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Catastasis
In classical tragedies, the catastasis (pl. ''catastases'') is the third part of an ancient drama, in which the intrigue or action that was initiated in the epitasis, is supported and heightened, until ready to be unravelled in the catastrophe. It also refers to the climax of a drama. In rhetoric, the catastasis is that part of a speech, usually the exordium, in which the orator sets forth the subject matter to be discussed. The term is not a classical one; it was invented by Scaliger in his ''Poetics'' (published posthumously in 1561). It "is more or less equivalent to the ''summa epitasis'' of Donatus and Latomus and to what Willichius sometimes called the ''extrema epitasis''," and was first used in 1616 in England.Frank N. Magill, ''Critical Survey of Literary Theory: Authors, A-Sw'' (Salem Press, 1987: ), p. 1284. See also Apocatastasis In theology, apocatastasis () is the restoration of creation to a condition of perfection. In Christianity, it is a form of Christian u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apocatastasis
In theology, apocatastasis () is the restoration of creation to a condition of perfection. In Christianity, it is a form of Christian universalism that includes the ultimate salvation of everyone—including the damned in hell and the devil. The New Testament () refers to the "apocatastasis of all things", although this passage is not usually understood to teach universal salvation. Etymology and definition While apocatastasis is derived from the Greek verb ''apokathistemi'', which means "to restore," it first emerged as a doctrine in Zoroastrianism where it is the third time of creation. This period was referred to as '' wizarishn'' or the end of history—the time of separation and resolution when evil is destroyed and the world is restored to its original state. The idea of apocatastasis may have been derived from the ancient concept of cosmic cycle, which involves the notion of celestial bodies returning to their original positions after a period of time. The entry in ''A Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedies
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drama
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's '' Poetics'' (c. 335 BC)—the earliest work of dramatic theory. The term "drama" comes from a Greek word meaning "deed" or " act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional generic division between comedy and tragedy. In English (as was the analogous case in many other European languages), the word ''play'' or ''game'' (translating the Anglo-Saxon ''pleġan'' or Latin ''ludus'') was the standard term for dramas until William Shakespeare's time—just as its creator was a ''play-maker'' rather than a ''dramatist'' and the building was a ''play-house'' r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epitasis
In classical drama, the epitasis ( grc, ἐπίτασις) is the main action of a play, in which the trials and tribulations of the main character increase and build toward a climax and dénouement. It is the third and central part when a play is analyzed into five separate parts: prologue, protasis, epitasis, catastasis and catastrophe. In modern dramatic theory, the dramatic arc Dramatic structure (also known as dramaturgical structure) is the structure of a dramatic work such as a book, play, or film. There are different kinds of dramatic structures worldwide which have been hypothesized by critics, writers and scholar ... is often referred to, which uses somewhat different divisions but is substantially the same concept overall. Drama Ancient Greek theatre {{drama-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catastrophe (drama)
In drama, particularly the tragedies of classical antiquity, the catastrophe is the final resolution in a poem or narrative plot, which unravels the intrigue and brings the piece to a close. In comedies, this may be a marriage between main characters; in tragedies, it may be the death of one or more main characters. It is the final part of a play, following the protasis, epitasis, and catastasis. The catastrophe is either simple or complex, for which also the fable and action are denominated. In a simple catastrophe, there is no change in the state of the main characters, nor any discovery or unravelling; the plot being only a mere passage out of agitation, to quiet and repose. This catastrophe is rather accommodated to the nature of the epic poem, than of the tragedy. In a complex catastrophe, the main character undergoes a change of fortune, sometimes by means of a discovery, and sometimes without. The qualifications of this change are that it be probable and necessary: in orde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Climax (narrative)
The climax (from the Greek word ''κλῖμαξ'', meaning "staircase" and "ladder") or turning point of a narrative work is its point of highest tension and drama, or it is the time when the action starts during which the solution is given. The climax of a story is a literary element. Examples The punch line of a joke is an analogy for the climax of a fictional narrative, though the absence of any falling action is an essential difference, which may reflect the nature of humor as opposed to the nature of drama. In non-fictional narrative genres, even though the author does not have the same freedom to control the action and "plot" as in works of fiction, the selection of subject matter, degree of detail, and emphasis permit an author to create similar structures, i.e., to construct a dramatization. In the play '' Hippolytus'', by Greek playwright Euripides, the climax arrives when Phaedra hears Hippolytus react badly because of her love for him. That is the moment that A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhetoric
Rhetoric () is the art of persuasion, which along with grammar and logic (or dialectic), is one of the three ancient arts of discourse. Rhetoric aims to study the techniques writers or speakers utilize to inform, persuade, or motivate particular audiences in specific situations. Aristotle defines rhetoric as "the faculty of observing in any given case the available means of persuasion" and since mastery of the art was necessary for victory in a case at law, for passage of proposals in the assembly, or for fame as a speaker in civic ceremonies, he calls it "a combination of the science of logic and of the ethical branch of politics". Rhetoric typically provides heuristics for understanding, discovering, and developing arguments for particular situations, such as Aristotle's three persuasive audience appeals: logos, pathos, and ethos. The five canons of rhetoric or phases of developing a persuasive speech were first codified in classical Rome: invention, arrangement, style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exordium (rhetoric)
Dispositio is the system used for the organization of arguments in the context of Western classical rhetoric. The word is Latin, and can be translated as "organization" or "arrangement". It is the second of five canons of classical rhetoric (the first being inventio, and the remaining being elocutio, memoria, and pronuntiatio) that concern the crafting and delivery of speeches and writing. The first part of any rhetorical exercise was to discover the proper arguments to use, which was done by the formalized methods of ''inventio''. The next problem was to select various arguments and organize them into an effective discourse. Aristotle Aristotle defined two essential parts of a discourse: the statement of the case and the proof of the case. For example, in a legal argument, a prosecutor must first declare the charges against the defendant and provide the relevant facts; then he must present the evidence that proves guilt. Aristotle allowed that in practice most discourse also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julius Caesar Scaliger
Julius Caesar Scaliger (; April 23, 1484 – October 21, 1558), or Giulio Cesare della Scala, was an Italian scholar and physician, who spent a major part of his career in France. He employed the techniques and discoveries of Renaissance humanism to defend Aristotelianism against the New Learning. In spite of his contentious disposition, his contemporary reputation was high. Jacques Auguste de Thou claimed that none of the ancients could be placed above him and that he had no equal in his own time. Biography Scaliger's father, Benedetto Bordone, was a miniaturist and illuminator. Scaliger himself was known in his youth by the family name Bordone, but later insisted that he was a scion of the house of La Scala, for a hundred and fifty years lords of Verona. He was born in 1484 at the Rocca di Riva, on Lake Garda. There are two accounts of his life, his own and that of his critics. His own account When he was twelve, his kinsman the emperor Maximilian placed him among his pages. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Theatre
Ancient Greek theatre was a Theatre, theatrical culture that flourished in ancient Greece from 700 BC. The Polis, city-state of Classical Athens, Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was institutionalised as part of a festival called the Dionysia, which honoured the god Dionysus. Greek tragedy, Tragedy (late 500 BC), Ancient Greek comedy, comedy (490 BC), and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its theme (arts), themes, stock characters, and plot elements. Etymology The word grc, τραγῳδία, tragoidia, label=none, from which the word "tragedy" is derived, is a compound (linguistics), compound of two Greek language, Greek words: grc, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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