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Cardio-Vascular
''Cardio-Vascular'' is an EP by British dance-punk band Youves. It was released in the spring of 2009 through Holy Roar Records Holy Roar Records was an independent record label run by Alex Fitzpatrick. The label began in January 2006 and put out its first release in June 2006, the Phoenix Bodies album, ''Raise the Bullshit flag''. Fitzpatrick originally joked that the .... The album features mostly newly written material which was written between 2008 and 2009 as the band was going through a member and name change; this being their first release under the name 'Youves'. The album has been released on compact disc and digital download. Track listing #Fully Erect Serve and Protect #Aladdins Rave #Bigorexic #Another Djemba Djemba #Superstitious #My High Horse Is a Penny Farthing #On Probation Personnel * Stephen Broadley - Lead Vocals * Alex Wiezak - Guitar and Backing Vocals * Michael King - Guitar and Backing Vocals * Luke Neale - Bass guitar * Paul Wechter - Drums Re ...
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Youves
Youves are an English dance-punk quintet from Nuneaton, formed in 2003. The band consists of lead vocalist Stephen Broadley, guitarists Michael King and Alex Wiezak, bassist Luke Neale and drummer Paul Wechter. The band's sound is an energetic mixture of punk, dance and new wave, which is characterized by an emphasis on percussion with polyrhythmic qualities and a quirky sometimes described as 'violent' but simplistic duel between guitars with a danceable edge. In 2009, the band released their mini-album ''Cardio-Vascular'' which has been received with widespread acclaim from many notable publications. History The band formed in 2003 as a hardcore punk band named 'The Tragic Vision' which consisted of Stephen Broadley, Michael King, Alex Wiezak, Jordan Daniel and Adam Mallabone. The band soon played many basement shows and house parties until less than a year later Jordan and Adam left the band. Soon after they recruited bassist Luke Neale and Drummer Jon McGovern. Developing ...
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Holy Roar Records
Holy Roar Records was an independent record label run by Alex Fitzpatrick. The label began in January 2006 and put out its first release in June 2006, the Phoenix Bodies album, ''Raise the Bullshit flag''. Fitzpatrick originally joked that the name was derived from a vision he had whilst on the hallucinogen LSD. According to Fitzpatrick, the name “Holy Roar” was derived from a Torche song with the same title. History Holy Roar Records was formed at the beginning of 2006, when Alex Fitzpatrick moved to London. After previously trialling out “thecommunion” with friends in Birmingham during his university days, he and his girlfriend at the time, Ellen Godwin decided to start up a record label. Utilising a loan, they released and promoted Rolo Tomassi (their first “proper” EP), Phoenix Bodies (a grind/punk crossover band) and a split between the bands, Kayo Dot and Bloody Panda. In 2007, Holy Roar Records released records by Gallows, Chronicles of Adam West ( tech-me ...
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Dance-punk
Dance-punk (also known as disco-punk, punk-funk or techno-punk) is a post-punk subgenre that emerged in the late 1970s, and is closely associated with the disco, post-disco and new wave movements.Rip It Up and Start Again: Post Punk 1978-1984.Simon Reynolds.Faber and Faber Ltd, April 2005, (U.S. Edition: Penguin, February 2006, ) Predecessors Many groups in the post-punk era adopted a more danceable style. These bands were influenced by funk, disco, new wave, and other dance music popular at the time (as well as being anticipated by some artists from 1970s including Sparks and Iggy Pop). Influential bands from the 1980s included Talking Heads, Public Image Ltd.,Swaminathan, Nikhil (25 December 2003) Dance-punk ends scenester dormancy New Order, Gang of Four, Pigbag, the Clash, the Pop Group, Maximum Joy, Minutemen, and Red Hot Chili Peppers. New York City dance-punk included Defunkt, Material, James Chance and the Contortions, Cristina Monet, Bush Tetras, ESG, and Li ...
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New Rave
New rave (also typeset as nu-rave, nu rave or neu rave) is a genre of music described by ''The Guardian'' as "an in-yer-face, DIY disco riposte to the sensitive indie rock touted by bands like Bloc Party." It is most commonly applied to a British-based music scene between 2005 and late 2008 of fast-paced electronica-influenced indie music that celebrated the late 1980s Madchester and rave scenes through the use of neon colours and using the term 'raving' to refer to going nightclubbing. Use of term The British music magazine ''NME'' is largely responsible for popularising the term throughout 2006 and 2007, until claiming in mid-2008 reviews that "New Rave is over". The genre has connotations of being a "new" version of music heard at raves, as well as being a play on the term "new wave". Aesthetics The aesthetics of the new rave scene are similar to those of the original rave scene, being mostly centred on psychedelic visual effects. Glowsticks, neon and other lights are common, ...
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Dance-punk
Dance-punk (also known as disco-punk, punk-funk or techno-punk) is a post-punk subgenre that emerged in the late 1970s, and is closely associated with the disco, post-disco and new wave movements.Rip It Up and Start Again: Post Punk 1978-1984.Simon Reynolds.Faber and Faber Ltd, April 2005, (U.S. Edition: Penguin, February 2006, ) Predecessors Many groups in the post-punk era adopted a more danceable style. These bands were influenced by funk, disco, new wave, and other dance music popular at the time (as well as being anticipated by some artists from 1970s including Sparks and Iggy Pop). Influential bands from the 1980s included Talking Heads, Public Image Ltd.,Swaminathan, Nikhil (25 December 2003) Dance-punk ends scenester dormancy New Order, Gang of Four, Pigbag, the Clash, the Pop Group, Maximum Joy, Minutemen, and Red Hot Chili Peppers. New York City dance-punk included Defunkt, Material, James Chance and the Contortions, Cristina Monet, Bush Tetras, ESG, and Li ...
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2009 EPs
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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