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Cello Sonatas No. 4 And No. 5, Opus 102 (Beethoven)
The Sonatas for cello and piano No. 4 in C major, Op. 102, No. 1, and No. 5 in D major, Op. 102, No. 2, by Ludwig van Beethoven were composed simultaneously in 1815 and published, by Simrock, in 1817 with a dedication to the Countess Marie von Erdődy, a close friend and confidante of Beethoven. History The two sonatas were composed between May and December 1815. The first copy by Beethoven's copyist Wenzel Rampl was made in late 1815 but was then subject to further alterations by Beethoven. A subsequent ‘good’ copy was supplied in February 1816 to Charles Neate for proposed, though unrealized, publication in London. Beethoven then made further small alterations prior to their eventual publication by Simrock in Bonn. During the period 1812 to 1817 Beethoven, ailing and overcome by all sorts of difficulties, experienced a period of literal and figurative silence as his deafness became overwhelmingly profound and his productivity diminished. Following seven years after the A ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ...
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Variation (music)
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation techniques Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), known in the English-speaking world as "Twinkle, Twinkle, Little Star" exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variation breaks up the steady pulse and creates syncopated off-beats: Harmonic variation The seventh variation introduces powerful new chords, which replace the simple harmonies originally implied by the theme with a prolongational series of descending fifths: Minor mode In the elaborate eighth variation, Mozart changes from the major to the parallel minor mode, while combining three techniques: count ...
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Philips
Koninklijke Philips N.V. (), commonly shortened to Philips, is a Dutch multinational conglomerate corporation that was founded in Eindhoven in 1891. Since 1997, it has been mostly headquartered in Amsterdam, though the Benelux headquarters is still in Eindhoven. Philips was formerly one of the largest electronics companies in the world, but is currently focused on the area of health technology, having divested its other divisions. The company was founded in 1891 by Gerard Philips and his father Frederik, with their first products being light bulbs. It currently employs around 80,000 people across 100 countries. The company gained its royal honorary title (hence the ''Koninklijke'') in 1998 and dropped the "Electronics" in its name in 2013, due to its refocusing from consumer electronics to healthcare technology. Philips is organized into three main divisions: Personal Health (formerly Philips Consumer Electronics and Philips Domestic Appliances and Personal Care), Connecte ...
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Sviatoslav Richter
Sviatoslav Teofilovich Richter, group= ( – August 1, 1997) was a Soviet classical pianist. He is frequently regarded as one of the greatest pianists of all time, Great Pianists of the 20th Century and has been praised for the "depth of his interpretations, his virtuoso technique, and his vast repertoire." Biography Childhood Richter was born in Zhytomyr, Volhynian Governorate, in the Russian Empire (modern-day Ukraine), the hometown of his parents. His father, (1872–1941), was a pianist, organist and composer born to German expatriates; from 1893 to 1900 he studied at the Vienna Conservatory. His mother, Anna Pavlovna Richter (née Moskaleva; 1893–1963), came from a noble Russian landowning family, and at one point she studied under her future husband. In 1918, when Richter's parents were in Odessa, the Civil War separated them from their son, and Richter moved in with his aunt Tamara. He lived with her from 1918 to 1921, and it was then that his interest in art first ...
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Mstislav Rostropovich
Mstislav Leopoldovich Rostropovich, (27 March 192727 April 2007) was a Russian cellist and conductor. He is considered by many to be the greatest cellist of the 20th century. In addition to his interpretations and technique, he was well known for both inspiring and commissioning new works, which enlarged the cello repertoire more than any cellist before or since. He inspired and premiered over 100 pieces, forming long-standing friendships and artistic partnerships with composers including Dmitri Shostakovich, Sergei Prokofiev, Henri Dutilleux, Witold Lutosławski, Olivier Messiaen, Luciano Berio, Krzysztof Penderecki, Alfred Schnittke, Norbert Moret, Andreas Makris, Leonard Bernstein, Aram Khachaturian and Benjamin Britten. Rostropovich was internationally recognized as a staunch advocate of human rights, and was awarded the 1974 Award of the International League of Human Rights. He was married to the soprano Galina Vishnevskaya and had two daughters, Olga and Elena ...
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Deutsche Grammophon Gesellschaft
Deutsche Grammophon (; DGG) is a German classical music record label that was the precursor of the corporation PolyGram. Headquartered in Berlin Friedrichshain, it is now part of Universal Music Group (UMG) since its merger with the UMG family of labels in 1999. It is the oldest surviving established record company. History Deutsche Grammophon Gesellschaft was founded in 1898 by German-born United States citizen Emile Berliner as the German branch of his Berliner Gramophone Company. Berliner sent his nephew Joseph Sanders from America to set up operations. Based in the city of Hanover (the founder's birthplace), the company was the German affiliate of the U.S. Victor Talking Machine Company and the British Gramophone Company, and, from 1900, a fully owned subsidiary of the latter, but that ended after the outbreak of World War I in 1914 when ownership reverted to Germany. Though no longer connected to the British Gramophone Company, Deutsche Grammophon continued to use the "His M ...
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Martha Argerich
Martha Argerich (; Eastern Catalan: ɾʒəˈɾik born 5 June 1941) is an Argentine classical concert pianist. She is widely considered to be one of the greatest pianists of all time. Early life and education Argerich was born in Buenos Aires. Her paternal ancestors were Spaniards from Catalonia who had been based in Buenos Aires since the 18th century. Her maternal grandparents were Jewish immigrants from the Russian Empire, who settled in Colonia Villa Clara in Argentina's Entre Ríos Province, one of the colonies established by Baron de Hirsch and the Jewish Colonization Association. The provenance of the name '' Argerich'' is Catalonia. A precocious child, Argerich began kindergarten at the age of two years and eight months, where she was the youngest child. A five-year-old boy, who was a friend, teased her that she would not be able to play the piano, and Argerich responded by playing perfectly, by ear, a piece their teacher played them. The teacher immediately called ...
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Mischa Maisky
Mischa Maisky ( lv, Miša Maiskis, he, מישה מייסקי, russian: Миша Майский; born 10 January 1948) is a Soviet-born Israeli cellist. Biography Mischa Maisky was born in 1948 in Riga and is the younger brother of organist, harpsichordist and musicologist Valery Maisky (1942–1981). He was taught by Mstislav Rostropovich at the Moscow Conservatory from 1966 to 1970. In 1966, he won sixth prize at the International Tchaikovsky Competition in Moscow. In 1970, he was arrested and spent 18 months in jail and a work camp and later 2 months in mental hospital. He emigrated to Israel in 1972, where he holds citizenship. In 1974 he studied with Gregor Piatigorsky in Los Angeles. Maisky currently lives in Belgium. Maisky has worked with artists including the pianists Martha Argerich, Khatia Buniatishvili, Radu Lupu, Nelson Freire, Peter Serkin, Evgeny Kissin, Lang Lang and Sergio Tiempo, the violinists Gidon Kremer, Itzhak Perlman, Vadim Repin, Maxim Vengerov, Joshua ...
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Late String Quartets (Beethoven)
Ludwig van Beethoven's late string quartets are: :*Opus 127: String Quartet No. 12 (Beethoven), String Quartet No. 12 in E major (1825) :*Opus 130: String Quartet No. 13 (Beethoven), String Quartet No. 13 in B major (1825) :*Opus 131: String Quartet No. 14 (Beethoven), String Quartet No. 14 in C minor (1826) :*Opus 132: String Quartet No. 15 (Beethoven), String Quartet No. 15 in A minor (1825) :*Opus 133: ''Große Fuge'' in B major (1825; originally the finale to Op. 130; it also exists in a piano four-hands transcription, Op. 134) :*Opus 135: String Quartet No. 16 (Beethoven), String Quartet No. 16 in F major (1826) These six works are Beethoven's last major completed compositions. Although dismissed by musicians and audiences of Beethoven's day, they are now widely considered to be among the greatest musical compositions of all time, and have inspired many later composers. Overview Prince Nikolai Borisovich Galitzine, Nikolai Galitzine commissioned the first three quartets (12, ...
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Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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Musical Development
In music, development is a process by which a musical idea is communicated in the course of a composition. It refers to the transformation and restatement of initial material. Development is often contrasted with musical variation, which is a slightly different means to the same end. ''Development'' is carried out upon portions of material treated in many ''different'' presentations and combinations at a time, while ''variation'' depends upon ''one'' type of presentation at a time. In this process, certain central ideas are repeated in different contexts or in altered form so that the mind of the listener consciously or unconsciously compares the various incarnations of these ideas. Listeners may apprehend a "tension between expected and real results" (see irony), which is one "element of surprise" in music. This practice has its roots in counterpoint, where a theme or subject might create an impression of a pleasing or affective sort, but delight the mind further as its contrap ...
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