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Caterina Biancolelli
Caterina Biancolelli (1665–1716) was an Italian actress in the ''commedia dell'arte'' style of theater. She was one of the earliest actresses to play the role of Colombina, and one of the most famous. Biancolelli was the daughter of actors Domenico Biancolelli (1636-1688), who was famous for playing Harlequin, and Orsola Cortesi (1637-1718), who played an innamorata named Eularia. Her grandmother was the actress Isabella Franchini Biancolelli, who had also played Colombina. Caterina Biancolelli and her family were members of the Comédie-Italienne Comédie-Italienne or Théâtre-Italien are French names which have been used to refer to Italian-language theatre and opera when performed in France. The earliest recorded visits by Italian players were commedia dell'arte companies employed b ... troupe ''Ancienne Troupe de la Comedia Italienne'', which performed in France. Caterina Biancolelli began playing Colombina in her family's troupe in 1683. In that same year, she and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commedia Dell'arte
(; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by masked "types", was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A , such as ''The Tooth Puller'', is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin. The characters of the usually represent fixed social types and stock characters, such as foolish old men, devious servants, or military officers full of false bravado. The characters are exaggerated " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbina
Columbina (in Italian Colombina, meaning "little dove"; in French and English Colombine) is a stock character in the ''commedia dell'arte''. She is Harlequin's mistress, a comic servant playing the tricky slave type, and wife of Pierrot. Rudlin and Crick use the Italian spelling Colombina in ''Commedia dell'arte: A Handbook for Troupes''. History The role of the female servant was originally that of an entr'acte dancer. Women were not allowed to be part of the story that was being played out on stage, but they were allowed to have a dance in-between the action. Eventually these women became the busom and gossipy servants of characters that were already allowed on stage, and then, later, the counterparts to the Zanni characters. She was very down to earth and could always see the situation for what it actually was. She was also sometimes portrayed as a prostitute. She was very infrequently without something to say to or about someone. She is dressed in a very short ragged and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harlequin
Harlequin (; it, Arlecchino ; lmo, Arlechin, Bergamasque dialect, Bergamasque pronunciation ) is the best-known of the ''zanni'' or comic servant characters from the Italian language, Italian ''commedia dell'arte'', associated with the city of Bergamo. The role is traditionally believed to have been introduced by Zan Ganassa in the late 16th century, was definitively popularized by the Italian actor Tristano Martinelli in Paris in 1584–1585, and became a stock character after Martinelli's death in 1630. The Harlequin is characterized by his checkered costume. His role is that of a light-hearted, nimble, and Tricky slave, astute servant, often acting to thwart the plans of his master, and pursuing his own love interest, Columbina, with wit and resourcefulness, often competing with the sterner and melancholic Pierrot. He later develops into a prototype of the romantic hero. Harlequin inherits his physical agility and his trickster qualities, as well as his name, from a mischi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Innamorati
''Gli Innamorati'' (, meaning "The Lovers") were stock characters within the theatre style known as commedia dell'arte, who appeared in 16th century Italy. In the plays, everything revolved around the Lovers in some regard. These dramatic and posh characters were present within ''commedia'' plays for the sole purpose of being in love with one another, and moreover, with themselves. These characters move elegantly and smoothly, and their young faces are unmasked unlike other commedia dell'arte characters. Despite facing many obstacles, the Lovers were always united by the end.Eick, JustiCommedia dell'Arte Origins The name ''Innamorati'' is the Italian word for "Lovers".Rudlin, John. ''Commedia dell'Arte, An Actor's Handbook''. Routledge, London, 1994, pp.106 The dramatists of the Italian Renaissance borrowed ideas from early Roman playwrights, such as Plautus and Terence, whom the theater style known as ''commedia erudita'' was inspired by. The "lovers" are the first actor, firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comédie-Italienne
Comédie-Italienne or Théâtre-Italien are French names which have been used to refer to Italian-language theatre and opera when performed in France. The earliest recorded visits by Italian players were commedia dell'arte companies employed by the French court under the Italian-born queens Catherine de Medici and Marie de Medici. These troupes also gave public performances in Paris at the theatre of the Hôtel de Bourgogne, probably the earliest public theatre to be built in France. The first official use of the name Comédie-Italienne was in 1680, when it was given to the commedia dell'arte troupe at the Hôtel de Bourgogne, to distinguish it from the French troupe, the Comédie-Française, which was founded that year, and just as the name Théâtre-Français was commonly applied to the latter, Théâtre-Italien was used for the Italians. Over time French phrases, songs, whole scenes, and eventually entire plays were incorporated into the Comédie-Italienne's performances. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercure De France
The was originally a French gazette and literary magazine first published in the 17th century, but after several incarnations has evolved as a publisher, and is now part of the Éditions Gallimard publishing group. The gazette was published from 1672 to 1724 (with an interruption in 1674–1677) under the title (sometimes spelled ; 1672–1674) and (1677–1724). The title was changed to in 1724. The gazette was briefly suppressed (under Napoleon) from 1811 to 1815 and ceased publication in 1825. The name was revived in 1890 for both a literary review and (in 1894) a publishing house initially linked with the symbolist movement. Since 1995 has been part of the Éditions Gallimard publishing group. should not be confused with another literary magazine, the (1823–1830). The original ''Mercure galant'' and ''Mercure de France'' The ''Mercure galant'' was founded by the writer Jean Donneau de Visé in 1672. The name refers to the god Mercury, the messenger of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evaristo Gherardi
Evaristo Gherardi (born 11 Novembre 1663 in Prato, Tuscany; assassinated 31 August 1700 in Paris), known in France as Évariste Gherardi, was an Italian actor and playwright, who arrived in France at the beginning of the 1670s. The son of two actors of the Italian troupe, Leonarda Galli and Giovanni Gherardi ''dit'' Flautin (Spoleto, ?? - Paris, 23 March 1683), he made his debut at the Théâtre italien de Paris 1 October 1689 in the role of Arlequin. He wrote ''Le Retour de la foire de Bezons'' for this theatre and collected numerous anonymous plays Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Pla ... in six volumes titled ''Théâtre italien, ou Recueil de toutes les scènes françaises qui ont été jouées sur le théâtre italien de l'Hôtel de Bourgogne'' (1694–1700). He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1665 Births
Events January–March * January 5 – The ''Journal des sçavans'' begins publication of the first scientific journal in France. * February 15 – Molière's comedy '' Dom Juan ou le Festin de pierre'', based on the Spanish legend of the womanizer Don Juan Tenorio and Tirso de Molina's Spanish play '' El burlador de Sevilla y convidado de piedra'', premieres in Paris at the Théâtre du Palais-Royal''. * February 21 – In India, Shivaji Bhonsale of the Maratha Empire captures the English East India Company's trading post at Sadashivgad (now located in the Indian state of Karnataka). * February – In England, Dr. Richard Lower performs the first blood transfusion between animals. According to his account to the Royal Society journal ''Philosophical Transactions'' in December, Dr. Lower "towards the end of February... selected one dog of medium size, opened its jugular vein, and drew off blood, until its strength was nearly gone. Then, to make ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1716 Deaths
Events January–March * January 16 – The application of the Nueva Planta decrees to Catalonia make it subject to the laws of the Crown of Castile, and abolishes the Principality of Catalonia as a political entity, concluding the unification of Spain under Philip V. * January 27 – The Tugaloo massacre changes the course of the Yamasee War, allying the Cherokee nation with the British province of South Carolina against the Creek Indian nation. * January 28 – The town of Crieff, Scotland, is burned to the ground by Jacobites returning from the Battle of Sheriffmuir. * February 3 – The 1716 Algiers earthquake sequence began with an 7.0 mainshock that caused severe damage and killed 20,000 in Algeria. * February 10 – James Edward Stuart flees from Scotland to France with a handful of supporters, following the failure of the Jacobite rising of 1715. * February 24 – Jacobite leaders James Radclyffe, 3rd Earl of Derwentwater and W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commedia Dell'arte
(; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by masked "types", was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A , such as ''The Tooth Puller'', is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin. The characters of the usually represent fixed social types and stock characters, such as foolish old men, devious servants, or military officers full of false bravado. The characters are exaggerated " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Italian Actresses
The 17th century lasted from January 1, 1601 (Roman numerals, MDCI), to December 31, 1700 (Roman numerals, MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
