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Cases Of Judge Bao
Judge Bao (or Justice Bao (包青天)) stories in literature and performing arts are some of the most popular in traditional Chinese crime fiction (gong'an fiction, ''gong'an'' fiction). All stories involve the Song dynasty minister Bao Zheng who solves, judges and sentences criminal cases. Literary tradition Plays from the Yuan and Ming dynasties In the Yuan Dynasty, many Play (theatre), plays (in the forms of ''Qu (poetry), qu'' and ''zaju'') have featured Bao Zheng as the central character. These plays include: * ''The Chalk Circle, Judge Bao Cleverly Investigates the Circle of Chalk'' (包待制智勘灰闌記) by Li Qianfu * ''Judge Bao Thrice Investigates the Butterfly Dream'' (包待制三勘蝴蝶夢) by Guan Hanqing * ''Judge Bao Cleverly Executes Court Official Lu'' (包待制智斬魯齋郎) by Guan Hanqing * ''Judge Bao Sells Rice at Chenzhou'' (包待制陳州糶米) * ''Ding-ding Dong-dong: The Ghost of the Pot'' (玎玎璫璫盆兒鬼) * ''Judge Bao Cleverly Investi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feng Menglong
Feng Menglong (1574–1646), courtesy names Youlong (), Gongyu (), Ziyou (), or Eryou (), was a Chinese historian, novelist, and poet of the late Ming Dynasty. He was born in Changzhou County, now part of Suzhou, in Jiangsu Province. Life Feng was born into a scholar-bureaucrat gentry household, where he and his brothers Feng Menggui () and Feng Mengxiong () were educated in the classics and the traditional gentlemanly arts. He and his brothers, all well-known as accomplished writers, artists, and poets, became known collectively as the "Three Fengs of the Wu Area" (). In spite of his literary talent and his zeal for scholarship from a young age, Feng sat the imperial civil service examinations many times without success, eventually giving up and making a living as a tutor and teacher. In 1626, he narrowly avoided punishment after being implicated as an associate of Zhou Shunchang (), who was purged by the eunuch Wei Zhongxian. He resolved to complete his trilogy of vernacular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Civet
A civet () is a small, lean, mostly nocturnal mammal native to tropical Asia and Africa, especially the tropical forests. The term civet applies to over a dozen different species, mostly from the family Viverridae. Most of the species diversity is found in southeast Asia. The best-known species is the African civet, ''Civettictis civetta'', which historically has been the main species from which a musky scent used in perfumery, also referred to as "civet", was obtained. Naming The common name is used for a variety of carnivoran mammal species, mostly of the family Viverridae. The African palm civet (''Nandinia binotata'') is genetically distinct and belongs in its own monotypic family, Nandiniidae. Civets are also called "toddycats" in English, "Mara Patti" in Malayalam, "musang" in Malay and Indonesian, and ''urulǣvā'' () in Sinhalese. There can be confusion among speakers of Malay because the indigenous word "musang" has been mistakenly applied to foxes by printed media in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emperor Zhenzong Of Song
Emperor Zhenzong of Song (23 December 968 – 23 March 1022), personal name Zhao Heng, was the third emperor of the Song dynasty of China. He reigned from 997 to his death in 1022. His personal name was originally Zhao Dechang, but was changed to Zhao Yuanxiu in 983, Zhao Yuankan in 986, and finally Zhao Heng in 995. He was the third son of his predecessor, Emperor Taizong, and was succeeded by his sixth son, Emperor Renzong at the end of his reign. From 1020 he was seriously ill, but retained power despite this. Because of his illness, day-to-day rule of China was often placed in the hands of his third wife, Empress Liu. Reign Emperor Zhenzong's reign was noted for the consolidation of power and the strengthening of the Song Empire. The empire prospered, and its military might was further reinforced. However, it would also mark the beginning of a foreign policy towards the Khitan-led Liao dynasty in the north that would ultimately result in humiliation. In 1004, the Kh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranks Of Imperial Consorts In China
The ranks of imperial consorts have varied over the course of Chinese history but remained important throughout owing to its importance in management of the inner court and in imperial succession, which ranked heirs according to the prominence of their mothers in addition to their strict birth order. Regardless of the age, however, it is common in English translation to simplify these hierarchy into the three ranks of Empress, consorts, and concubines. It is also common to use the term "harem", an Arabic loan word used in recent times to refer to imperial women's forbidden quarters in many countries. In later Chinese dynasties, these quarters were known as the back palace (後宮; ''hòugōng''). In Chinese, the system is called the Rear Palace System (後宮制度; ''hòugōng zhìdù''). Early history There exists a class of consorts called Ying (媵; ''yìng'') during early historical times in China. These were people who came along with brides as a form of dowry. It could be t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consort Li (Zhenzong)
Consort Li, imperial consort rank ''Chenfei'' () (987 – 1032), was an imperial consort of the Song dynasty of China. She was a concubine of Emperor Zhenzong and the mother of Emperor Renzong. She was posthumously honored as ''Empress Dowager Zhangyi'' (章懿皇太后), after Emperor Renzong discovered that she was his real mother. Biography Born in Hangzhou, the future Consort Li first became an imperial maid for Consort Liu. She caught the eye of Emperor Zhenzong and bore him a boy and a daughter (who died). The boy was claimed by Consort Liu who successfully became the empress. Even after the boy became Emperor Renzong, the real mother still kept her silence. In the 11th year of her son's reign (also overseen by Empress Liu), she became ill and was given the consort rank ''Chenfei'' shortly before she died. A year later, after Empress Liu also died, Prince Zhao Yuanyan told the emperor the truth, and also suggested that Consort Li had been murdered. Shocked with grief ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emperor Renzong Of Song
Emperor Renzong of Song (30 May 1010 – 30 April 1063), personal name Zhao Zhen, was the fourth emperor of the Song dynasty of China. He reigned for about 41 years from 1022 to his death in 1063, and was the longest reigning Song dynasty emperor. He was the sixth son of his predecessor, Emperor Zhenzong, and was succeeded by his cousin's son, Zhao Shu who took the throne as Emperor Yingzong because his own sons died prematurely. His original personal name was Zhao Shouyi but it was changed by imperial decree in 1018 to "Zhao Zhen", which means 'auspicious' in Chinese. Reign His father Emperor Zhenzong died in 1022 leaving Renzong who was only 12 at the time as the new emperor. His stepmother Liu was the regent since he was young. In 1027, he was old enough to rule on his own but Liu refused to step down and ruled until her death. Compared to other famous Chinese emperors, Emperor Renzong was not widely known. His reign marked the high point of Song influence and power but was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Opera
Traditional Chinese opera (), or ''Xiqu'', is a form of musical theatre in China with roots going back to the early periods in China. It is an amalgamation of various art forms that existed in ancient China, and evolved gradually over more than a thousand years, reaching its mature form in the 13th century, during the Song dynasty (960–1279). Early forms of Chinese theater are simple, but over time various art forms such as music, song and dance, martial arts, acrobatics, costume and make-up art, as well as literary art forms were incorporated to form traditional Chinese opera. Performers had to practice for many years to gain an understanding of the roles. Exaggerated features and colors made it easier for the audience to identify the roles portrayed. There are over a hundred regional branches of traditional Chinese opera today. In the 20th century the Peking opera emerged in popularity and has come to known as the "national theatre" of China, but other genres like Yue opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Bao Memorial Temple
Lord is an appellation for a person or deity who has authority, control, or power over others, acting as a master, chief, or ruler. The appellation can also denote certain persons who hold a title of the peerage in the United Kingdom, or are entitled to courtesy titles. The collective "Lords" can refer to a group or body of peers. Etymology According to the Oxford Dictionary of English, the etymology of the word can be traced back to the Old English word ''hlāford'' which originated from ''hlāfweard'' meaning "loaf-ward" or "bread-keeper", reflecting the Germanic tribal custom of a chieftain providing food for his followers. The appellation "lord" is primarily applied to men, while for women the appellation "lady" is used. This is no longer universal: the Lord of Mann, a title previously held by the Queen of the United Kingdom, and female Lords Mayor are examples of women who are styled as "Lord". Historical usage Feudalism Under the feudal system, "lord" had a wide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosimetrum
A ''prosimetrum'' (plural ''prosimetra'') is a poetic composition which exploits a combination of prose (''prosa'') and verse (poetry), verse (''metrum'');Braund, Susanna. Prosimetrum. In Cancil, Hubert, and Helmuth Schneider, eds. ''Brill's New Pauly''. Brill Online, 2012. Retrieved 2 October 2015. in particular, it is a text composed in alternating segments of prose and verse.Brogan, T.V.F. "Prosimetrum". In Green et al., pp. 1115–1116. It is widely found in Western and Eastern literature. While narrative ''prosimetrum'' may encompass at one extreme a prose story with occasional verse interspersed, and at the other, verse with occasional prose explanations, in true ''prosimetrum'' the two forms are represented in more equal measure.Harris & Reichl, p. 11. A distinction is sometimes drawnHanson, Kristin, and Paul Kiparsky. "The Nature of Verse and Its Consequences for the Mixed Form". In Harris & Reichl, p. 36. between texts in which verse is the dominant form and those in which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilt Idema
Wilt L. Idema (born 12 November 1944) is a Dutch scholar and Sinologist who taught at University of Leiden and Harvard University (2000-13), presently emeritus at both universities. He specializes in Chinese literature, with interests in early Chinese drama, Chinese women's literature of the premodern period, Chinese popular narrative ballads, and early development of Chinese vernacular fiction. He and his wife have two children. Academic career Idema took his undergraduate degree from Leiden University, Department of Chinese Languages & Cultures in 1968. He then studied in the Department of Sociology, Hokudai University, Sapporo, Japan in 1968- 1969 and the Institute for Research in Humanities at Kyoto University. April 1, 1969 –March 31, 1970; Universities Service Center, Hong Kong. Summer 1970. He took his doctoral degree at Leyden University 30 October 1974, where his thesis, ''Chinese Vernacular Fiction,the Formative Period'', was completed under the direction of A.F. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slapping The Table In Amazement
''Slapping the Table in Amazement'' () is a collection of vernacular short stories, written by Ling Mengchu (1580–1644). It was composed in the middle of the 17th century during the end of the Ming dynasty. It involves 78 stories in all and is divided into two parts: the first and the second (''Er Pai'' for short) . There are forty stories in each part. ''Slapping the Table in Amazement'' contains many different stories, such as folk legends, romances and unofficial history. Thanks to the prosperity of commodity economy and social progress. ''Er Pai'' expresses mercantilism, and open values of love and marriage. At the same time, there are many out dated ideas in this book, such as feudalism and superstition, comeuppance and ideas of fatalism, along with some explicit love scenes. Moreover, the author attacked the peasant uprisings toward the end of Qing dynasty in some articles. The novel is remarkable not only for its stunning storylines, but also for its precise and detailed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
