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Carl Perkins (pianist)
Carl Perkins (August 16, 1928 – March 17, 1958) was an American jazz pianist. Biography Perkins was born in Indianapolis but worked mainly in Los Angeles. He is best remembered for his performances with the Curtis Counce Quintet, which also featured Harold Land, Jack Sheldon and drummer Frank Butler. He also performed with Tiny Bradshaw, Big Jay McNeely in 1948–49, and played dates with Miles Davis in 1950. Following a short stint in the Army (January 1951 to November 1952), he worked intermittently with the Oscar Moore Trio (1953-1955) and the Clifford Brown–Max Roach group in 1954. He recorded with Frank Morgan in 1955, and with his own group in 1956. Perkins composed the standard "Grooveyard". His playing was influenced by his polio-affected left arm, which he held parallel to the keyboard. He used his elbow to play deep bass notes. He was thus known as "the crab". He died of a drug overdose at age 29, in Los Angeles, California. He recorded one album, ''Introd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indianapolis
Indianapolis (), colloquially known as Indy, is the state capital and most populous city of the U.S. state of Indiana and the seat of Marion County. According to the U.S. Census Bureau, the consolidated population of Indianapolis and Marion County was 977,203 in 2020. The "balance" population, which excludes semi-autonomous municipalities in Marion County, was 887,642. It is the 15th most populous city in the U.S., the third-most populous city in the Midwest, after Chicago and Columbus, Ohio, and the fourth-most populous state capital after Phoenix, Arizona, Austin, Texas, and Columbus. The Indianapolis metropolitan area is the 33rd most populous metropolitan statistical area in the U.S., with 2,111,040 residents. Its combined statistical area ranks 28th, with a population of 2,431,361. Indianapolis covers , making it the 18th largest city by land area in the U.S. Indigenous peoples inhabited the area dating to as early as 10,000 BC. In 1818, the Lenape relinquished their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Tanner
Paul Tanner (October 15, 1917 – February 5, 2013) was an American musician and a member of the Glenn Miller Orchestra. He developed and played the Electro-Theremin, a theremin soundalike instrument that is best known for its use on the Beach Boys 1966 songs "I Just Wasn't Made for These Times" and "Good Vibrations". Early life Paul O.W. Tanner was born on Oct. 15, 1917, in Skunk Hollow, Campbell County, Kentucky. Tanner had five brothers, and each could play an instrument. Tanner learned to play the trombone at a reform school where his father was employed as superintendent.Heckman, Don. (2013, February 6). Paul Tanner dies at 95; trombonist with Glenn Miller Orchestra'. The Los Angeles Times. Tanner and his brothers were playing in what he described as a "strip joint" when Miller heard him and offered him a position in his band. Career Tanner gained fame as a trombone, trombonist, playing with Glenn Miller and Glenn Miller Orchestra, His Orchestra from 1938 to 1942, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Curtis Counce Group
''The Curtis Counce Group'' (later released as ''Landslide'') is an album by American jazz bassist Curtis Counce recorded in 1956 and released on the Contemporary Records, Contemporary label.Contemporary Records discography accessed May 15, 2015 Reception The Allmusic review by Scott Yanow states "All of Counce's recordings (which include a slightly later album for Dootone) are well worth getting by collectors interested in 1950s straight-ahead jazz. This disc is an excellent place to start".Track listing # "Landslide" (Harold Land) - 8:39 # "Time After Time (1947 song), Time After Time" (Sammy Cahn, Jule Styne) - 6:35 # "Sonar" (Kenny Clarke, Gerald Wiggins) - 7:28 # "Mia" (Carl Perkins) ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playboys (Chet Baker & Art Pepper Album)
''Playboys'' is a 1956 jazz album featuring trumpeter Chet Baker and saxophonist Art Pepper. The album was the third collaboration between Pepper and Baker, following ''The Route'' and ''Chet Baker Big Band''. All three albums were recorded in 1956. Cover ''Playboys'' was reissued in 1961 under the name ''Picture of Heath'' after the fifth track (itself a reference to Jimmy Heath, composer of all but two of the tracks). The tracks themselves were presented in a slightly different order, starting with the new title track. Hugh Hefner reportedly objected to the original album cover (clearly inspired by ''Playboy'' magazine with its near-identical wordmark and pinup photo) and threatened to sue. For ''Picture of Heath'', the original cover was replaced with a photo of the artists in the recording studio. The 1990 Blue Note/Pacific Jazz CD reissue of ''Playboys'' used the 'pin-up' cover, but the same label's 1998 CD reissue returned to the ''Picture of Heath'' cover. Reception Lindsay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chet Baker
Chesney Henry "Chet" Baker Jr. (December 23, 1929 – May 13, 1988) was an American jazz trumpeter and vocalist. He is known for major innovations in cool jazz that led him to be nicknamed the "Prince of Cool". Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals: ''Chet Baker Sings'' (1954) and '' It Could Happen to You'' (1958). Jazz historian Dave Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one". His well-publicized drug habit also drove his notoriety and fame. Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and 1980s. Biography Early years Baker was born and raised in a musical household in Yale, Oklahoma on 23 December 1929. His father, Chesney Baker Sr., was a professional guitarist, and his mother, Vera Moser, was a pianist who worked in a perfume factory. His maternal grandmother was Norwegian. Baker said that o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pepper Adams Quintet
''Pepper Adams Quintet'' (reissued as ''Pepper Adams 5''), is the debut album by baritone saxophonist Pepper Adams recorded in 1957 and originally released on the Mode label.Jazzlists:Mode Records discography accessed February 21, 2017 accessed May 10, 2017 Reception The review by Ron Wynn states "Pepper Adams ranked among modern jazz's finest baritone saxophonists. His mastery of the middle and lower registers and technical acumen enabled him to play t ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pepper Adams
Park Frederick "Pepper" Adams III (October 8, 1930 – September 10, 1986) was an American jazz baritone saxophonist and composer. He composed 42 pieces, was the leader on eighteen albums spanning 28 years, and participated in 600 sessions as a sideman. He worked with an array of musicians, and had especially fruitful collaborations with trumpeter Donald Byrd and as a member of the Thad Jones/Mel Lewis Big Band. Biography Early life Pepper Adams was born in Highland Park, Michigan, to father Park Adams II, who worked as the manager of a furniture store, and mother Cleo Marie Coyle. Both of his parents were college graduates, with each spending some time at the University of Michigan. Due to the onset of the Great Depression, Adams' parents separated to allow his father to find work without geographic dependence. In the fall of 1931, Adams moved with his mother to his extended family's farm near Columbia City, Indiana, where food and support were more readily available. In 1933 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lawrence Marable
Larance Norman Marable (May 21, 1929 – July 4, 2012) was a jazz drummer from Los Angeles, California. Early life Marable was born in Los Angeles on May 21, 1929. His family was musical, but he was largely self-taught. Later life and career In the 1950s, Marable played with musicians who were visiting Los Angeles; these included Dexter Gordon, Charlie Parker, and Zoot Sims. Marable recorded as a leader in 1956. He also recorded with George Shearing, Chet Baker, Milt Jackson, and other well-known musicians. Drug problems led to Marable stopping playing in the 1960s. His career resumed in the mid-1970s, after he had ended his drug addiction. He toured with Supersax and Bobby Hutcherson in the 1970s, and was a member of Charlie Haden's Quartet West in the 1980s and 1990s. Marable had a stroke in the 2000s and lived in a health care facility. He died in Manhattan on July 4, 2012. Discography With Curtis Amy *''Tippin' on Through'' (Pacific Jazz, 1962) With Ruth Cameron *'' Road ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leroy Vinnegar
Leroy Vinnegar (July 13, 1928 – August 3, 1999) was an American jazz bassist. Born in Indianapolis, Indiana, United States, the self-taught Vinnegar established his reputation in Los Angeles, California, during the 1950s and 1960s. His trademark was the rhythmic "walking" bass line, a steady series of ascending or descending notes, and it brought him the nickname "The Walker". Besides his jazz work, he also appeared on a number of soundtracks and pop albums, notably Van Morrison's 1972 album, ''Saint Dominic's Preview''. Music career He recorded extensively as both a leader and sideman. He came to public attention in the 1950s as a result of recording with Lee Konitz, André Previn, Stan Getz, Shorty Rogers, Chet Baker, Shelly Manne, Joe Castro and Serge Chaloff. He played bass on Previn and Manne's ''My Fair Lady'' album, one of the most successful jazz records ever produced. He also performed on another of jazz's biggest hit albums, Eddie Harris and Les McCann's '' Swi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Introducing Carl Perkins
''Introducing Carl Perkins'' is the sole album led by American jazz pianist Carl Perkins recorded in 1955 and released on the Dootone label the following year.Both Sides Now: Dootone/Dooto Album Discography accessed December 12, 2018 accessed December 12, 2018 Reception The review by Michael G. Nastos stated: "Recorded two years before legendary West Coast pianist's death. ... Six Perkins originals make this an important document. He was an important sideman. Here as a l ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'll Never Smile Again
"I'll Never Smile Again" is a 1939 song written by Ruth Lowe. It has been recorded by many other artists since, becoming a standard. The most successful and best-known million selling single version of the song was recorded by Tommy Dorsey and His Orchestra, with vocals provided by Frank Sinatra and The Pied Pipers. This recording was released as a Victor 78, 26628A, in 1940. This version was number one on ''Billboards first "National List of Best Selling Retail Records"—the first official national music chart—on July 27, 1940, staying at the top spot for 12 weeks until October 12, 1940. The tune was inducted into the Grammy Hall of Fame in 1982. Versions * The Ink Spots recorded the song in August 1940, which was just a few months after the first release of the song. *The song appears on the 1954 Dave Brubeck Quartet live album '' Jazz at the College of the Pacific.'' * Sarah Vaughan recorded the song on the 1955 '' In the Land of Hi-Fi.'' * Billie Holiday recorded the so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smoke Gets In Your Eyes
"Smoke Gets in Your Eyes" is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical '' Roberta''. The song was sung in the Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray Sinatra, Frank Sinatra's second cousin, on October 13, 1933. Niesen's recording of the song was released by Victor, with the B-side, "Jealousy", featuring Isham Jones and his Orchestra. Paul Whiteman had the first hit recording of the song on the record charts in 1934. The song was reprised by Irene Dunne, who performed it in the 1935 film adaptation of the musical co-starring Fred Astaire, Ginger Rogers, and Randolph Scott. The song was also included in the 1952 remake of ''Roberta'', '' Lovely to Look At'', in which it was performed by Kathryn Grayson, and was a number 1 chart hit in 1959 for The Platters. Later recordings 1930s–1950s Paul Whiteman and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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