. The embarrassed detective duly reports that his wife sees a writer called Victor Pégala, at his home in Neuilly-sur-Seine, several times a week. Hélène appears in bed with Pégala, exchanging titbits about their respective lives. The writer is divorced with two children. On a day his wife is busy hosting a birthday party for their s ...
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French New Wave
French New Wave (french: La Nouvelle Vague) is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema. The term was first used by a group of French film critics and cinephiles associated with the magazine ''Cahiers du cinéma'' in the late 1950s and 1960s. These critics rejected the ''Tradition de qualité'' ("Tradition of Quality") of mainstream French cinema, which emphasized craft over innovation and old works over experimentation. This was apparent in a manifesto-like 1954 essay by François Truffaut, ''Une certaine tenda ...
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Madame Bovary (1991 Film)
''Madame Bovary'' is a 1991 French drama film directed by Claude Chabrol and based on the 1857 novel ''Madame Bovary'' by French author Gustave Flaubert. Set in Normandy in the 1850s, the film follows the story of Emma Bovary, an attractive young woman full of romantic notions, whose marriage to an unexciting country doctor leads her to adulterous affairs, debts and eventual suicide. Plot Facing spinsterhood on her widowed father's farm Emma, with the help of her father, is successful in attracting and contracting a marriage with the local doctor, whose wife has recently died. Charles Bovary is kindly and conscientious, but lacks assertiveness and is a dull conversationalist. Following an aristocratic ball she is more dissatisfied than ever and her husband, noticing this, moves to a larger town with potentially greater diversions, where he is befriended by the apothecary. There she meets the law clerk Léon, with whom she can talk about art, literature, poetry and music. His atte ...
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Isabelle Huppert
Isabelle Anne Madeleine Huppert (; born 16 March 1953) is a French actress. Described as "one of the best actresses in the world", she is known for her portrayals of cold and disdainful characters devoid of morality. She is the recipient of several accolades, including two César Awards, five Lumières Awards, a BAFTA Award, three Cannes Film Festival honors, a Golden Globe Award, and an Academy Award nomination; in 2020, ''The New York Times'' ranked her second on its list of the greatest actors of the 21st century. Huppert's first César nomination was for the 1975 film '' Aloïse''. In 1978, she won the BAFTA Award for Most Promising Newcomer for '' The Lacemaker''. She went on to win two Best Actress awards at the Cannes Film Festival, for ''Violette Nozière'' (1978) and '' The Piano Teacher'' (2001), as well as two Volpi Cups for Best Actress at the Venice Film Festival, for '' Story of Women'' (1988) and ''La Cérémonie''. Her other films in France include '' Loulou'' ...
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Éric Rohmer
Jean Marie Maurice Schérer or Maurice Henri Joseph Schérer, known as Éric Rohmer (; 21 March 192011 January 2010), was a French film director, film critic, journalist, novelist, screenwriter, and teacher. Rohmer was the last of the post-World War II French New Wave directors to become established. He edited the influential film journal '' Cahiers du cinéma'' from 1957 to 1963, while most of his colleagues—among them Jean-Luc Godard and François Truffaut—were making the transition from critics to filmmakers and gaining international attention. Rohmer gained international acclaim around 1969 when his film ''My Night at Maud's'' was nominated at the Academy Awards. He won the San Sebastián International Film Festival with '' Claire's Knee'' in 1971 and the Golden Lion at the Venice Film Festival for '' The Green Ray'' in 1986. Rohmer went on to receive the Venice Film Festival's Career Golden Lion in 2001. After Rohmer's death in 2010, his obituary in ''The Daily Tele ...
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Violette Nozière
''Violette Nozière'' is a 1978 French crime film directed by Claude Chabrol and starring Isabelle Huppert and Stéphane Audran. The film, based on a true French murder case in 1933, is about an eighteen-year-old girl named Violette and her encounters with a number of older men. The film had a total of 1,074,507 admissions in France. Plot Violette Nozière (Isabelle Huppert) is a French teen in the 1930s who secretly works as a prostitute while living with her unsuspecting parents, father Baptiste Nozière (Jean Carmet) and mother Germaine Nozière (Stéphane Audran). Rebelling against her "mean and petty" petit-bourgeois parents, she falls in love with a spendthrift young man, whom she virtually supports with thefts from her parents as well as her prostitution earnings. Meanwhile, her parents are informed by Violette's doctor that she has syphilis. Violette manages to half-persuade her suspicious mother and indulgent father that she has somehow inherited the disease from the ...
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