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Capirola Lutebook
The so-called Capirola Lutebook is one of the most important sources of early 16th century Italian lute music. It is an illuminated manuscript which comprises the entire surviving output of Vincenzo Capirola. The Capirola Lutebook was compiled in 1520 by Vitale, a pupil of Capirola. The compositions included probably date from around 1517. There are 42 folios; the manuscript begins with a short note by its creator, one Vitale (Vidal), pupil of Capirola's. Vitale informs the reader that he adorned the lutebook with paintings to ensure its survival: even owners not interested in musical matters would, by Vitale's reasoning, keep the lutebook in their collections because of the paintings. This explanation is followed by a substantial text on lute playing technique, ornaments and notation—one of the most important sources on performance practice of the time. The actual music starts at folio 5. The lutebook contains the following works (for intabulations, composers of vocal or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capirola Lutebook
The so-called Capirola Lutebook is one of the most important sources of early 16th century Italian lute music. It is an illuminated manuscript which comprises the entire surviving output of Vincenzo Capirola. The Capirola Lutebook was compiled in 1520 by Vitale, a pupil of Capirola. The compositions included probably date from around 1517. There are 42 folios; the manuscript begins with a short note by its creator, one Vitale (Vidal), pupil of Capirola's. Vitale informs the reader that he adorned the lutebook with paintings to ensure its survival: even owners not interested in musical matters would, by Vitale's reasoning, keep the lutebook in their collections because of the paintings. This explanation is followed by a substantial text on lute playing technique, ornaments and notation—one of the most important sources on performance practice of the time. The actual music starts at folio 5. The lutebook contains the following works (for intabulations, composers of vocal or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hayne Van Ghizeghem
Hayne van Ghizeghem ( 1445 – 1476 to 1497) was a Franco-Flemish composer of the early Renaissance Burgundian School. While many of his works have survived, little is known about his life. He was probably born in Gijzegem (near Aalst, in modern Belgium). His musical talent must have been noticed early by Charles, Count of Charolais (later to become Charles the Bold) because there is a record of his being personally assigned to a teacher by him; in 1467 he is shown in the Burgundian employment records as being a singer. In addition, he was named along with Adrien Basin and Antoine Busnois as "chantre et valet de chambre" to Charles, indicating the special regard in which he was held. In addition to serving as a singer and composer, he evidently served as a soldier as well, for there is a record of purchase of military equipment for him, prior to the campaign against Liège by Charles. Charles took his musicians along with him on his campaigns, because he loved music as much as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Canova Da Milano
Francesco Canova da Milano (Francesco da Milano, also known as ''Il divino'', ''Francesco da Parigi'', etc.) (18 August 1497 – 2 January 1543) was an Italian lutenist and composer. He was born in Monza, near Milan, and worked for the papal court for almost all of his career. Francesco was heralded throughout Europe as the foremost lute composer of his time. More of his music is preserved than of any other lutenist of the period, and his work continued to influence composers for more than a century after his death. Life Francesco da Milano was almost certainly born in Monza, a small city some 15 km north-northeast of Milan. His father Benedetto was a musician, as was his elder brother Bernardino. According to Luca Gaurico's ''Tractatus astrologicus'' (1552), Francesco studied under Giovanni Angelo Testagrossa, but today this is considered somewhat unlikely. By 1514 Francesco was a member of the papal household in Rome. From that time for most of his career he was closely as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Craen
Nicholas is a male given name and a surname. The Eastern Orthodox Church, the Roman Catholic Church, and the Anglican Churches celebrate Saint Nicholas every year on December 6, which is the name day for "Nicholas". In Greece, the name and its derivatives are especially popular in maritime regions, as St. Nicholas is considered the protector saint of seafarers. Origins The name is derived from the Greek name Νικόλαος ('' Nikolaos''), understood to mean 'victory of the people', being a compound of νίκη ''nikē'' 'victory' and λαός ''laos'' 'people'.. An ancient paretymology of the latter is that originates from λᾶς ''las'' ( contracted form of λᾶας ''laas'') meaning 'stone' or 'rock', as in Greek mythology, Deucalion and Pyrrha recreated the people after they had vanished in a catastrophic deluge, by throwing stones behind their shoulders while they kept marching on. The name became popular through Saint Nicholas, Bishop of Myra in Lycia, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |