Carlo Buti
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Carlo Buti
Carlo Buti (14 November 1902 – 16 November 1963) was an Italian interpreter of popular and folk music. He was known as "the Golden Voice of Italy", and was possibly the first superstar of Italian music in the twentieth century. He recorded 1574 songs during his career. Biography Buti was born in Florence, Italy. As a boy, he mastered the Tuscan folk song technique known as '' stornello''. He was soon being paid by other men to serenade their girlfriends. He received limited vocal training from Raoul Frazzi. He was featured on Italian radio. His first recording contract (1930) was with Edison-Bell Records. In 1934 he signed with Columbia Records. Buti has been called the Bing Crosby and the " Frank Sinatra of Italy", because of his preference for the popular songs of the day over the more operatic-type songs. He retired in 1956 after having recorded 1574 songs. At the time, his was the most-recorded voice in Italian music history. His unique warm and melodic "tenorino" s ...
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Florence, Italy
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ...
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Montelupo Fiorentino
Montelupo Fiorentino is a ''comune'' (municipality) in the Metropolitan City of Florence in the Italian region Tuscany, located about southwest of Florence. Geography The area is predominantly hilly and is crossed by the river Pesa that, particularly in the municipal area, flows into the Arno river. History Human presence in the area of Montelupo dates back to the Palaeolithic era. Evidence of this are the many prehistoric sites which have been identified in the last twenty years, in the municipal area. Testimony of human presence during the classical era recently emerged from Etruscan civilization tombs in the old town and from the discovery of a Roman villa dating from the Republican age. The place was known as Mansio ad Arnum, as evidenced in the Tabula Peutingeriana, and it is probable that in the area there was a bridge that, during ancient Rome, permitted the crossing of the river Arno. During the 5th and 6th centuries AD, the area faced threats of barbarian invasions, ...
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1902 Births
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipkn ...
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For Men Only (1938 Film)
''For Men Only'' (Italian:''Per uomini soli'') is a 1938 Italian " white-telephones" comedy film directed by Guido Brignone and starring Antonio Gandusio, Carlo Buti and Paola Barbara.Masi & Lancia p.209 The film's sets were designed by Piero Filippone. It was made at Cinecittà in Rome. Cast * Antonio Gandusio as Barnaba Tamburini * Carlo Buti as Carlo Lupoli * Paola Barbara as Cecchina Spolveri * Fanny Marchiò as Herta Gerbins, l'attrice * Guido Riccioli as Ulisse Lupoli * Loris Gizzi as Ladislao Paszkowsky, il regista * Pina Renzi as Miss Betty Thompson * Virgilio Riento as Pasquale Pappalardo * Giulio Alfieri as Natalino Sperenza * Nino Altieri * Oreste Bilancia * Enzo Biliotti * Pasquale Braucci * Remo Brignardelli * Giorgio Capecchi * Giovanni Conforti * Luigi Erminio D'Olivo * Bianca Della Corte * Alba Ferrarotti *Giuseppe Gambardella * Renato Malavasi * Nicola Maldacea * Thea Martinero * Bebi Nucci * Massimo Pianforini Massimo Pian ...
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Naples In Green And Blue
''Naples in Green and Blue'' (Italian:''Napoli verde-blu'') is a 1935 Italian musical film directed by Armando Fizzarotti and starring Lina Gennari, Ellen Meis and Silvio Orsini. Although set in Naples, the film was shot in a studio in Rome.Marlow-Mann p.16 It was a low-budget revue, featuring a series of popular performers. Cast * Lina Gennari * Ellen Meis * Silvio Orsini * Armando Gill * Agostino Salvietti * Carlo Buti * Nicola Maldacea Nicola Maldacea (29 October 1870 – 5 March 1945) was an Italian actor, comedian and singer.Salvatore Papaccio * Giuseppe Ricagno *
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Tornerai
"J'attendrai" (French for "I will wait") is a popular French song first recorded by Rina Ketty in 1938. It became the big French song during World War II; a counterpart to Lale Andersen's "Lili Marleen" in Germany and Vera Lynn's "We'll Meet Again" in Britain. "J'attendrai" is a French version of the Italian song "Tornerai" (Italian for "You Will Return") ISWC: T-005.001.119-2 composed by Dino Olivieri (music) and Nino Rastelli (lyrics) in 1936, said to be inspired from the Humming Chorus of Puccini's opera ''Madame Butterfly''. It was first recorded in 1937 by both Carlo Buti and Trio Lescano (accompanied by the Italian jazz quartet Quartetto Jazz Funaro),), and become a hit in Italy. The French lyrics were written by Louis Poterat, and "J'attendrai" became an instant success. Rina Ketty's version was followed the same year by one of Belgian chanteuse Anne Clercy, and both Tino Rossi and Jean Sablon recorded it in 1939. When France was occupied in 1940, it quickly became the big ...
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Amapola (song)
"Amapola" is a 1920 song by Spanish American composer José María Lacalle García (later Joseph Lacalle), who also wrote the original lyrics in Spanish. Alternative Spanish lyrics were written by Argentine lyricist Luis Roldán in 1924. French lyrics were written by Louis Sauvat and Robert Champfleury. After the death of Lacalle in 1937, English language lyrics were written by Albert Gamse. In the 1930s, the song became a standard of the rhumba repertoire, later crossing over into pop music charts. Recordings "Amapola" was first recorded instrumentally by Cuban Orquesta Francesa de A. Moreno for Columbia in February 1923. Spanish tenor Miguel Fleta made the first vocal recording in 1925. In 1935, the Lecuona Cuban Boys released their rendition of the song as a single, recorded in 1935 in Paris. Japanese singer Noriko Awaya released her version of the song in 1937. A popular recorded version was made later by the Jimmy Dorsey Orchestra with vocalists Helen O'Connell and Bob ...
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La Paloma
"La Paloma", "The Dove" in English, is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was written by the Spanish Basque composer Sebastián Iradier (later Yradier) around 1860 after a visit to Cuba. In 1879, it was registered at the copyright office in Madrid as a "Canción Americana con acompañamiento de Piano". Iradier was to die in obscurity within few years, never to learn how popular his song would become. Very quickly, "La Paloma" became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Cuba, Colombia, Hawaii, the Philippines, Germany, Romania, Venezuela, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years, the popularity of "La Paloma" has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appeale ...
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Faccetta Nera
"'Faccetta Nera'" ("Little Black Face" or "Pretty Black Face") is a popular marching song A march, as a musical genre, is a piece of music with a strong regular rhythm which in origin was expressly written for marching to and most frequently performed by a military band. In mood, marches range from the moving death march in Wagner's ... of Fascist Italy (1922–1943), Fascist Italy about the Second Italo-Ethiopian War. It was written by Renato Micheli with music by Mario Ruccione in 1935. The lyrics are written from the perspective of a fascist Italian Blackshirt soldier during the invasion of Ethiopia. In the song, the Italian narrator tells a beautiful young enslaved Abyssinian people, Abysinnian (Ethiopian) girl that she will be liberated from slavery and ruled by a new regime. She is invited to parade with the fascist Blackshirts in Rome, where she is promised a new and better life. Themes Slavery in Ethiopia is a prominent theme in the song. The song follows the trend of ...
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Elliot Goldenthal
Elliot Goldenthal (born May 2, 1954) is an American composer of contemporary classical music and film and theatrical scores. A student of Aaron Copland and John Corigliano, he is best known for his distinctive style and ability to blend various musical styles and techniques in original and inventive ways. He won the Academy Award for Best Original Score in 2002 for his score to the motion picture ''Frida'', directed by his longtime partner Julie Taymor. Early life and education Goldenthal was born on May 2, 1954, the youngest son of a Jewish housepainter father and a Catholic seamstress mother in Brooklyn, New York City, where he was influenced from an early age by music from all cultures and genres. Both pairs of Goldenthal's grandparents emigrated to the United States from Bucharest and Iași, Romania. Goldenthal lived in a multi-cultural part of town, and this is reflected in his works. He attended John Dewey High School in Brooklyn where, at the age of 14, he had his very fi ...
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Titus (soundtrack)
''Titus'' is the original soundtrack to the 1999 motion picture ''Titus''. Elliot Goldenthal wrote the score for the film, an adaptation of Shakespeare's first, and bloodiest, tragedy ''Titus Andronicus''; written and directed by Julie Taymor, Goldenthal's long-time friend and partner. The only non-Goldenthal piece is an old Italian song called ''"Vivere"'' performed by Italian singer Carlo Buti. The Score It is extremely experimental, like all of his other work, and the first piece "''Victorius Titus''" is reminiscent of ''The Imperial March'' by John Williams in its imposing, martial nature, and (unlike imperial march) in addition uses an archaic male choir chanting in Latin. The score blends orchestral, jazz, rock and electronica styles and complements Taymor's unique and off-beat adaptation of the Shakespearean play. In keeping with many other Goldenthal scores the orchestra used was the British London Metropolitan Orchestra. The score also contains samples from earlier Golden ...
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Falsetto
''Falsetto'' (, ; Italian diminutive of , "false") is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave. It is produced by the vibration of the ligamentous edges of the vocal cords, in whole or in part. Commonly cited in the context of singing, falsetto, a characteristic of phonation by both sexes, is also one of four main spoken vocal registers recognized by speech pathology. The term ''falsetto'' is most often used in the context of singing to refer to a type of vocal phonation that enables the singer to sing notes beyond the vocal range of the normal or modal voice. The typical tone of falsetto register or M2, usually has a characteristic breathy and flute-like sound relatively free of overtones—which is more limited than its modal counterpart in both dynamic variation and tone quality. However, William Vennard points out that while most untrained people can sound comparatively "breathy" o ...
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