Capilla Peñaflorida
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Capilla Peñaflorida
The Capilla Peñaflorida is a Spanish early music group founded in 1985 by Jon Bagüés. The first director was the late José Rada Sereno (1947–2001). Currently musical direction is shared by the founder, the Basque musicologist Jon Bagüés (b. Errenteria, 1955), and by the bass Josep Cabré. The ensemble has also been directed by guest conductors including the French cellist Christophe Coin and Italian harpsichordist Fabio Bonizzoni. The name is a tribute to the work of Don Xavier María de Munibe e Idiáquez, count of Peñaflorida, (Azcoitia, 1723-Vergara, 1785) although the original count did not himself have a capilla, but was responsible instead for promoting musical education and arts in the Basque Country. Discography *1991 - ''Juan García de Salazar (1639-1710)''. Elkar 260. *1993 - ''José Rada In Memoriam''. Elkar KD-342. *1996 - '' José de Nebra: Viento es la dicha de Amor''. Capilla Peñaflorida with the Ensemble Baroque de Limoges. Christophe Coin. Audivis V ...
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Early Music
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music. Terminology Interpretations of historical scope of "early music" vary. The original Academy of Ancient Music formed in 1726 defined "Ancient" music as works written by composers who lived before the end of the 16th century. Johannes Brahms and his contemporaries would have understood Early music to range from the High Renaissance and Baroque, while some scholars consider that Early music should include the music of ancient Greece or Rome before 500 AD (a period that is generally covered by the term Ancient music). Music critic Michael Kennedy excludes Baroque, defining Early music as "musical compositions from heearliest times up to and including music of heRenaissance period". Musicologist Thomas Forrest Kelly considers that the ...
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Juan Hidalgo De Polanco
Juan Hidalgo de Polanco (28 September 1614 – 31 March 1685) was a Spanish composer and harpist who became the most influential composer of his time in the Hispanic world writing the music for the first two operas created in Spanish. He is considered by many to be the father of Spanish opera and of the zarzuela. Hidalgo was born and died in Madrid. In either 1630 or 1631 he became a harpist at the Spanish royal chapel where he was responsible for the accompaniment of both sacred and secular music and also played for the King of Spain, King Philip IV. Around 1645 he began to serve as leader of the court's chamber musicians and chief composer of ''villancicos'', chamber songs, and music for the theatre. He personifies the origins of Spanish opera with the work '' Celos aun del aire matan'' by the illustrious playwright Calderon de la Barca, based on the story of Cephalus and Procris told in Ovid's ''Metamorphoses'', released on 5 December 1660 to celebrate the third birthday ...
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Early Music Groups
Early may refer to: History * The beginning or oldest part of a defined historical period, as opposed to middle or late periods, e.g.: ** Early Christianity ** Early modern Europe Places in the United States * Early, Iowa * Early, Texas * Early Branch, a stream in Missouri * Early County, Georgia Other uses * ''Early'' (Scritti Politti album), 2005 * ''Early'' (A Certain Ratio album), 2002 * Early (name) * Early effect, an effect in transistor physics * Early Records, a record label * the early part of the morning See also * Earley (other) Earley is a town in England. Earley may also refer to: * Earley (surname), a list of people with the surname Earley * Earley (given name), a variant of the given name Earlene * Earley Lake, a lake in Minnesota *Earley parser, an algorithm *Earley ...
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Juan García De Basurto
Juan García de Basurto (c.1480–1548) was a Spanish composer and cantor of the Cathedral of Tarazona. He was active at the time the Flemish Chapel included Pierre de Manchicourt and Philippe Rogier. Garcia de Basurto first appears as a singer heard during the Holy Week festivities April 1517. His major work is the compiled Requiem mass ''Missa in agendis mortuorum'' (1525)Russell E., The Missa in agendis mortuorum of Juan García de Basurto: Johannes Ockeghem, Antoine Brumel, and an Early Spanish Polyphonic Requiem Mass. "TVNM" (29) 1979, p. 1–37 which includes parts of Ockeghem's and Brumel's requiems. In 2010 the Spanish group La Capilla Peñaflorida with the Accademia Bizantina of Ottavio Dantone Ottavio Dantone (born 9 October 1960) is an Italian conductor and keyboardist (primarily harpsichord and fortepiano) particularly noted for his performances of Baroque music. He has been the music director of the Accademia Bizantina in Ravenna sin ... made a video of the ''agend ...
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Urbán De Vargas
Urbán de Vargas (1606–1656) was a Spanish baroque composer. Life Urbano Barguilla y de Ripalda was born in 1606 in Falces, south of Navarra. He studied with the ''maestro de capilla'' at Burgos, Luis Bernardo Jalón, known for his polemic activities and radical views on music. As was common among the chapel masters of the period, Vargas passed the cathedrals of Huesca, Pamplona, Daroca, Calatayud, the Basilica of Our Lady of the Pillar in Zaragoza, and finally the Valencia, where he died at the age of 50.Antonio Ezquerro Esteban, essay in booklet to Urbán de Vargas, Quicumque.Capilla Peñaflorida dir. Josep Cabré, NB Musika, 2008 Vargas' music is in a complex polyphonic early baroque idiom. In his life he was highly regarded both as composer and organist working with other important Iberian musicians of the period including Juan Bautista Comes, Carlos Patiño (1600–1675), and the Portuguese monk Manuel Correia, ''maestro de capilla'' in Zaragoza's other cathedral La Seo. ...
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José De Larrañaga
Fray José de Larrañaga (17281806) was a Franciscan friar, organist, ''maestro de capilla'' of the Sanctuary of Arantzazu, composer, and was active in the Basque musical and cultural movement of the 18th century. Life Larrañaga was born in Azkoitia (Spanish Azcoitia) in 1728, and entered the Franciscan order as a young man. Although formal music in the Sanctuary of Arantzazu was still modelled on traditional Spanish models of Morales, Guerrero and Victoria, Larrañaga also had access to, and was influenced by the late Baroque Italianate style of Handel and Domenico Scarlatti. For example, the archive in Arantzazu contains two concertos by Handel copied in 1758. Despite his monastic status, Larrañaga was closely linked to the birth of the Royal Basque Society of Friends of the Country, a movement bringing Enlightenment ideas in science and culture to the Basque country. Larrangada was therefore one of the 200 or more individuals in the Basque country who between 1789 and 1794 we ...
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Juan De Anchieta
Juan de Anchieta (Azpeitia, Gipuzkoa, Spain, 1462 – Azpeitia, 1523) was a leading Spanish Basque composer of the Renaissance, at the Royal Court Chaplaincy in Granada of Queen Isabel I of Castile. History Born into a leading Basque family, his mother was a great-aunt of Ignatius of Loyola, founder of the Society of Jesus. In 1489 he was appointed to the chapel of Queen Isabella and in 1495 became ''maestro di capilla'' to Prince Don Juan, returning to the Queen's service after the Prince's death in 1497, and in 1504 to that of the new Queen, Joanna the Mad. He held various church benefices, from 1518 as Abbot of Arbós, town located at the province of Tarragona, as a chaplain at Granada Cathedral, spending his final years in a Franciscan convent he had founded in Azpeitia. Sacred Music Some thirty of Juan de Anchieta's compositions survive, among them two complete Masses, two Magnificats, a Salve Regina, four attributed Passion settings, with other sacred works and fo ...
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Carlos Patiño
Carlos Patiño ( Cuenca 1600Madrid 5 September 1675) was a Spanish Baroque composer. Patiño was a choirboy at Seville Cathedral where he studied with Alonso Lobo. He married in 1622 but his wife's death in 1625 led to his entry into the priesthood. In March 1628 he became ''maestro de capilla'' of the Real Monasterio de la Encarnación, Madrid, where he succeeded Gabriel Díaz Bessón (1590–1638). On 1 January 1634 Patiño succeeded Mateo Romero as ''maestro de capilla'' in the royal chapel. He was the first ''maestro'' of the ''capilla real'', formerly the Flemish chapel, to be born in Spain. In 1660 his request for retirement was denied, but he was provided with two assistants. Most of his sacred works are polychoral. Several of his secular works were composed for court occasions. Many sacred works were lost in the 1755 Lisbon earthquake, but others survived in the New World. His theatre work included the music to ''El Nuevo Olimpo'' of 1648, but this too is lost. Works ...
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Antonio Martín Y Coll
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician the ...
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Joan Cererols
Joan Cererols (9 September 1618 – 27 August 1680) was a Spanish composer and Benedictine monk. His musical production includes a Requiem (or ''Missa pro defunctis'') composed in the mid-seventeenth century during the great plague which ravaged Barcelona, and a '' Missa de Batalla'' (Battle Mass) which celebrates the conquest of the Kingdom of Naples. Cererols was born in Martorell. He entered the choir school ''Escolania de Montserrat'' around 1626. Cererols took his first steps in music under the direction of Father , a famous organist. After ten years in the ''escolania'', Joan was admitted as a novice at the Monastery of Montserrat on 6 September 1636, at age eighteen. The polychoral dialogue texture with a slight gap between the vocal entries within each choir which lightens his style and contrasts with that of the composers of the earliest generation is supposed to be an influence of March. In 1648, Cererols received the permission of Marc to visit Madrid where he could m ...
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Francisco Guerrero (composer)
Francisco Guerrero (October 4 (?), 1528 – November 8, 1599) was a Spanish Catholic priest and composer of the Renaissance. He was born and died in Seville. Life and career Guerrero's early musical education was with his older brother Pedro and after that with the famous composer Cristóbal de Morales. At the age of 18 he was appointed ''maestro de capilla'' (i.e. music director) at Jaén Cathedral. Three years later he accepted a position of singer at Seville Cathedral. During this time he was much in demand as a singer and composer, establishing an exceptional reputation before his thirtieth birthday; in addition he published several collections of his music abroad, an unusual event for a young composer. After several decades of working and traveling throughout Spain and Portugal, sometimes in the employ of emperor Maximilian II, he went to Italy for a year (1581–1582) where he published two books of his music. After returning to Spain for several years, he decided to ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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