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Carrying The Tune
''Carrying the Tune'' is a Celtic album by Kevin Crawford. It was released in 2012 on BallyO Records, and is Kevin's third solo release. The tracks on this album feature Kevin playing the flute and whistle and accompanied by guitar, bouzouki and bodhrán. Musicians *Kevin Crawford - ''(flutes and whistles)'' *John Doyle - ''(guitars)'' *Mick Conneely - ''(bouzouki)'' *Brian Morrissey - ''(bodhrán)'' Track listing # McHugh’s / Michael Murphy’s / Humours of Tullycrine. (reels) # Lá Ollámh / Lucky Lucky Day. (slip jigs) # Autumn Apples / Cormac O’Lunny’s / Paddy Sean Nancy’s (reels) # Flatwater Fran / Mrs Jean Campbell BSC. (waltzes) # John McKenna’s / The Jointure / The Smithstown Jaunt. (jigs) # Queen of May / Tom Dowd’s Favourite / Naughton’s. (hornpipe The hornpipe is any of several dance forms played and danced in Britain and Ireland and elsewhere from the 16th century until the present day. The earliest references to hornpipes are from England with Hug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kevin Crawford
Kevin Crawford (born in Birmingham, England) is an Irish flute, tin whistle, low whistle and bodhrán player. He was born in England to Irish parents from Milltown Malbay, County Clare. He later moved to West Clare to improve his music and become more exposed to traditional Irish music. Bands He started in the late 1980s with English band Long Acre working with artists such as Mick Conneely, Brendan Boyle, Bernadette Davis, Joe Molloy and Ivan Miletitch. After recording and co-producing what he described as his most "traditional" CD with "Grianán," a group including Siobhán and Tommy Peoples, Niamh de Búrca, P.J. King, Martin Murray, Paul McSherry, John Maloney, and Pat Marsh (released in 1993), Crawford joined Moving Cloud in 1993, with whom he recorded two albums. He joined one of Ireland's top traditional bands, Lúnasa, in 1997, replacing Michael McGoldrick. Crawford became the frontman for Lúnasa during their live performances. With the band he has recorded a number of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celtic Music
Celtic music is a broad grouping of music genres that evolved out of the folk music traditions of the Celtic people of Northwestern Europe. It refers to both orally-transmitted traditional music and recorded music and the styles vary considerably to include everything from traditional music to a wide range of hybrids. Description and definition ''Celtic music'' means two things mainly. First, it is the music of the people that identify themselves as Celts. Secondly, it refers to whatever qualities may be unique to the music of the Celtic nations. Many notable Celtic musicians such as Alan Stivell and Paddy Moloney claim that the different Celtic music genres have a lot in common. These following melodic practices may be used widely across the different variants of Celtic Music: *It is common for the melodic line to move up and down the primary chords in many Celtic songs. There are a number of possible reasons for this: **''Melodic variation'' can be easily introduced. Mel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bouzouki
The bouzouki (, also ; el, μπουζούκι ; alt. pl. ''bouzoukia'', from Greek ), also spelled buzuki or buzuci, is a musical instrument popular in Greece. It is a member of the long-necked lute family, with a round body with a flat top and a long neck with a fretted fingerboard. It has steel strings and is played with a plectrum producing a sharp metallic sound, reminiscent of a mandolin but pitched lower. There are two main types of bouzouki: the ''trichordo'' (''three-course'') has three pairs of strings (known as courses) and the ''tetrachordo'' (''four-course'') has four pairs of strings. The instrument was brought to Greece in the early 1900s by Greek refugees from Anatolia, and quickly became the central instrument to the rebetiko genre and its music branches. It is now an important element of modern Laïko pop Greek music. Etymology The name ''bouzouki'' comes from the Turkish word , meaning "broken" or "modified", and comes from a particular re-entrant tuning ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bodhrán
The bodhrán (, ; plural ''bodhráin'' or ''bodhráns'') is a frame drum used in Irish music ranging from in diameter, with most drums measuring . The sides of the drum are deep. A goatskin head is tacked to one side (synthetic heads or other animal skins are sometimes used). The other side is open-ended for one hand to be placed against the inside of the drum head to control the pitch and timbre. One or two crossbars, sometimes removable, may be inside the frame, but this is increasingly rare on modern instruments. Some professional modern bodhráns integrate mechanical tuning systems similar to those used on drums found in drum kits. It is usually with a hex key that the bodhrán skins are tightened or loosened depending on the atmospheric conditions. History Seán Ó Riada declared the bodhrán to be the native drum of the ancient Celts (as did bodhrán maker Paraic McNeela), suggesting that it was possibly used originally for winnowing or wool dying, with a musical hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reel (dance)
The reel is a folk dance type as well as the accompanying dance tune type. Of Scottish origin, reels are also an important part of the repertoire of the fiddle traditions of the British Isles and North America. In Scottish country dancing, the reel is one of the four traditional dances, the others being the jig, the strathspey and the waltz, and is also the name of a dance figure (see below). In Irish dance, a reel is any dance danced to music in ''reel time'' (see below). In Irish stepdance, the reel is danced in soft shoes and is one of the first dances taught to students. There is also a treble reel, danced in hard shoes to reel music. History The reel is indigenous to Scotland. The earliest reference was in a trial of 1590, where the accused was reported to have "daunced this reill or short dance." However, the form may go back to the Middle Ages. The name may be cognate with or relate to an Old Norse form, with Suio-Gothic '' rulla'', meaning "to whirl." This became Anglo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slip Jigs
Slip jig () refers to both a style within Irish music, and the Irish dance to music in slip-jig time. The slip jig is in time, traditionally with accents on 5 of the 9 beats — two pairs of crotchet/quaver (quarter note/eighth note) followed by a dotted crotchet note. The slip jig is one of the four most common Irish stepdances, the others being the reel, the jig and the hornpipe. It is danced in soft shoes. At one time only men danced it, then for several decades only women, and today slip jigs can be danced by any dancer, though at a competitive level they are almost exclusively danced by women. This dance is graceful and controlled, with heels very high, often called "the ballet of Irish dance". There are also traditional Irish '' céilí'' dances which are slip jigs, though these are much less common than reels and double jigs. Because of its timing, the slip jig is longer than the reel for the same number of bars of music. In Irish stepdance competition, the tempo of 11 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltzes
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jigs
The jig ( ga, port, gd, port-cruinn) is a form of lively folk dance in compound metre, as well as the accompanying dance tune. It is most associated with Irish music and dance. It first gained popularity in 16th-century Ireland and parts of Great Britain and was quickly adopted on mainland Europe where it eventually became the final movement of the mature Baroque dance suite (the French gigue; Italian and Spanish giga). Today it is most associated with Irish dance music, Scottish country dance and the Métis people in Canada. Jigs were originally in duple compound metre, (e.g., time), but have been adapted to a variety of time signatures, by which they are often classified into groups, including double jigs (), slip jigs () and single jigs (). Origins The term ''jig'' was probably derived from the French ''giguer'', meaning ‘to jump’ or the Italian ''giga''. The use of “jig” in Irish dance derives from the Irish ''jigeánnai'', itself borrowed from the Old Engl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hornpipe
The hornpipe is any of several dance forms played and danced in Britain and Ireland and elsewhere from the 16th century until the present day. The earliest references to hornpipes are from England with Hugh Aston's Hornepype of 1522 and others referring to Lancashire hornpipes in 1609 and 1613. It is suggested that the hornpipe as a dance began around the 16th century on English sailing vessels. However, the dance does not seem to have become associated with sailors until after 1740 when the dancer Yates performed 'a hornpipe in the character of a Jack Tar' at Drury Lane Theatre, after which, in 1741 at Covent Garden we hear of "a hornpipe by a gentleman in the character of a sailor". Movements were those familiar to sailors of that time: "looking out to sea" with the right hand to the forehead, then the left, lurching as in heavy weather, and giving the occasional rhythmic tug to their breeches both fore and aft. Folk hornpipes The hornpipe is an Irish, Scottish and English d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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