Carl Bergmann (musician)
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Carl Bergmann (musician)
Carl Bergmann (born Ebersbach, Kingdom of Saxony, April 12, 1821; died New York, August 10, 1876) was a German-American cellist and conductor. Biography In 1827, he began studies with Adolph Zimmerman in Zittau, and later he studied with organist-composer Adolph Hesse in Breslau. By 1842, he was conducting and playing the cello in Breslau. Eventually, Bergmann conducted orchestras in Vienna, Breslau, Budapest, Warsaw, and Venice. Motivated by his implication in the revolutions of 1848 in Vienna,Wittke (1952), p. 295. Bergmann came to the United States in 1850 as first cellist in the Germania Orchestra, a touring band of young German musicians, mostly refugees. When the conductor of that orchestra resigned the same year, Bergmann took over. The Germania Orchestra subsequently based itself in Boston before disbanding in 1854 after giving 800 concerts over its career. During this period Bergmann directed the Germanians in performances with the Handel and Haydn Society of that ...
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Germania Musical Society
The Germania Musical Society (1848–1854) was an orchestra that performed in the United States in the mid-19th century. Its musicians emigrated from Germany after a successful tour of England.H. Earle Johnson. "The Germania Musical Society." Musical Quarterly, Vol. 39, No. 1 (Jan. 1953) Carl Lenschow and Carl Bergmann served as directors. The group toured throughout the country. Concerts took place in the Melodeon and the Music Hall, Boston; Brinley Hall and City Hall, Worcester, Massachusetts;American Broadsides and Ephemera, Series 1 Astor Opera House, New York City;Newman pg. 40 Metropolitan Hall, New York City; Ocean Hall, Newport, Rhode Island; Westminster Hall, Providence; and elsewhere. The group met with particular success in Boston, where they performed Mendelssohn's "Overture" to '' A Midsummer Night's Dream'' 39 times at 22 concerts, and spent the summer in Newport, Rhode Island. In 1852 they settled in Boston and remained for three years before disbanding. They per ...
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Panic Of 1873
The Panic of 1873 was a financial crisis that triggered an economic depression in Europe and North America that lasted from 1873 to 1877 or 1879 in France and in Britain. In Britain, the Panic started two decades of stagnation known as the "Long Depression" that weakened the country's economic leadership. In the United States, the Panic was known as the "Great Depression" until the events of 1929 and the early 1930s set a new standard. The Panic of 1873 and the subsequent depression had several underlying causes for which economic historians debate the relative importance. American inflation, rampant speculative investments (overwhelmingly in railroads), the demonetization of silver in Germany and the United States, ripples from economic dislocation in Europe resulting from the Franco-Prussian War (1870–1871), and major property losses in the Great Chicago Fire (1871) and the Great Boston Fire (1872) helped to place massive strain on bank reserves, which, in New York City ...
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Alcoholism
Alcoholism is, broadly, any drinking of alcohol (drug), alcohol that results in significant Mental health, mental or physical health problems. Because there is disagreement on the definition of the word ''alcoholism'', it is not a recognized diagnostic entity. Predominant diagnostic classifications are alcohol use disorder (DSM-5) or alcohol dependence (ICD-11); these are defined in their respective sources. Excessive alcohol use can damage all organ systems, but it particularly affects the brain, heart, liver, pancreas and immune system. Alcoholism can result in mental illness, delirium tremens, Wernicke–Korsakoff syndrome, Heart arrhythmia, irregular heartbeat, an impaired immune response, liver cirrhosis and alcohol and cancer, increased cancer risk. Drinking during pregnancy can result in fetal alcohol spectrum disorders. Women are generally more sensitive than men to the harmful effects of alcohol, primarily due to their smaller body weight, lower capacity to metaboli ...
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Niblo's Garden
Niblo's Garden was a theater on Broadway and Crosby Street, near Prince Street, in SoHo, Manhattan, New York City. It was established in 1823 as "Columbia Garden" which in 1828 gained the name of the ''Sans Souci'' and was later the property of the coffeehouse proprietor and caterer William Niblo. The large theater that evolved in several stages, occupying more and more of the pleasure ground, was twice burned and rebuilt. On September 12, 1866, Niblo's saw the premiere of ''The Black Crook'', considered to be the first piece of musical theater that conforms to the modern notion of a "book musical". Evolution of the building site William Niblo built Niblo's Theater in 1834 after having opened a "resort" which at first only served coffee, ice cream, lemonade and other refreshments. At the time New York was undergoing a construction boom that was extending clusters of buildings much past the locale of City Hall. The garden, surrounded by a plain board fence, covered the block bou ...
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Winter Garden Theatre (1850)
The first theatre in New York City to bear the name The Winter Garden Theatre had a brief but important seventeen-year history (beginning in 1850) as one of New York's premier showcases for a wide range of theatrical fare, from variety shows to extravagant productions of the works of Shakespeare. Initially known as Tripler's Hall or Metropolitan Hall, it burned down in 1854 and was rebuilt as The New York Theatre. Although it burned to the ground several times, it rose from the ashes under different managers, bearing various names, to become known as one of the most important theatres in New York history. Showcase Some of the leading actors and theatre managers of the 19th century worked at The Winter Garden Theatre, from Jenny Lind and Laura Keene to Dion Boucicault and Edwin Booth. One of the most significant and politically influential productions in American theatre history took place on a single night at The Winter Garden Theatre on November 25, 1864, when three sons of one ...
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William Mason (composer)
William Mason (January 24, 1829 – July 14, 1908) was an American composer and pianist and a member of a musical family. His father was composer Lowell Mason, a leading figure in American church music, and his younger brother, Henry Mason, was a co-founder of the piano manufacturers Mason & Hamlin. Career Mason was born in Boston. After a successful debut at the Boston Academy of Music, he went to Europe in 1849; there he was the first American piano student of Franz Liszt and Ignaz Moscheles. He became the leader of a chamber ensemble based in New York that introduced many works of Robert Schumann and other famous Europeans to Americans during the Civil War era and beyond, at a time when classical music still had little specifically American identity. Mason published numerous pedagogical works for the piano student, but is remembered above all for his Chopinesque compositions for piano. The American composer and pianist Edward MacDowell (1860-1908) dedicated his second p ...
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Theodore Thomas (conductor)
Theodore Thomas (October 11, 1835January 4, 1905) was a German-American violinist, conductor, and orchestrator of German birth. He is considered the first renowned American orchestral conductor and was the founder and first music director of the Chicago Symphony Orchestra (1891–1905). Biography Early life Theodore Christian Friedrich Thomas was born in Esens, Germany, on October 11, 1835, the son of Johann August Thomas. His mother, Sophia, was the daughter of a physician from Göttingen. He received his musical education principally from his father, who was a violinist of ability, and at the age of six years he played the violin in public concerts. His father was the town ''Stadtpfeifer'' (bandleader) who also arranged music for state occasions. Career Thomas showed interest in the violin at an early age, and by age ten, he was practically the breadwinner of the family, performing at weddings, balls, and even in taverns. By 1845, Johann Thomas and his family, convinced t ...
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Stadt Theater
The Bowery Amphitheatre was a building in the Bowery neighborhood of New York City. It was located at 37 and 39 Bowery, across the street from the Bowery Theatre. Under a number of different names and managers, the structure served as a circus, menagerie, theatre, a roller rink, and a branch of the Peniel Mission. The site is now part of Confucius Plaza. Formation through the minstrel craze A group of New York businessmen known as the Zoological Institute or the Flatfoots built the structure in 1833 as the site for a menagerie and circus performances. In 1835, the site was converted into an amphitheatre with a stage and a circus ring, and the name changed to the Bowery Amphitheatre. June, Titus, Angevine & Co. took up residence with their equestrian show. The owners changed the name again in November 1842 to the Amphitheatre of the Republic. John Tryon leased the building the following year, remaining its operator until 1848. Following a performance by the Virginia Minstrels on ...
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Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German ''Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and the ...
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Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ...
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Theodore Eisfeld
Theodore Eisfeld (April 11, 1816, Wolfenbüttel, Duchy of Brunswick – 16 September 1882, Wiesbaden) was a conductor, most notably of the New York Philharmonic Society, which became the New York Philharmonic. Biography Eisfeld's chief instructor in musical composition was Carl Gottlieb Reissiger, of Dresden. Between 1839 and 1843 he served as Kapellmeister of the Court Theatre at Wiesbaden.Thomas (1905), p. 35 He came to New York in 1848, and in 1849 was the first man chosen by the New York Philharmonic Society to be sole conductor for an entire season (prior to this time it had been customary for several musicians to share the conducting duties). He began the custom of giving an annual Christmas performance of Handel's ''Messiah''. He also introduced the first regular concerts of chamber music in New York. From 1849 through the 1865/1866 season, when he resigned, Eisfeld often served as conductor of the New York Philharmonic Society.Thomas (1905), p. 149 In this period it w ...
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