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Cantiga De Amor
''Cantiga de amor'' ( Portuguese and Galician) or ''cantiga d'amor'' ( Galician-Portuguese), literally "love song", is a type of literary composition from the Middle Ages, typical of the medieval Galician-Portuguese lyric. A male-voiced love lyric, they on average have more complex forms, many never found in '' cantigas de amigo'' and some highly complex ones that were directly inspired by Occitan and Old French lyrics. On the other hand, ''cantigas de amor'' have a lack of variation in personae – with the man almost always speaking to or about a woman – and of situations. Usually the man is courting the woman, complaining that she is being cruel to him, despite his love and loyalty, though sometimes he is leaving or coming back, is away from her, and, seldom, the man gets so frustrated, angry or jealous that he gives up on her and even insults the woman. Obscenity and open sexual references are taboo on this lyric. ''Cantigas de amor'' have a more complex rhetoric, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portuguese Language
Portuguese ( or, in full, ) is a western Romance language of the Indo-European language family, originating in the Iberian Peninsula of Europe. It is an official language of Portugal, Brazil, Cape Verde, Angola, Mozambique, Guinea-Bissau and São Tomé and Príncipe, while having co-official language status in East Timor, Equatorial Guinea, and Macau. A Portuguese-speaking person or nation is referred to as " Lusophone" (). As the result of expansion during colonial times, a cultural presence of Portuguese speakers is also found around the world. Portuguese is part of the Ibero-Romance group that evolved from several dialects of Vulgar Latin in the medieval Kingdom of Galicia and the County of Portugal, and has kept some Celtic phonology in its lexicon. With approximately 250 million native speakers and 24 million L2 (second language) speakers, Portuguese has approximately 274 million total speakers. It is usually listed as the sixth-most spoken language, the third-most sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhetoric
Rhetoric () is the art of persuasion, which along with grammar and logic (or dialectic), is one of the three ancient arts of discourse. Rhetoric aims to study the techniques writers or speakers utilize to inform, persuade, or motivate particular audiences in specific situations. Aristotle defines rhetoric as "the faculty of observing in any given case the available means of persuasion" and since mastery of the art was necessary for victory in a case at law, for passage of proposals in the assembly, or for fame as a speaker in civic ceremonies, he calls it "a combination of the science of logic and of the ethical branch of politics". Rhetoric typically provides heuristics for understanding, discovering, and developing arguments for particular situations, such as Aristotle's three persuasive audience appeals: logos, pathos, and ethos. The five canons of rhetoric or phases of developing a persuasive speech were first codified in classical Rome: invention, arrangement, style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantigas De Escárnio E Maldizer
''Cantigas de escárnio e maldizer'' (Portuguese), ''cantiga de escarnio e maldicir'' ( Galician) or ''cantigas d'escarnho e de maldizer'' (Galician-Portuguese), literally "derision and curse songs", are a type of literary composition of insult, mockery and scorn – always with comic intent – from the Middle Ages, typical of the medieval Galician-Portuguese lyric. The Galician-Portuguese lyrical ''corpus'' has approximately 400 texts belonging to the genre. It is often incorrectly characterized as satire, the difference being that this genre normally insults named individuals, unlike the satire, that insults entire classes of people. The genre often has complex forms, with a variety of personae, and with the rhetoric being roughly in the middle of complexity in comparation to the ''cantiga de amor'' and the ''cantiga de amigo''. Insult or mockery are the essence, though techniques have a great variation, such as praising in order to blame, defending in order to accuse, tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
13th Century
The 13th century was the century which lasted from January 1, 1201 ( MCCI) through December 31, 1300 ( MCCC) in accordance with the Julian calendar. The Mongol Empire was founded by Genghis Khan, which stretched from Eastern Asia to Eastern Europe. The conquests of Hulagu Khan and other Mongol invasions changed the course of the Muslim world, most notably the Siege of Baghdad (1258), the destruction of the House of Wisdom and the weakening of the Mamluks and Rums which, according to historians, caused the decline of the Islamic Golden Age. Other Muslim powers such as the Mali Empire and Delhi Sultanate conquered large parts of West Africa and the Indian subcontinent, while Buddhism witnessed a decline through the conquest led by Bakhtiyar Khilji. The Southern Song dynasty would begin the century as a prosperous kingdom but would eventually be invaded and annexed into the Yuan dynasty of the Mongols. The Kamakura Shogunate of Japan would be invaded by the Mongols. Goryeo resiste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nuno Fernandes Torneol
Nuno Fernandes Torneol was a Galician-Portuguese trovador. He probably worked in the middle of the thirteenth century at the courts of Ferdinand III and Alfonso X of Castile. In "De longas vias, mui longas mentiras", the only '' cantiga de escárnio'' that he wrote, he mentions many Castilian place names. He is the also the author of the only known '' alborada'' (dawn song) in the Galician-Portuguese tradition: "Levad', amigo, que dormides as manhanas frías". Nuno's name has been the subject of much speculation. In 1994 António Resende de Oliveira suggested that "Torneol" might not be a part of his name, but a note added by the 16th-century editor of the ''Cancioneiro da Biblioteca Nacional'', Angelo Colocci, indicating the refrain (''tornel'') to be used in the following songs. In 1997, however, Vicenç Beltran discovered a reference in a document of 1244 to one João Fernandes Torniol who owned a vineyard in Córdoba. This may have been the trovador's brother. In a document o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legião Urbana
Legião Urbana (Portuguese for Urban Legion) was a Brazilian rock band formed in 1982 in Brasília, Distrito Federal. The band primarily consisted of Renato Russo (vocals, bass and keyboards), Dado Villa-Lobos (guitar) and Marcelo Bonfá (drums). In its earlier days, Legião Urbana also had a full-time bassist, Renato Rocha, but he left the band due to creative divergences. While Legião Urbana disbanded officially in 1996, after frontman Renato Russo's death, it is one of the most famous Brazilian rock bands, alongside Os Mutantes, Titãs, Os Paralamas do Sucesso, and Barão Vermelho. History The beginning Renato Russo (born Renato Manfredini, Jr.) founded Legião Urbana in 1982 in Brasília, after leaving his previous band Aborto Elétrico ("Electric Abortion"). Aborto Elétrico broke up due to repeated disagreements between Russo and brothers Flávio and Fê Lemos, his bandmates. After Aborto Elétrico split and Russo created Legião Urbana, the two brothers would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Music
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period. Following the traditional division of the Middle Ages, medieval music can be divided into Early (500–1150), High (1000–1300), and Late (1300–1400) medieval music. Medieval music includes liturgical music used for the church, and secular music, non-religious music; solely vocal music, such as Gregorian chant and choral music (music for a group of singers), solely instrumental music, and music that uses both voices and instruments (typically with the instruments accompanying the voices). Gregorian chant was sung by monks during Catholic Mass. The Mass is a reenactment of Christ's Last Supper, intended to provide a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingdom Of France
The Kingdom of France ( fro, Reaume de France; frm, Royaulme de France; french: link=yes, Royaume de France) is the historiographical name or umbrella term given to various political entities of France in the medieval and early modern period. It was one of the most powerful states in Europe since the High Middle Ages. It was also an early colonial power, with possessions around the world. France originated as West Francia (''Francia Occidentalis''), the western half of the Carolingian Empire, with the Treaty of Verdun (843). A branch of the Carolingian dynasty continued to rule until 987, when Hugh Capet was elected king and founded the Capetian dynasty. The territory remained known as ''Francia'' and its ruler as ''rex Francorum'' ("king of the Franks") well into the High Middle Ages. The first king calling himself ''rex Francie'' ("King of France") was Philip II, in 1190, and officially from 1204. From then, France was continuously ruled by the Capetians and their cadet lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enjambement
In poetry, enjambment ( or ; from the French ''enjamber'') is incomplete syntax at the end of a line; the meaning 'runs over' or 'steps over' from one poetic line to the next, without punctuation. Lines without enjambment are end-stopped. The origin of the word is credited to the French word ''enjamber'', which means 'to straddle or encroach'. In reading, the delay of meaning creates a tension that is released when the word or phrase that completes the syntax is encountered (called the rejet); the tension arises from the "mixed message" produced both by the pause of the line-end, and the suggestion to continue provided by the incomplete meaning.Preminger 359 In spite of the apparent contradiction between rhyme, which heightens closure, and enjambment, which delays it, the technique is compatible with rhymed verse. Even in couplets, the closed or heroic couplet was a late development; older is the open couplet, where rhyme and enjambed lines co-exist. Enjambment has a long history ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syntax
In linguistics, syntax () is the study of how words and morphemes combine to form larger units such as phrases and sentences. Central concerns of syntax include word order, grammatical relations, hierarchical sentence structure ( constituency), agreement, the nature of crosslinguistic variation, and the relationship between form and meaning (semantics). There are numerous approaches to syntax that differ in their central assumptions and goals. Etymology The word ''syntax'' comes from Ancient Greek roots: "coordination", which consists of ''syn'', "together", and ''táxis'', "ordering". Topics The field of syntax contains a number of various topics that a syntactic theory is often designed to handle. The relation between the topics is treated differently in different theories, and some of them may not be considered to be distinct but instead to be derived from one another (i.e. word order can be seen as the result of movement rules derived from grammatical relations). Se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taboo
A taboo or tabu is a social group's ban, prohibition, or avoidance of something (usually an utterance or behavior) based on the group's sense that it is excessively repulsive, sacred, or allowed only for certain persons.''Encyclopædia Britannica Online''.Taboo. Encyclopædia Britannica Inc., 2012. Retrieved 21 Mar. 2012 Such prohibitions are present in virtually all societies. Taboos may be prohibited explicitly, for example within a legal system or religion, or implicitly, for example by social norms or conventions followed by a particular culture or organization. Taboos are often meant to protect the individual, but there are other reasons for their development. An ecological or medical background is apparent in many, including some that are seen as religious or spiritual in origin. Taboos can help use a resource more efficiently, but when applied to only a subsection of the community they can also serve to suppress said subsection of the community. A taboo acknowledged by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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