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Cerise Lim Jacobs
''Madame White Snake'' is an opera with music by Zhou Long and libretto by Cerise Lim Jacobs, published by Oxford University Press. Awarded the 2011 Pulitzer Prize for Music, it was premiered on Feb. 26, 2010, by Opera Boston at the Cutler Majestic Theatre. It is based on the Legend of the White Snake and was created by Jacobs as a gift to her now late husband. The Pulitzer Committee described the opera as, "a deeply expressive opera that draws on a Chinese folk tale to blend the musical traditions of the East and the West."Brown, Joel (April 19, 2011).Opera Boston production wins Pulitzer, ''Boston.com''. Zhou stated, "I have been working very hard to blend the East and the West for years." The opera was performed, in English, in Beijing in October 2010. In China Zhou's 2010 English-language opera shares the same title as the traditional Beijing opera version, ''Legend of the White Snake'', ''Báishézhuàn'', but is distinguished by the term "''geju''" (Western opera) rather than " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glissando
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the continuous portamento. Some colloquial equivalents are slide, sweep (referring to the "discrete glissando" effects on guitar and harp, respectively), bend, smear, rip (for a loud, violent gliss to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure. Portamento Prescriptive attempts to distinguish the glissando from the portamento by limiting the former to the filling in of discrete intermediate pitches on instruments like the piano, harp, and fretted stringed instruments have run u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English-language Operas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2010 Operas
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Tantsits
Peter may refer to: People * List of people named Peter, a list of people and fictional characters with the given name * Peter (given name) ** Saint Peter (died 60s), apostle of Jesus, leader of the early Christian Church * Peter (surname), a surname (including a list of people with the name) Culture * Peter (actor) (born 1952), stage name Shinnosuke Ikehata, Japanese dancer and actor * ''Peter'' (album), a 1993 EP by Canadian band Eric's Trip * ''Peter'' (1934 film), a 1934 film directed by Henry Koster * ''Peter'' (2021 film), Marathi language film * "Peter" (''Fringe'' episode), an episode of the television series ''Fringe'' * ''Peter'' (novel), a 1908 book by Francis Hopkinson Smith * "Peter" (short story), an 1892 short story by Willa Cather Animals * Peter, the Lord's cat, cat at Lord's Cricket Ground in London * Peter (chief mouser), Chief Mouser between 1929 and 1946 * Peter II (cat), Chief Mouser between 1946 and 1947 * Peter III (cat), Chief Mouser between 1947 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ying Huang (soprano)
Ying Huang (; born 1968 in Shanghai) is a Chinese operatic soprano. She first came to international attention when she sang the title role in Frédéric Mitterrand's 1995 film ''Madame Butterfly'' and went on to an international career both in opera and on the concert stage. She was born and raised in Shanghai, and at 18 began five years of study at the Shanghai Conservatory of Music with Zhou Xiaoyan. After winning second prize in the 19th Concours International de Chant de Paris, she appeared regularly on Shanghai television and performed in Taiwan and North Korea in various cultural exchange programs. In 1994, director Frédéric Mitterrand and conductor James Conlon saw a video tape of her performance in the Paris Concours de Chant and auditioned her for the lead role in Mitterrand's film of ''Madame Butterfly''. Her success in the film led to Conlon inviting her to perform in several concerts with the Cologne Philharmonic and to her operatic stage debut as Nannetta in Ver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Maniaci
Michael Maniaci (born May 3, 1976) is an American opera singer. Possessing a male soprano voice, Maniaci is noted for his claim to be able to sing into the upper soprano range without resorting to falsetto, an otherwise common phonation for men who sing in high registers, such as countertenors. Although this was possible for castrati because of the hormonal imbalance following castration, Maniaci claims that, for some unknown reason, his larynx did not develop and lengthen completely during puberty, causing his voice not to "break" in the usual manner. Maniaci claims that this physical particularity has given him the ability to sing in the soprano register without sounding like a typical countertenor or a female singer. There are, however, critics who claim that Maniaci actually sings in falsetto. Maniaci is becoming an important presence on the international classical music scene, having already appeared in lead roles at companies such as the Metropolitan Opera, La Feni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gil Rose
Gil Rose is the founder and conductor of the Boston Modern Orchestra Project (BMOP), founder and General-Artistic Director of Odyssey Opera, Artistic Director of Monadnock Music Festival, Professor of Practice at Northeastern University, and Executive Producer of the record label "BMOP/sound." Early life and education Rose was born in Pittsburgh, Pennsylvania, and received his Bachelor of Music from the University of Cincinnati – College Conservatory of Music. He later studied at Carnegie Mellon University, where he received his Master of Fine Arts degree and Artist Diploma. Boston Modern Orchestra Project Rose founded the Boston Modern Orchestra Project (BMOP) in 1996 and has since then served as the artistic director of a group lauded as "one of the country's leading contemporary music ensembles." Under Rose's leadership, BMOP has received two John S. Edwards Awards for Strongest Commitment to New American Music and has won eleven ASCAP awards for adventurous orchestral p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Woodruff (director)
Robert Woodruff (born 1947) is an American theater director. Early life Woodruff graduated Phi Beta Kappa and magna cum laude from the University at Buffalo with a B.A. in political science. He has a master's degree in theater arts from San Francisco State University. He co-founded San Francisco's Eureka Theatre Company in 1972. Directing career In 1976 Woodruff established the Bay Area Playwrights Festival, a summer forum for the development of new plays that is still flourishing. It was here that Woodruff first worked with the writer Sam Shepard, on a libretto that Shepard had developed for the national bicentennial celebrations, ''The Sad Lament of Pecos Bill on the Eve of Killing His Wife''. The thirty-three-year-old playwright was still better known in London than the States, and his collaborations with Woodruff marked a turning point in both men's careers. For the next five years Woodruff was virtually the sole director of Shepard's work, staging the American premiere of ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peking Opera
Peking opera, or Beijing opera (), is the most dominant form of Chinese opera, which combines music, vocal performance, mime, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as (). It has also spread to other regions such as the United States and Japan. Peking opera features four main role types, '' sheng'' (gentlemen), ''dan'' (women), '' jing'' (rough men), and '' chou'' (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera's characteristically sparse stage. They use the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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