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Capella De La Torre
Capella de la Torre is a German early music ensemble led by Katharina Bäuml, founded in 2005. In 2016 Katharina Bäuml and Capella de la Torre won the ECHO Klassik Ensemble des Jahres for their CD ''Water Music''. In 2017 Capella de la Torre was awarded again with ECHO Klassik for the CD "Da Pacem" with Rias Kamerchor conducted by Florian Helgath. The ensemble is a wind ensemble but has enlarged to include singers, lute, organ, and percussion. Discography *''Mater Matris Christi – Musik aus den Annaberger Chorbüchern'', Obrecht: Missa "Sub tuum praesidium" Gesine Adler, David Erler, Stephan Gähler, Sebastian Reim, Capella de la Torre, Katharina Bäuml Coviello Classics 2007 *''Stadtpeiffer • Waits • Ministriles • Piffari – Instrumental Music Of The 16th And 17th Century'' (SACD, Hybrid, Multichannel) Coviello Classics COV 20804 2008 *''Feliz Navidad – Mediterrane Weihnachtsmusik der Renaissance'', Cecile Kempenaers (soprano), Jose Pizarro, Capella de la Torre, Kathar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Music
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music. Terminology Interpretations of historical scope of "early music" vary. The original Academy of Ancient Music formed in 1726 defined "Ancient" music as works written by composers who lived before the end of the 16th century. Johannes Brahms and his contemporaries would have understood Early music to range from the High Renaissance and Baroque, while some scholars consider that Early music should include the music of ancient Greece or Rome before 500 AD (a period that is generally covered by the term Ancient music). Music critic Michael Kennedy excludes Baroque, defining Early music as "musical compositions from heearliest times up to and including music of heRenaissance period". Musicologist Thomas Forrest Kelly considers that the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ECHO Klassik
The Echo Klassik, often stylized as ECHO Klassik, was Germany's major classical music award in 22 categories. The award, presented by the , was held annually, usually in October or September, separate from its parent award, the Echo Music Prize Echo Music Prize (stylised as ECHO, ) was an accolade by the , an association of recording companies of Germany to recognize outstanding achievement in the music industry. The first ECHO Awards ceremony was held in 1992, and it was set up to hono .... The Echo Klassik was disestablished in 2018, and replaced by the . Ceremonies References External links * (archived) {{Classical music awards Classical music awards German music awards 1994 establishments in Germany Awards established in 1994 2018 disestablishments in Germany Awards disestablished in 2018 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominique Visse
Dominique Visse (born 30 August 1955) is a French countertenor and founder of the Ensemble Clément Janequin. Life and career Dominique Visse was a chorister at the Notre-Dame de Paris and studied organ and flute at the Versailles Conservatory. As a musician, he developed an interest in Medieval and Renaissance repertories. After studying with Alfred Deller and René Jacobs from 1976 to 1978, he made his opera debut at Tourcoing in Monteverdi's ''L'incoronazione di Poppea'' in 1982. Visse devotes himself to performing of secular and religious music of the Renaissance. He is also known for his interpretations of the Parisian chansons. Visse is married to soprano Agnès Mellon. Selected discography Opera * Purcell: ''Dido and Aeneas'' * Monteverdi: ''Il ritorno d'Ulisse in patria'' * Handel: ''Giulio Cesare'' * Handel: ''Ottone'' * Handel: ''Rinaldo'' *Charpentier Actéon H.481 * Charpentier: ''David et Jonathas'' H.490 * Charpentier: ''Le Malade imaginaire'' H.495 * * Hasse: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Eccard
Johannes Eccard (1553–1611) was a German composer and kapellmeister. He was an early principal conductor at the Berlin court chapel. Biography Eccard was born at Mühlhausen, in present-day Thuringia, Germany. At the age of eighteen he went to Munich, where he became the pupil of Orlando Lasso. In his company, Eccard is said to have visited Paris, but in 1574, he was again at Mühlhausen, where he resided for four years. There he, together with Joachim a Burck, edited some works of his first master, a collection of sacred songs, called ''Crepundia sacra Helmboldi'' (1577). Soon afterwards he obtained an appointment as musician in the house of Jacob Fugger, the Augsburg banker. In 1583 he became assistant conductor, and in 1599 conductor at Königsberg to Georg Friedrich, Margrave of Brandenburg-Anspach, the administrator of the Duchy of Prussia. In 1608 he was called by Joachim Frederick, Elector of Brandenburg as principal conductor in Berlin, but this post he held only for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Daniels (tenor)
Charles Daniels is an English tenor, particularly noted for his performances of baroque music. He is a frequent soloist with The King's Consort, and has made over 25 recordings with the ensemble on the Hyperion label. Biography Born 1960 in Salisbury, Daniels attended the choir school at King's College, Cambridge where he was a chorister, then Winchester College for his secondary education. He returned to King's College for his university education, where he was a choral scholar, reading Natural Sciences and Music. After taking his degree, he studied under Edward Brooks at the Royal College of Music in London where he was awarded a Foundation Scholarship. His concert and recording repertoire extends from the Middle Ages to 20th-century composers such as Luigi Nono and Benjamin Britten. In December 2001, he was the tenor soloist in a performance of Wojciech Kilar's ''Missa pro pace'', performed in the Vatican in the presence of Pope John Paul II. However, he is best known for his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Challenge Classics
: ''To be distinguished from Challenge Records (1920s) and Challenge Records (1950s)'' Challenge Records is a record company and label in the Netherlands founded by Hein van de Geyn, Anne de Jong, and Joost Leijen in 1994. Its catalogue includes music by Nat Adderley, Paul Bollenback, Bob Brookmeyer, Keith Ingham, Rick Margitza, Enrico Pieranunzi, Yitzhak Yedid, Clark Terry, Jasper van 't Hof, Eric Ineke and Eric Vloeimans. Imprints Challenge's labels include Buzz, Between The Lines, Challenge Classics, Challenge Jazz Records, V-Flow, Double Moon (producer Volker Dueck), Challenge Jazz (producer Hein van de Geyn), Challenge Legacy, Retrieval (restorations by John R. T. Davies), Daybreak (producer Fred Dubiez), Timeless Jazz Legacy, A Records, JJ-Tracks, PineHill, Van Dyck Records, Supertracks Records, Drukplaten, Fineline, SunnyMoon Records, and Antoine Marchand. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Günter Grass
Günter Wilhelm Grass (born Graß; ; 16 October 1927 – 13 April 2015) was a German novelist, poet, playwright, illustrator, graphic artist, sculptor, and recipient of the 1999 Nobel Prize in Literature. He was born in the Free City of Danzig (now Gdańsk, Poland). As a teenager, he served as a drafted soldier from late 1944 in the ''Waffen-SS'' and was taken as a prisoner of war by US forces at the end of the war in May 1945. He was released in April 1946. Trained as a stonemason and sculptor, Grass began writing in the 1950s. In his fiction, he frequently returned to the Danzig of his childhood. Grass is best known for his first novel, ''The Tin Drum'' (1959), a key text in European magic realism. It was the first book of his Danzig Trilogy, the other two being ''Cat and Mouse'' and '' Dog Years''. His works are frequently considered to have a left-wing political dimension, and Grass was an active supporter of the Social Democratic Party of Germany (SPD). ''The Tin D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kai Wessel (countertenor)
Kai Wessel (born 1964 in Hamburg) is a German countertenor and teacher at the Hochschule für Musik Köln. Professional career Kai Wessel started singing in school choirs and as a boy soprano at the Christus-Kirche of Hamburg-Wandsbek and received lessons on piano, organ and oboe. He studied to become a composer at the Lübeck Academy of Music but then concentrated on training his countertenor voice with Ute von Garczynski. He studied baroque performance practice at the Schola Cantorum Basiliensis with René Jacobs. His first concert was in Flensburg in 1984, his first opera appearance 1988 in the theatre of Freiburg im Breisgau. From 1994 to 2004, he was engaged at the theatre of Basel where he sang in productions of Herbert Wernicke in Handel's Theodora, Giulio Cesare and Israel in Egypt, among others. He took part in the project of Ton Koopman to record the complete vocal works of Johann Sebastian Bach with the Amsterdam Baroque Orchestra & Choir. Composers suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Knabenchor Hannover
The Knabenchor Hannover (Hannover Boys' Choir) is a boys choir founded in 1950 by Heinz Hennig, who served as conductor until the end of 2001. Since 2002, the conductor has been Jörg Breiding. History and music The Knabenchor Hannover has traditionally performed music by 17th-century composers, namely Heinrich Schütz. The choir's five Schütz recordings, conducted by Hennig between 1982 and 1999, set standards for performances of this repertoire; four of them won prizes such as the Deutscher Schallplattenpreis. The choir turned to works of Andreas Hammerschmidt in 1998, recording his sacred choral music. The Knabenchor Hannover was among the first choirs to take an interest in historically informed performance and achieved international acclaim. Conductors such as Gustav Leonhardt, Ton Koopman, Alan Gilbert, Ingo Metzmacher and Christoph Eschenbach regularly work with the choir, as do ensembles such as the Amsterdam Baroque Orchestra, the Akademie für Alte Musik Berlin, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Staden
Johann Staden (baptized 2 July 1581 – 15 November 1634) was a German Baroque organist and composer. He is best known for establishing the so-called ''Nuremberg School''. Life He was the son of Hans Staden and Elisabeth Löbelle. The exact date of his birth is unknown; it is believed that he was born in Nuremberg in 1581 (the date on the only surviving portrait) and records show that a certain Johannes ''Starnn'' was baptised in July 1581. At 18 Staden was already quite famous and serving as organist of one of the city churches; by 1604 he was employed as court organist in Bayreuth; he got married the same year. In 1605 the court moved to Kulmbach, where Staden remained until 1610, publishing two collections of secular songs, ''Neue teutsche Lieder'' (1606) and ''Neue teutsche geistliche Gesäng'' (1609). He may have visited Bayreuth again in 1610 and returned to Nuremberg by 1611, the year his daughter was baptised there. In June 1612 he left Nuremberg again to succeed Hans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Windsbacher Knabenchor
The Windsbacher Knabenchor (Windsbach Boys' Choir) is a German boys' choir in Windsbach, Germany, founded in 1946 and performing internationally. History The choir was founded in 1946 by Hans Thamm and was conducted by Karl-Friedrich Beringer from 1977 for decades. It is regarded as one of the most renowned boys choirs of the world. The choir is an institution of the Lutheran Church in Bavaria, which raises about 30 percent of the funds required to support both the ensemble and the singers boarding school. The choir received the Rheingau Musikpreis of the Rheingau Musik Festival in 2007. From 2011, has been artistic director of the choir. Repertoire and performances The choir's repertoire spans from a cappella to great oratorios such as the Handel's ''Messiah'' and Medelssohn's ''Elijah''. With about 70 singers, the choir performs about 50 concerts per year. This includes going on tour once or twice per year to locations such as other European countries, the Middle East, Far Eas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto Palatino
The Concerto Palatino was a wind ensemble and important civic institution in Bologna associated with San Petronio. The band performed morning and evening concerts in the city. The Concerto Palatino began in the 13th century as a group of eight trumpeters. In the late 15th century trombones were added to the band. The form of the Concerto Palatino was then fixed from 1537 to 1779 as eight trumpets, four pifari or shawms or later cornets, four trombones, two viols, and drums. The members also served as teachers at the Liceo. Early music group The name Concerto Palatino was resurrected in 1986 by cornettist Bruce Dickey and trombonist Charles Toet, as one of the first historically informed performance ensembles performing the repertoire of the original alta capella An alta cappella or alta musica (Italian), haute musique (French) or just alta was a kind of town wind band found throughout continental Europe from the thirteenth to the eighteenth centuries, which typically consisted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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