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Cassation (music)
Cassation is a minor musical genre related to the serenade and divertimento. In the mid-to-late 18th century, cassations commonly comprised loosely assembled sets of short movements intended for outdoor performance by orchestral or chamber ensembles. The genre was popular in southern German-speaking lands. Other synonymous titles used by German-speaking composers and cataloguers included Cassatio, Cassatione and Kassation. An equivalent Italian term was Cassazione. The genre is occasionally alluded to in the titles of some twentieth-century compositions. Eighteenth-century genre Works titled cassation were especially common in southern Germany, Austria and Bohemia in the mid-to-later part of the eighteenth century. Some early works by Joseph Haydn and Wolfgang Amadeus Mozart bear the title cassation; other composers of the classical and pre-classical era who produced cassations include Franz Joseph Aumann, Carl Ditters von Dittersdorf, Michael Haydn, Leopold Hofmann, Anton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serenade
In music, a serenade (; also sometimes called a serenata, from the Italian) is a musical composition or performance delivered in honor of someone or something. Serenades are typically calm, light pieces of music. The term comes from the Italian word , which itself derives from the Latin . Sense influenced by Italian ''sera'' "evening," from Latin ''sera'', fem. of ''serus'' "late." Early serenade music In the oldest usage, which survives in informal form to the present day, a serenade is a musical greeting performed for a lover, friend, person of rank or other person to be honored. The classic usage would be from a lover to his lady love through a window. It was considered an evening piece, one to be performed on a quiet and pleasant evening, as opposed to an aubade, which would be performed in the morning. The custom of serenading in this manner began in the Medieval era, and the word "serenade" as commonly used in current English is related to this custom. Music performed f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Rosetti
Francesco Antonio Rosetti (c. 1750 – 30 June 1792) was a classical era composer and double bass player, and was a contemporary of Haydn and Mozart. There is considerable confusion regarding his name. The occasional mention of a supposed, but non-existent, "Antonio Rosetti born 1744 in Milan", is due to an error by Ernst Ludwig Gerber in a later edition of his ''Tonkünstler-Lexikon'' having mistaken Rosetti for an Italian in the first edition of his own Lexikon, and therefore including Rosetti twice - once as an Italian, once as a German-Czech. Many sources claim that he was born Franz Anton Rösler, and changed his name to an Italianate form by 1773, but according to a 1792 article by Heinrich Phillip Bossler, who knew Rosetti personally, he was named Rosetti from his birth. Life and career Rosetti was born about 1750 in Litoměřice, a town in Northern Bohemia. He is believed to have received early musical training from the Jesuits in Prague. In 1773 Rosetti left his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Abert
Hermann Abert (; 25 March 1871 – 13 August 1927) was a German historian of music. Life Abert was born in Stuttgart, the son of Johann Josef Abert (1832–1915), the '' Hofkapellmeister'' of that city. From 1890 to 1896 he studied classical philology at the Universities of Tübingen, Berlin and Leipzig. While at Tübingen he joined the '' Akademische Gesellschaft Stuttgardia'', a student fraternity which shaped the political views of the liberalism in southern Germany. His philological studies ended in 1896 at Halle, where he had done work on Ancient Greek music. For the next three years he studied music theory at Berlin. In 1902 he qualified as lecturer by presenting his thesis on music of the Middle Ages at the University of Halle. Abert stayed on at Halle as a lecturer, becoming a senior lecturer (or associate professor) in 1910 and a full professor in 1918. In this capacity he moved the next year to the University of Heidelberg. But after just one year, Abert took up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riccardo Malipiero
Riccardo Malipiero Jr. (24 July 1914 – 27 November 2003) was an Italian composer, pianist, critic, and music educator. He was awarded the gold medal by the city of Milan in 1977 and by the city of Varese in 1984.John C. G. Waterhouse : , Contemporary Music Studies 17 (Amsterdam: Harwood Academic Publishers, 1999), , pp. 7 et seq. Born in Milan, Malipiero was the son of cellist Riccardo Malipiero (1886–1975). He studied piano and composition at Milan Conservatory (in 1930), where he graduated in 1932, and Turin Conservatory, where he obtained a diploma in 1937. He pursued further studies in composition with his uncle Gian Francesco Malipiero in Venice. From 1935 to 1947 he was a lecturer at the Liceo Musicale "Vincenzo Appiani" in Monza. Malipiero was active as a pianist, and also wrote criticism for ''Il popolo'' and ''Corriere lombardo'', from 1945 to 1966. He lectured in the United States in 1954, 1959, and 1969, and in Buenos Aires in 1963. Between 1969 and 1984 he dir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Sibelius
Jean Sibelius ( ; ; born Johan Julius Christian Sibelius; 8 December 186520 September 1957) was a Finnish composer of the late Romantic and early-modern periods. He is widely regarded as his country's greatest composer, and his music is often credited with having helped Finland develop a national identity during its struggle for independence from Russia. The core of his oeuvre is his set of seven symphonies, which, like his other major works, are regularly performed and recorded in Finland and countries around the world. His other best-known compositions are ''Finlandia'', the ''Karelia Suite'', '' Valse triste'', the Violin Concerto, the choral symphony ''Kullervo'', and ''The Swan of Tuonela'' (from the ''Lemminkäinen Suite''). His other works include pieces inspired by nature, Nordic mythology, and the Finnish national epic, the ''Kalevala;'' over a hundred songs for voice and piano; incidental music for numerous plays; the one-act opera ''The Maiden in the Tower''; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malcolm Williamson
Malcolm Benjamin Graham Christopher Williamson, (21 November 19312 March 2003) was an Australian composer. He was the Master of the Queen's Music from 1975 until his death. Biography Williamson was born in Sydney in 1931; his father was an Anglican priest, Rev. George Williamson. He studied composition and horn at the Sydney Conservatorium of Music. His teachers included Eugene Goossens. In 1950 he moved to London where he worked as an organist, a proofreader, and a nightclub pianist. In 1952 he converted to Roman Catholicism. From 1953 he studied with Elisabeth Lutyens and Erwin Stein. His first major success was with his Piano Concerto No. 1, premiered by Clive Lythgoe at the 1958 Cheltenham Festival to a standing ovation. Williamson was a prolific composer at this time, receiving many commissions and often performing his own works, both on organ and piano. In 1975, the death of Arthur Bliss left the title of Master of the Queen's Music vacant. The selection of Williamson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. The Breitkopf pianos were highly esteemed in the 19th century by pianists like Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the ''Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported contemporary composers and had close editorial collaboration with Beethoven, Haydn, Mendelssohn, Schumann, Chopin, Liszt, Wagner and Brahms. In the 19th century they also published the first "complete works" editions of various composers, for instance Bach (the Bach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Salzburg
The University of Salzburg (german: Universität Salzburg), also known as the Paris Lodron University of Salzburg (''Paris-Lodron-Universität Salzburg'', PLUS), is an Austrian public university in Salzburg municipality, Salzburg state, named after its founder, Prince-Archbishop Paris Lodron. Established in 1622, the university was closed in 1810 and re-established in 1962. Nowadays, it has around 18,000 students and 2,800 employees; it is the largest educational institution in Salzburg state. It is divided into six faculties: Catholic Theology, Law and Economics, Cultural Sciences, Social Sciences, Natural Sciences, Analytical and Life Sciences. Benedictine University On 23 July 1622, Archbishop Paris Lodron appointed the scholar Albert Keuslin first rector of the Benedictine university. Keuslin, a graduate of the Jesuit University of Dillingen, had established the ''Akademisches Gymnasium'', a secondary school, at Salzburg five years earlier. By resolution of Emperor Fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Form
In music, ''form'' refers to the structure of a musical composition or performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of solos in a jazz or bluegrass performance), or the way a symphonic piece is orchestrated", among other factors. It is, "the ways in which a composition is shaped to create a meaningful musical experience for the listener."Kostka, Stefan and Payne, Dorothy (1995). ''Tonal Harmony'', p.152. McGraw-Hill. . These organizational elements may be broken into smaller units called phrases, which express a musical idea but lack sufficient weight to stand alone. Musical form unfolds over time through the expansion and development of these ideas. In tonal harmony, form is articulated pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Salieri
Antonio Salieri (18 August 17507 May 1825) was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg monarchy. Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann, and a protégé of Christoph Willibald Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers. Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774 until 1792, Salieri dominated Italian-language opera in Vienna. During his career, he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe during his lifetime. As the Aus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_1927_©_Georg_Fayer_(1892–1950)_OeNB_10453403.jpg "Click for more on -> Hermann Abert")
