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Cançoner Gil
The ''Cançoner Gil'' (, ) is an Occitan chansonnier produced in Catalonia in the middle of the 14th century. In the systematic nomenclature of Occitanists, it is typically named MS ''Sg'', but as ''Z'' in the reassignment of letter names by François Zufferey. It is numbered MS 146 in the Biblioteca de Catalunya in Barcelona where it now resides. The name of the chansonnier is not medieval. It is so-called after its last possessor before it was donated to the Biblioteca, Pablo Gil y Gil, Dean of the Faculty of Philosophy and Letters of the University of Zaragoza (c. 1910), owner of a valuable collection of ancient manuscripts. It was donated at the request of a group of ten of the library's patrons: Isidre Bonsoms, Pere Grau Maristany, Eduard Sevilla, the Marquès de Maury, Josep Mansana, Jacinte Serra, Manuel Girona, Hug Herberg, Teresa Ametller, and Archer Milton Huntington. Part of the motive for donating the chansonnier was to have it rebound. It was given new red leather ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Initial M From Cançoner Gil
In a written or published work, an initial capital, also referred to as a drop capital or simply an initial cap, initial, initcapital, initcap or init or a drop cap or drop, is a letter at the beginning of a word, a chapter, or a paragraph that is larger than the rest of the text. The word is derived from the Latin ''initialis'', which means ''standing at the beginning''. An initial is often several lines in height and in older books or manuscripts are known as "inhabited" initials. Certain important initials, such as the Beatus initial or "B" of ''Beatus vir...'' at the opening of Psalm 1 at the start of a vulgate Latin. These specific initials in an illuminated manuscript were also called initiums. In the present, the word "initial" commonly refers to the first letter of any word or name, the latter normally capitalized in English usage and is generally that of a first given name or a middle one or ones. History The classical tradition was slow to use capital letters fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertran De Born
Bertran de Born (; 1140s – by 1215) was a baron from the Limousin in France, and one of the major Occitan troubadours of the 12th-13th century. He composed love songs (cansos) but was better known for his political songs (sirventes). He was involved in revolts against Richard I and then Phillip II. He married twice and had five children. In his final years, he became a monk. Early life Bertran de Born was the eldest son of Bertran de Born, lord of Hautefort (Occitan: ''Autafòrt''), and his wife Ermengardis. He had two younger brothers, Constantine and Itier. His father died in 1178, and Bertran succeeded him as lord of Hautefort. By this time, he was already married to his first wife, Raimonda, and had two sons. Hautefort lies at the border between the Limousin and Périgord. As a result, Bertran became involved in the conflicts of the sons of Henry II Plantagenet. He was also fighting for control of Hautefort. According to the feudal custom of his region, he was not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old French
Old French (, , ; Modern French: ) was the language spoken in most of the northern half of France from approximately the 8th to the 14th centuries. Rather than a unified language, Old French was a linkage of Romance dialects, mutually intelligible yet diverse, spoken in the northern half of France. These dialects came to be collectively known as the , contrasting with the in the south of France. The mid-14th century witnessed the emergence of Middle French, the language of the French Renaissance in the Île de France region; this dialect was a predecessor to Modern French. Other dialects of Old French evolved themselves into modern forms (Poitevin-Saintongeais, Gallo, Norman, Picard, Walloon, etc.), each with its own linguistic features and history. The region where Old French was spoken natively roughly extended to the northern half of the Kingdom of France and its vassals (including parts of the Angevin Empire, which during the 12th century remained under Anglo-Norman rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaston III Of Foix-Béarn
Gaston Fébus (also spelt Phoebus) (30 April 1331 – 1391) was the eleventh count of Foix (as Gaston III) and twenty-fourth viscount of Béarn (as Gaston X) from 1343 until his death. Early life Gaston was born either in Orthez or Foix, the eldest son of Gaston II/IX (1308–1343). As the lord's eldest son, he was given the dynastic name, Gaston. He later adopted Fébus as a nickname. In its classic spelling, Phoebus, it is one of the names of the sun-god, Apollo, and is apt because of Gaston Fébus's golden hair. His native language was Gascon (a dialect of Occitan), but he was also fluent in French. He wrote a treatise on hunting in French, and an Occitan song, ''Se Canta'', has been ascribed to him. One contemporary chronicler, Jean Froissart, records that he "very willingly spoke to me not in his native Gascon but in proper and elegant French".Paul Cohen, "Linguistic Politics on the Periphery: Louis XIII, Béarn, and the Making of French as an Official Language in Early M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raimon De Cornet
Raimon de Cornet (, also spelled ''Ramon de Cornet''; floruit, fl. 1324–1340) was a fourteenth-century Toulousain priest, friar, Philologist, grammarian, poet, and troubadour. He was a prolific author of verse; more than forty of his poems survive, most in Occitan language, Occitan but two in Latin language, Latin. He also wrote letters, a didactic poem (sometimes classed as the last ''ensenhamen''), a grammar, and some treatises on computation (i.e. practical mathematics). He was the "last of the troubadours" and represented ''l'esprit le plus brillant'' (the most brilliant spirit) of the Consistori del Gay Saber, "Toulousain School". He appears in contemporary documents with the titles ''Sir, En'' (sir, also ''mossen'') and ''Frare'' (brother, also ''fray'', ''frai'', or ''frayre''). Raimon's ''Masterpiece, magnum opus'' is his ''Doctrinal de trobar'' (doctrines of composition) composed around 1324 and dedicated to Peter, Count of Ribagorza. The ''Doctrinal'' follows the gra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joan De Castellnou
Joan de Castellnou (; fl. 1341–1355) was a troubadour of the Consistori del Gay Saber active in Toulouse. He left behind five or six ''cansos'', three '' vers'', a ''dansa'', a '' conselh'', and a ''sirventes''. His most famous works are non-lyric, however: a grammar (''compendi'') called ''Las flors del gay saber, estier dichas las Leys d'amors'' and a glossary (''glosari'') on the ''Doctrinal'' (1324) of his predecessor, Raimon de Cornet. Joan's ''Glosari'', usually dated to 1341, is a critical analysis of the ''Doctrinal'', not a complete grammar in and of itself. It is dedicated to Peter, Count of Ribagorza. His ''Leys'', however, is the latest and largest medieval Occitan grammatical treatise written with intention of preserving the literary form of the language. It is highly systematic and highly prescriptive. Its double title indicates the close relationship in the medieval lyrical tradition between the science of poetry (''gay saber'') and the art of love (''amors'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consistori Del Gay Saber
The Consistori del Gay Saber (; "Consistory of the Gay Science") was a poetic academy founded at Toulouse in 1323 to revive and perpetuate the lyric poetry of the troubadours. Also known as the Acadèmia dels Jòcs Florals or Académie des Jeux Floraux ("Academy of the Floral Games"), it is the most ancient literary institution of the Western world. It was founded in 1323 in ToulouseM. de Ponsan, ''Histoire de l' Académie des Jeux floraux'' (Toulouse, 1764), p. 4, French. and later restored by Clémence Isaure as the Consistori del Gay Saber with the goal of encouraging Occitan poetry. The best verses were given prizes at the floral games in the form of different flowers, made of gold or silver, such as violets, rose hips, marigolds, amaranths or lilies. The Consistori eventually became gallicised. It was renewed by Louis XIV in 1694 and still exists today. The has had such prestigious members as Ronsard, Marmontel, Chateaubriand, Voltaire, Alfred de Vigny, Victor Hugo and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toulouse
Toulouse ( , ; oc, Tolosa ) is the prefecture of the French department of Haute-Garonne and of the larger region of Occitania. The city is on the banks of the River Garonne, from the Mediterranean Sea, from the Atlantic Ocean and from Paris. It is the fourth-largest city in France after Paris, Marseille and Lyon, with 493,465 inhabitants within its municipal boundaries (2019 census); its metropolitan area has a population of 1,454,158 inhabitants (2019 census). Toulouse is the central city of one of the 20 French Métropoles, with one of the three strongest demographic growth (2013-2019). Toulouse is the centre of the European aerospace industry, with the headquarters of Airbus, the SPOT satellite system, ATR and the Aerospace Valley. It hosts the CNES's Toulouse Space Centre (CST) which is the largest national space centre in Europe, but also, on the military side, the newly created NATO space centre of excellence and the French Space Command and Space Academy. Thales ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guilhem De Berguedan
Guillem de Berguedà (''c''.1130–1195/6; ''fl''.1138–1192), or Guilhem de Berguedan in Occitan, was a Catalan troubadour and viscount of Berguedà. He was the most prolific Catalan poet of the twelfth century, though he composed in Occitan, and thirty-one of his poems survive. Most are ''sirventes'', "typically violent and obscene, reflecting his character and turbulent life,"Cf. Gaunt and Kay. but there are a few ''cansos''. Most of what is known about him derives from his ''vida'' and his songs. The viscounty of Berguedà was a fief of the County of Cerdagne and the first mention of its dates to the tenth century. In 1131 Guillem's father (also Guillem) appears for the first time in a document as rendering homage to Huguet de Mataplana, from he held a fief. It is not until 1138 that the troubadour Guillem first appears in documents, as a child at the side of his father. Later writings indicate that he had three younger brothers, Raymond, Berengar, and Bernard. Some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaufre Rudel
Jaufre Rudel (Jaufré in modern Occitan) was the Prince of Blaye (''Princes de Blaia'') and a troubadour of the early- to mid-12th century, who probably died during the Second Crusade, in or after 1147. He is noted for developing the theme of "love from afar" (''amor de lonh'' or ''amour de loin'') in his songs. Very little is known about his life, but a reference to him in a contemporary song by Marcabru describes him as being ''oltra mar''—across the sea, probably on the Second Crusade in 1147. Probably he was the son of Girard, also castellan of Blaye, and who was titled "prince" in an 1106 charter. Girard's father was the first to carry the title, being called ''princeps Blaviensis'' as early as 1090.Gaston Paris (1912), ''Mélanges de littérature française du moyen age'' (New York: Burt Franklin, ), pp. 498–503. During his father's lifetime the suzerainty of Blaye was disputed between the Counts of Poitou and the Counts of Angoulême. Shortly after the successio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pons De Capduelh
Pons de Capduelh ( fl. 1160–1220Chambers 1978, 140. or 1190–1237Aubrey 1996, 19–20.) was a troubadour from the Auvergne, probably from Chapteuil. His songs were known for their great gaiety. He was a popular poet and 27 of his songs are preserved, some in as many as 15 manuscripts. Four of his ''cansos'' survive with musical notation. Biography ''Vida'' and ''razo'' There survives a ''vida'', or short biography, of Pons written by a contemporary and fellow troubadour, Uc de Saint Circ. According to Uc, Pons and troubadour Guillem de Saint Leidier were both from the diocese of Le Puy, and while Guillem was "generous with money" (''larcs donaire d'aver''), Pons was very stingy (''fort escars d'aver''). He reportedly loved Azalais, daughter of Bernard VII of Anduze and wife of Oisil de Mercoeur (or Mercuor). (Bernard of Anduze was a patron of many troubadours.) The ''vida'' states that " onsloved zalaisdearly and praised her and made many good songs about her; and as long as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernart De Ventadorn
Bernart de Ventadorn (also Bernard de Ventadour or Bernat del Ventadorn; – ) was a French poet-composer troubadour of the classical age of troubadour poetry. Generally regarded as the most important troubadour in both poetry and music, his 18 extant melodies of 45 known poems in total is the most to survive from any 12th-century troubadour. He is remembered for his mastery as well as popularization of the ''trobar leu'' style, and for his prolific ''cançons'', which helped define the genre and establish the "classical" form of courtly love poetry, to be imitated and reproduced throughout the remaining century and a half of troubadour activity. Now thought of as "the Master Singer," he developed the '' cançons'' into a more formalized style which allowed for sudden turns. Bernart was known for being able to portray his women as divine agents in one moment and then, in a sudden twist, as Eve – the cause of man's initial sin. This dichotomy in his work is portrayed in a "gra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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