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Cathédrale Saint-Étienne D'Auxerre
Auxerre Cathedral (french: Cathédrale Saint-Étienne d'Auxerre) is a Roman Catholic church, dedicated to Saint Stephen, located in Auxerre, Burgundy, France. It was constructed between the 13th and 16th centuries, on the site of a Romanesque cathedral from the 11th century, whose crypt is found underneath the cathedral. It is known for 11th century Carolingian frescoes found in the crypt, and for its large stained glass windows. Since 1823 it has been the seat of a diocese united with that of Sens Cathedral. History The first Christian diocese in Auxerre was established at the end of the 3rd century by its first bishop, Germanus of Auxerre. The original Romanesque cathedral was completed in 1057. The crypt of that structure was immense, with three naves and six traverses. It also featured a new architectural element, a disambulatory, a passage which permitted pilgrims to circulate and visit the tombs in the crypt without disturbing the religious services attended by the cle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auxerre
Auxerre ( , ) is the capital of the Yonne department and the fourth-largest city in Burgundy. Auxerre's population today is about 35,000; the urban area (''aire d'attraction'') comprises roughly 113,000 inhabitants. Residents of Auxerre are referred to as ''Auxerrois''. Auxerre is a commercial and industrial centre, with industries including food production, woodworking and batteries. It is also noted for its production of Burgundy wine, including Chablis. In 1995 Auxerre was named "Town of Art and History". Geography Auxerre lies on the river Yonne and the Canal du Nivernais, about 150 km southeast of Paris and 120 km northwest of Dijon. The A6 autoroute (Paris–Lyon) passes northeast of the city. Auxerre-Saint-Gervais station has rail connections to Dijon, Paris, Corbigny and Avallon. History Auxerre was a flourishing Gallo-Roman centre, then called Autissiodorum, through which passed one of the main roads of the area, the Via Agrippa (1st century AD) which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamboyant
Flamboyant (from ) is a form of late Gothic architecture that developed in Europe in the Late Middle Ages and Renaissance, from around 1375 to the mid-16th century. It is characterized by double curves forming flame-like shapes in the bar-tracery, which give the style its name; by the multiplication of ornamental ribs in the vaults; and by the use of the arch in accolade. Ribs in Flamboyant tracery are recognizable by their flowing forms, which are influenced by the earlier curvilinear tracery of the Second Gothic (or Second Pointed) styles. Very tall and narrow pointed arches and gables, particularly double-curved ogee arches, are common in buildings of the Flamboyant style. In most regions of Europe, Late Gothic styles like Flamboyant replaced the earlier Rayonnant style and other early variations. The style was particularly popular in Continental Europe. In the 15th and 16th centuries, architects and masons in the Kingdom of France, the Crown of Castile, the Duchy o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Council Of Lyon
The First Council of Lyon (Lyon I) was the thirteenth ecumenical council, as numbered by the Catholic Church, taking place in 1245. The First General Council of Lyon was presided over by Pope Innocent IV. Innocent IV, threatened by Holy Roman Emperor Frederick II, arrived at Lyon on 2 December 1244, and early the following year he summoned the Church's bishops to the council later that same year. Some two hundred and fifty prelates responded including the Latin Patriarchs of Constantinople, Antioch, and Aquileia (Venice) and 140 bishops. The Latin emperor Baldwin II of Constantinople, Raymond VII, Count of Toulouse, and Raymond Bérenger IV, Count of Provence were among those who participated. With Rome under siege by Emperor Frederick II, the pope used the council to excommunicate and depose the emperor with '' Ad Apostolicae Dignitatis Apicem'', as well as the Portuguese King Sancho II. The council also directed a new crusade (the Seventh Crusade), under the command of L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaul
Gaul ( la, Gallia) was a region of Western Europe first described by the Romans. It was inhabited by Celtic and Aquitani tribes, encompassing present-day France, Belgium, Luxembourg, most of Switzerland, parts of Northern Italy (only during Republican era, Cisalpina was annexed in 42 BC to Roman Italy), and Germany west of the Rhine. It covered an area of . According to Julius Caesar, Gaul was divided into three parts: Gallia Celtica, Belgica, and Aquitania. Archaeologically, the Gauls were bearers of the La Tène culture, which extended across all of Gaul, as well as east to Raetia, Noricum, Pannonia, and southwestern Germania during the 5th to 1st centuries BC. During the 2nd and 1st centuries BC, Gaul fell under Roman rule: Gallia Cisalpina was conquered in 204 BC and Gallia Narbonensis in 123 BC. Gaul was invaded after 120 BC by the Cimbri and the Teutons, who were in turn defeated by the Romans by 103 BC. Julius Caesar finally subdued the remaining parts of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Major
G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of chain rhythms", according to Alfred Einstein, although Bach also used the key for some -based works, including his third and fourth '' Brandenburg Concertos''. Pianist Jeremy Denk observes that the ''Goldberg Variations'' are 80 minutes in G major. Classical era Twelve of Joseph Haydn's 106 symphonies are in G major. Likewise, one of Haydn's most famous piano trios, No. 39 (with the ''Gypsy Rondo''), and one of his last two complete published string quartets (Op. 77, No. 1), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
En Chamade
''En chamade'' (French: "to sound a parley") refers to powerfully voiced reed stops in a pipe organ that have been mounted horizontally, rather than vertically, in the front of the organ case, projecting out into the church or concert hall. They produce a commanding, loud trumpet-like tone, used for fanfares and solos. It is known as Fan Trumpet, Horizontal Trumpet, and Trompette en Chamade. Any stop mounted ''en chamade'' will be much louder than a stop elsewhere in the organ, even though in church organs the stops may stand on the same windpressure. In theatre and concert organs, ''en chamade'' stops often stand on higher windpressure than the other stops, to sound even more powerful and commanding. History First seen in Iberian and Mexican organs of the early eighteenth century, it came in many forms to create choruses in divided registers: the ''Trompeta de Batalla'' (8′), ''Bajoncillo'' (4′), ''Bajo'' (16′), ''Violeta'' (2′), ''Trompeta Magna'' (16′), the ''Clar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eros
In Greek mythology, Eros (, ; grc, Ἔρως, Érōs, Love, Desire) is the Greek god of love and sex. His Roman counterpart was Cupid ("desire").''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the earliest account, he is a primordial god, while in later accounts he is described as one of the children of Aphrodite and Ares and, with some of his siblings, was one of the Erotes, a group of winged love gods. Etymology The Greek , meaning 'desire', comes from 'to desire, love', of uncertain etymology. R. S. P. Beekes has suggested a Pre-Greek origin. Cult and depiction Eros appears in ancient Greek sources under several different guises. In the earliest sources (the cosmogonies, the earliest philosophers, and texts referring to the mystery religions), he is one of the primordial gods involved in the coming into being of the cosmos. In later sources, however, Eros is represented as the son of Aphrodite, whose mischievous interventions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notre-Dame De Paris
Notre-Dame de Paris (; meaning "Our Lady of Paris"), referred to simply as Notre-Dame, is a medieval Catholic cathedral on the Île de la Cité (an island in the Seine River), in the 4th arrondissement of Paris. The cathedral, dedicated to the Virgin Mary, is considered one of the finest examples of French Gothic architecture. Several of its attributes set it apart from the earlier Romanesque style, particularly its pioneering use of the rib vault and flying buttress, its enormous and colourful rose windows, and the naturalism and abundance of its sculptural decoration. Notre Dame also stands out for its musical components, notably its three pipe organs (one of which is historic) and its immense church bells. Construction of the cathedral began in 1163 under Bishop Maurice de Sully and was largely completed by 1260, though it was modified frequently in the centuries that followed. In the 1790s, during the French Revolution, Notre-Dame suffered extensive desecration; much of i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Of Auxerre
The County of Auxerre is a former state of current central France, with capital in Auxerre. History The first count attested by the sources is one Ermenaud, a companion of Charlemagne who reigned around 770. In 859 Charles the Bald handed over the county to his cousin Conrad II of Burgundy. When he revolted, the county was assigned to Robert the Strong. After the latter's death, Hugh the Abbot was count, but named a viscount in his lieu; later Auxerre was absorbed in Richard of Burgundy's dominion. Count John IV sold it to the King of France in 1370. After the Treaty of Arras (1435) between Charles VII of France and Philip III of Burgundy, it returned once again to the latter. In 1477, with the annexion of Burgundy, it became definitively part of France. See also *Nevers *Duchy of Burgundy List of counts * Peonius, under Chlothar I * Ermenaud I of Auxerre, ca. 758 * Ermenaud II of Auxerre ca. 800 * Ermenaud III of Auxerre, ca. 840 *Jouvert of Auxerre, ca. 853 *Conrad I of Aux ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamboyant
Flamboyant (from ) is a form of late Gothic architecture that developed in Europe in the Late Middle Ages and Renaissance, from around 1375 to the mid-16th century. It is characterized by double curves forming flame-like shapes in the bar-tracery, which give the style its name; by the multiplication of ornamental ribs in the vaults; and by the use of the arch in accolade. Ribs in Flamboyant tracery are recognizable by their flowing forms, which are influenced by the earlier curvilinear tracery of the Second Gothic (or Second Pointed) styles. Very tall and narrow pointed arches and gables, particularly double-curved ogee arches, are common in buildings of the Flamboyant style. In most regions of Europe, Late Gothic styles like Flamboyant replaced the earlier Rayonnant style and other early variations. The style was particularly popular in Continental Europe. In the 15th and 16th centuries, architects and masons in the Kingdom of France, the Crown of Castile, the Duchy o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude-Nicolas Ledoux
Claude-Nicolas Ledoux (21 March 1736 – 18 November 1806) was one of the earliest exponents of French Neoclassical architecture. He used his knowledge of architectural theory to design not only domestic architecture but also town planning; as a consequence of his visionary plan for the Ideal City of Chaux, he became known as a utopian. His greatest works were funded by the French monarchy and came to be perceived as symbols of the Ancien Régime rather than Utopia. The French Revolution hampered his career; much of his work was destroyed in the nineteenth century. In 1804, he published a collection of his designs under the title ''L'Architecture considérée sous le rapport de l'art, des mœurs et de la législation'' (Architecture considered in relation to art, morals, and legislation). In this book he took the opportunity of revising his earlier designs, making them more rigorously neoclassical and up to date. This revision has distorted an accurate assessment of his role in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sébastien Slodtz
Sebastiaen Slodtz, in France called Sébastien Slodtz (1655–1726) was a Flemish sculptor and decorator who after training in his native Antwerp, moved to France where he became a court sculptor to the King.Gordon Campbell, The Grove Encyclopedia of Decorative Arts: Two-volume Set', Oxford University Press, USA, 2006, pp. 360-361 He was the father of three sons who helped further shape official French sculpture between the Baroque and the Rococo.Souchal, François 1968. ''Les Slodtz sculpteurs et decorateurs du Roi (1685-1764)'' Reviewed by Terence Hodgkinson ''The Burlington Magazine'' 111 (March 1969), pp. 156, 159-160 Life He was born in |
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