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Carola Nossek
Carola Nossek (born 10 February 1949) is a German operatic soprano and academic voice teacher. A member of the Staatsoper Berlin for two decades, she was awarded the title Kammersängerin. She appeared in world premieres and made several recordings in opera and concert settings. Life Born in Schwerin, Nossek received her first musical education at the conservatory of her hometown. After her Abitur, she began vocal studies at the Hochschule für Musik Carl Maria von Weber Dresden with Elsbeth Plehn. She belonged to the ensemble of the Staatsoper Dresden from 1972 to 1975, where she made her debut as Nanette in Lortzing's ''Der Wildschütz''. In 1974, she first appeared as a guest at the Staatsoper Berlin, became a member of the house in 1975 and remained until 1995. Her roles there included Despina in Mozart's ''Così fan tutte'', Servilia in '' La clemenza di Tito'', Marzelline in Beethoven's '' Fidelio'', Ännchen in Weber's '' Der Freischütz'', Marie in Smetana's '' Die v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schwerin
Schwerin (; Mecklenburgisch dialect, Mecklenburgian Low German: ''Swerin''; Latin: ''Suerina'', ''Suerinum'') is the Capital city, capital and List of cities and towns in Germany, second-largest city of the northeastern States of Germany, German state of Mecklenburg-Vorpommern as well as of the region of Mecklenburg, after Rostock. It has around 96,000 inhabitants, and is thus the least populous of all German state capitals. Schwerin is located on the southwestern shore of Lake Schwerin (''Schweriner See''), the second-largest lake of the Mecklenburg Lake Plateau after the Müritz, and there are eleven other lakes within Schwerin's city limits. The city is surrounded by the district of Nordwestmecklenburg, Northwestern Mecklenburg to the north, and the district of Ludwigslust-Parchim to the south. Schwerin and the two surrounding districts form the eastern outskirts of the Hamburg Metropolitan Region. The name of the city is of Polabian Slavs, Slavic origin, deriving from the root ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Kluge
' (''The Wise irl The Story of the King and the Wise Woman'') is an opera in 12 scenes written by Carl Orff. It premiered at the Frankfurt Opera, Germany, on 20 February 1943. Orff referred to this opera as a ' ( fairy tale opera). The composer also wrote the libretto, based on "Die Kluge Bauerntochter" (" The Peasant's Wise Daughter") from ''Grimms' Fairy Tales''. A performance lasts for about 90 minutes and is often paired with Orff's '' Der Mond''. Roles Synopsis The plot of the opera is that a poor peasant finds on his land a mortar made out of gold. He decides to take it to the king, thinking that he will be rewarded for being a loyal subject. His wise daughter tells him not to, because the king will throw him in the dungeons thinking that he has stolen the pestle, which in truth he didn't find. The daughter's prediction comes true, and this is the beginning of the opera. When the king learns that the daughter had wisely known what his actions would be he sends for her to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Flämig
Martin Flämig (19 August 1913, in Aue – 13 January 1998, in Dresden) was a German church musician, and the cantor of the Dresdner Kreuzchor from 1971 to 1991. Biography Martin Flämig studied since 1934 in Dresden with Alfred Stier and in Leipzig at the ''Kirchenmusikalisches Institut des Leipziger Konservatoriums'' with Karl Straube, Günther Ramin, and Johann Nepomuk David. He was since 1948 cantor at the Versöhnungskirche in Dresden and premiered there Willy Burkhard's oratorio ''Das Gesicht des Jesaja'' (The Vision of Isaiah), Ernst Krenek's ''Lamentationes Jeremiae Prophetae'' and Johannes Drießler's ''Dein Reich komme''.Martin Flämig Sächsische Biographie (Saxonian Biography, in German) In 1953 he was appointed professor of the |
St Matthew Passion
The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the greatest masterpieces of Baroque sacred music. The original Latin title translates to "The Passion of our Lord J susC[hrist">rist.html" ;"title="susC[hrist">susC[hristaccording to the Evangelist Matthew".Markus Rathey. 2016. ''Bach's Major Vocal Works. Music, Drama, Liturgy'', Yale University Press History The ''St Matthew Passion'' is the second of two Passion settings by Bach that have survived in their entirety, the first being the '' St John Passion'', first performed in 1724. Versions and contemporaneous performances Little is known with certainty about the creation proc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass In B Minor
The Mass in B minor (), BWV 232, is an extended setting of the Mass ordinary by Johann Sebastian Bach. The composition was completed in 1749, the year before the composer's death, and was to a large extent based on earlier work, such as a Sanctus Bach had composed in 1724. Sections that were specifically composed to complete the Mass in the late 1740s include the "Et incarnatus est" part of the Credo. As usual for its time, the composition is formatted as a Neapolitan mass, consisting of a succession of choral movements with a broad orchestral accompaniment, and sections in which a more limited group of instrumentalists accompanies one or more vocal soloists. Among the more unusual characteristics of the composition is its scale: a total performance time of around two hours, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lied
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with " art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Johann Sebastian Bach Competition
The International Johann Sebastian Bach Competition (german: Internationaler Bach Wettbewerb Leipzig, links=no) is a music competition in Leipzig, Germany, held by the Bach-Archiv Leipzig. It was founded in 1950 and was held every four years from 1964 to 1996 with five subjects and is now held every two years with three changing subjects violin / baroque violin, piano, harpsichord or in the fields of voice, cello / baroque violoncello and organ. From 1965 the competition is a member of the World Federation of International Music Competitions in Geneva. Prizes Prizes for participants: The Prize winners have the right to use the title "Bach Prize Winners". Prizewinners Prize winners have included: * Harpsichordists: Pieter-Jan Belder (2000), Andrew Rosenblum (2018) * Pianists: Tatiana Nikolayeva, Margarita Fyodorova, Jörg Demus, Waldemar Maciszewski (1950), Igor Lazko (1964), Valery Afanassiev, Svetlana Navasardyan, Ivan Klansky (1968), Kei Itoh (1980), Ueli Wiget (1984), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jenůfa
''Její pastorkyňa'' (''Her Stepdaughter''; commonly known as ''Jenůfa'' ) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer, based on the play ''Její pastorkyňa'' by Gabriela Preissová. It was first performed at the National Theatre, Brno on 21 January 1904. Composed between 1896 and 1902, it is among the first operas written in prose. The first of Janáček's operas in which his distinctive voice can clearly be heard, it is a grim story of infanticide and redemption. Like the playwright's original work, it is known for its unsentimental realism. While today it is heard in the composer's original version, ''Jenůfas early popularity was due to a revised version by Karel Kovařovic, altering what was considered its eccentric style and orchestration. Thus altered, it was well-received, first in Prague, and particularly after its Vienna première also worldwide. More than 70 years passed before audiences again heard it in Janáček's original ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orpheus In The Underworld
''Orpheus in the Underworld'' and ''Orpheus in Hell'' are English names for (), a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy. It was first performed as a two-act " opéra bouffon" at the Théâtre des Bouffes-Parisiens, Paris, on 21 October 1858, and was extensively revised and expanded in a four-act " opéra féerie" version, presented at the Théâtre de la Gaîté, Paris, on 7 February 1874. The opera is a lampoon of the ancient legend of Orpheus and Eurydice. In this version Orpheus is not the son of Apollo but a rustic violin teacher. He is glad to be rid of his wife, Eurydice, when she is abducted by the god of the underworld, Pluto. Orpheus has to be bullied by Public Opinion into trying to rescue Eurydice. The reprehensible conduct of the gods of Olympus in the opera was widely seen as a veiled satire of the court and government of Napoleon III, Emperor of the French. Some critics expressed outrage at the librettists' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elektra (opera)
''Elektra'', Opus number, Op. 58, is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama ''Elektra''. The opera was the first of many collaborations between Strauss and Hofmannsthal. It was first performed at the Semperoper, Königliches Opernhaus in Dresden on 25 January 1909. It was dedicated to his friends Natalie and Willy Levin. History While based on ancient Greek mythology and Sophocles' tragedy ''Electra (Sophocles play), Electra'', the opera is highly Modernism, modernist and Expressionist music, expressionist in style. Hofmannsthal's and Strauss's adaptation of the story focuses tightly on Electra, Elektra, thoroughly developing her character by single-mindedly expressing her emotions and psychology as she meets with other characters, mostly one at a time. (The order of these conversations closely follows Sophocles' play.) The other characters are Clytemnestra, Klytaemnestra, her mother and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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