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Caricaturists
A caricature is a rendered image showing the features of its subject in a simplified or exaggerated way through sketching, pencil strokes, or other artistic drawings (compare to: cartoon). Caricatures can be either insulting or complimentary, and can serve a political purpose, be drawn solely for entertainment, or for a combination of both. Caricatures of politicians are commonly used in editorial cartoons, while caricatures of movie stars are often found in entertainment magazines. In literature, a ''caricature'' is a distorted representation of a person in a way that exaggerates some characteristics and oversimplifies others. Etymology The term is derived for the Italian ''caricare''—to charge or load. An early definition occurs in the English doctor Thomas Browne's '' Christian Morals'', published posthumously in 1716. with the footnote: Thus, the word "caricature" essentially means a "loaded portrait". Until the mid 19th century, it was commonly and mistakenly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caricature Gillray Plumpudding
A caricature is a rendered image showing the features of its subject in a simplified or exaggerated way through sketching, pencil strokes, or other artistic drawings (compare to: cartoon). Caricatures can be either insulting or complimentary, and can serve a political purpose, be drawn solely for entertainment, or for a combination of both. Caricatures of politicians are commonly used in editorial cartoons, while caricatures of movie stars are often found in entertainment magazines. In literature, a ''caricature'' is a distorted representation of a person in a way that exaggeration, exaggerates some characteristics and oversimplifies others. Etymology The term is derived for the Italian ''caricare''—to charge or load. An early definition occurs in the English doctor Thomas Browne's ''Christian Morals'', published posthumously in 1716. with the footnote: Thus, the word "caricature" essentially means a "loaded portrait". Until the mid 19th century, it was commonly and m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Gillray
James Gillray (13 August 1756Gillray, James and Draper Hill (1966). ''Fashionable contrasts''. Phaidon. p. 8.Baptism register for Fetter Lane (Moravian) confirms birth as 13 August 1756, baptism 17 August 1756 1June 1815) was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London. Gillray has been called "the father of the political cartoon", with his works satirizing George III, Napoleon, prime ministers and generals. Regarded as being one of the two most influential cartoonists, the other being William Hogarth, Gillray's wit and humour, knowledge of life, fertility of resource, keen sense of the ludicrous, and beauty of execution, at once gave him the first place among caricaturists. Early life He was born in Chelsea, London. His father had served as a soldier: he lost an arm at the Battle of Fontenoy and was admitted, first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary And Matthew Darly
Mary and Matthew Darly were English printsellers and caricaturists during the 1770s. Mary Darly (fl. 1756–1779) was a printseller, caricaturist, artist, engraver, writer, and teacher. She wrote, illustrated, and published the first book on caricature drawing, ''A Book of Caricaturas'' ic(c. 1762), aimed at "young gentlemen and ladies." Mary was the wife of Matthew Darly, also called Matthias (fl. 1741–1778), a London printseller, furniture designer, and engraver. Mary was evidently the second wife of Matthew; his first was named Elizabeth Harold.Constance Simon, ''English Furniture Designers of the Eighteenth Century'' (A.H. Bullen, 1905), 39-51. Matthew Darly Apprenticed to the clockmaker Umfraville Sampson in 1735, Darly himself took on four apprentices between 1752 and 1778. During the first part of his career, Matthew Darly moved from one part of the Strand to other, but he always called his shops the "Acorn" or the "Golden Acorn." He may have begun his caree ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Cruikshank
George Cruikshank (27 September 1792 – 1 February 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend Charles Dickens, and many other authors, reached an international audience. Early life Cruikshank was born in London. His father, Edinburgh-born Isaac Cruikshank, was one of the leading caricaturists of the late 1790s and Cruikshank started his career as his father's apprentice and assistant. His older brother, Isaac Robert, also followed in the family business as a caricaturist and illustrator. Cruikshank's early work was caricature; but in 1823, at the age of 31, he started to focus on book illustration. He illustrated the first, 1823 English translation (by Edgar Taylor and David Jardine) of ''Grimms' Fairy Tales'', published in two volumes as ''German Popular Stories''. On 16 October 1827, he married Mary Ann Walker (1807–1849). Two years after her death, on 7 March 1851, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Poets' Corner
''The Poets' Corner'' is a book of twenty caricatures by English caricaturist, essayist and parodist Max Beerbohm. It was published in 1904 by William Heinemann, and was Beerbohm's second book of caricatures, the first being ''Caricatures of Twenty-five Gentlemen'' (1896). Named after Poets' Corner, the name traditionally given to a section of the South Transept of Westminster Abbey due to the number of poets, playwrights, and writers now buried and commemorated there, the book is a collection of Max Beerbohm's caricatures depicting notable poets from the past up to 1904, including Lord Byron, Samuel Taylor Coleridge, William Shakespeare, Walt Whitman, William Wordsworth, W. B. Yeats, Alfred Tennyson, Robert Browning, Dante, Robert Burns, Matthew Arnold, Dante Gabriel Rossetti and Henrik Ibsen.Beerbohm, Max 'The Poets' Corner' William Heinemann (1904) ''The Poets' Corner'' was republished in 1943 as a King Penguin publication with an introduction by John Rothenstein and expand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rossetti And His Circle
''Rossetti and His Circle'' is a book of twenty-three caricatures by English caricaturist, essayist and parodist Max Beerbohm. Published in 1922 by William Heinemann, the drawings were Beerbohm's humorous imaginings concerning the life of Dante Gabriel Rossetti and his fellow Pre-Raphaelites, the period, as he put it, "just before oneself."Max Beerbohm, ''Rossetti and His Circle'', London: William Heinemann, 1922 The book is now considered one of Beerbohm's masterpieces.Link Beerbohm on the website Beerbohm and Rossetti Beerbohm returned to England from his home in |
Leicester Galleries
Leicester Galleries was an art gallery located in London from 1902 to 1977 that held exhibitions of modern British, French and international artists' works. Its name was acquired in 1984 by Peter Nahum, who operates "Peter Nahum at the Leicester Galleries" in Mayfair. History In July 1902, Cecil and Wilfred Phillips opened a gallery in Leicester Square. The following year Ernest Brown joined the organisation, and they became Ernest Brown and Phillips Ltd, operating the Leicester Galleries. The exhibited works of modern British and French painters, including John Lavery, Robert Medley, Mark Gertler and Henry Moore. Works exhibited included drawings, watercolours, paintings, prints and sculptures. Every one of the more than 1,400 exhibitions had a printed catalogue. Emerging artists - such as William Roberts, Christopher Nevinson, David Bomberg, and Jacob Epstein - were recognized in their annual "Artists of Fame and Promise" exhibition. Henri Matisse, Picasso, Camille Pissarro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Dickens
Charles John Huffam Dickens (; 7 February 1812 – 9 June 1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era.. His works enjoyed unprecedented popularity during his lifetime and, by the 20th century, critics and scholars had recognised him as a literary genius. His novels and short stories are widely read today. Born in Portsmouth, Dickens left school at the age of 12 to work in a boot-blacking factory when his father was incarcerated in a debtors' prison. After three years he returned to school, before he began his literary career as a journalist. Dickens edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed readings extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, for education, and for other social ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Beerbohm
Sir Henry Maximilian Beerbohm (24 August 1872 – 20 May 1956) was an English essayist, parodist and caricaturist under the signature Max. He first became known in the 1890s as a dandy and a humorist. He was the drama critic for the '' Saturday Review'' from 1898 until 1910, when he relocated to Rapallo, Italy. In his later years he was popular for his occasional radio broadcasts. Among his best-known works is his only novel, ''Zuleika Dobson'', published in 1911. His caricatures, drawn usually in pen or pencil with muted watercolour tinting, are in many public collections. Early life Born in 57 Palace Gardens Terrace, London which is now marked with a blue plaque, Henry Maximilian Beerbohm was the youngest of nine children of a Lithuanian-born grain merchant, Julius Ewald Edward Beerbohm (1811–1892). His mother was Eliza Draper Beerbohm (c. 1833–1918), the sister of Julius's late first wife. Although the Beerbohms were supposed by some to be of Jewish descent, on looki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Honoré Daumier
Honoré-Victorin Daumier (; February 26, 1808February 10, 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the second Napoleonic Empire in 1870. He earned a living throughout most of his life producing caricatures and cartoons of political figures and satirizing the behavior of his countrymen in newspapers and periodicals, for which he became well known in his lifetime and is still known today. He was a republican democrat who attacked the bourgeoisie, the church, lawyers and the judiciary, politicians, and the monarchy. He was jailed for several months in 1832 after the publication of ''Gargantua'', a particularly offensive and discourteous depiction of King Louis-Philippe. Daumier was also a serious painter, loosely associated with realism. Although he occasionally exhibited his paintings at the Parisian Salons, his work was largely overlooked and ignor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Charivari
''Le Charivari'' was an illustrated magazine published in Paris, France, from 1832 to 1937. It published caricatures, political cartoons and reviews. After 1835, when the government banned political caricature, ''Le Charivari'' began publishing satires of everyday life. The name refers to the folk practice of holding a charivari, a loud, riotous parade, to shame or punish wrongdoers. History and profile ''Le Charivari'' was started by caricaturist Charles Philipon and his brother-in-law Gabriel Aubert to reduce their financial risk of censorship fines. They also had published the satirical, anti-monarchist, illustrated newspaper '' La Caricature'', which had more pages and was printed on more expensive paper. In ''Le Charivari'', they featured humorous content which was not so political. Ownership of the paper changed often due to issues with government censorship, and related taxes and fines. ''Le Charivari'' published daily from 1832 to 1936, and then weekly until 1937. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
