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Canova Family 1938
Antonio Canova (; 1 November 1757 – 13 October 1822) was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists,. his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.Jean Martineau & Andrew Robinson, ''The Glory of Venice: Art in the Eighteenth Century.'' Yale University Press, 1994. Print. Life Possagno In 1757, Antonio Canova was born in the Venetian Republic city of Possagno to Pietro Canova, a stonecutter, and Maria Angela Zardo Fantolini.. In 1761, his father died. A year later, his mother remarried. As such, in 1762, he was put into the care of his paternal grandfather Pasino Canova, who was a stonemason, owner of a quarry, and was a "sculptor who specialized in altars with statues and low reliefs in late Baroque style". He led Antonio into the art of sculpti ...
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Possagno
Possagno is a comune in the Province of Treviso, in the Italian region Veneto. It is located about northwest of Venice and about northwest of Treviso. As of 31 August 2021, it had a population of 2,191 and an area of .All demographics and other statistics: Italian statistical institute Istat. Possagno borders the following municipalities: Alano di Piave, Castelcucco, Cavaso del Tomba, Paderno del Grappa. Antonio Canova (1757-1822), the great neoclassical sculptor was born in Possagno. He chose to erect the Tempio Canoviano in the city, a structure he designed, financed, and partly-built himself. The temple has become one of the city's landmarks with the museum of the Gipsoteca Canoviana dedicated to the sculptor and built around his birthplace, which houses various sketches and plaster casts of his famous works as well as many of his paintings. The extension of the plaster casts gallery was carried out by the architect Carlo Scarpa. In 2022 we will celebrate the 200th annive ...
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Stonemasonry
Stonemasonry or stonecraft is the creation of buildings, structures, and sculpture using stone as the primary material. It is one of the oldest activities and professions in human history. Many of the long-lasting, ancient shelters, temples, monuments, artifacts, fortifications, roads, bridges, and entire cities were built of stone. Famous works of stonemasonry include the Egyptian pyramids, the Taj Mahal, Cusco's Incan Wall, Easter Island's statues, Angkor Wat, Borobudur, Tihuanaco, Tenochtitlan, Persepolis, the Parthenon, Stonehenge, the Great Wall of China, and Chartres Cathedral. Definition Masonry is the craft of shaping rough pieces of rock into accurate geometrical shapes, at times simple, but some of considerable complexity, and then arranging the resulting stones, often together with mortar, to form structures. *Quarrymen split sheets of rock, and extract the resulting blocks of stone from the ground. *Sawyers cut these rough blocks into cuboids, to required siz ...
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Ca' Farsetti
Ca' Farsetti is a palace in Venice, Italy. It is located in the ''sestiere'' (district) of San Marco, and faces the Grand Canal, not far from the Ponte di Rialto. The neighboring building is Palazzo Cavalli. History The palace was built in the 13th century by the heirs of doge Enrico Dandolo. The palace however suffered near destruction in a fire in 1524.: Federigo Contarini, who bought it in 1440, added two further floors. It was acquired around 1670 by the Farsetti family, who established here an academy in the 18th century. In the early 19th century it was converted into a hotel, and, in 1926, it became a property of the municipality of Venice. Architecture The lower floors are in Venetian-Byzantine style with a portico with Corinthian columns, similar to that of the neighbouring Ca' Loredan. The piano nobile has fifteen arcades connected by a balustrade. The second floor and the mezzanine are in Renaissance style. Events On 27 September 2014, the American film star George ...
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Filippo Farsetti
Filippo Vincenzo Farsetti (Venice, 13 January 1703 - Venice, 22 September 1774), was an Italian art collector and patron of the arts. Early life Filippo was the son of Anton Francesco Farsetti and his wife Marina Foscari. The Foscari were an ancient Venetian patrician family, which reached its peak in the 14th–15th centuries with the dogeship of Francesco Foscari (1423-1457). The Farsetti, on the other hand, originally came from Tuscany, though they had divided into numerous branches that established themselves throughout Northern Italy. Filippo's branch had become part of the patrician class of Venice as late in 1664, by payment of a hundred thousand ducats. Though relatively recent arrivals, therefore, they were very rich, and this meant for Filippo a comfortable and carefree childhood and youth. He spent his first years engrossed in his studies and far from political concerns. The tranquility of those years contributed doubtless to his decision to receive minor orders, which ...
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Feast Of The Ascension
The Solemnity of the Ascension of Jesus Christ, also called Ascension Day, Ascension Thursday, or sometimes Holy Thursday, commemorates the Christian belief of the bodily Ascension of Jesus into heaven. It is one of the ecumenical (i.e., shared by multiple denominations) feasts of Christian churches, ranking with the feasts of the Passion and Pentecost. Following the account of that the risen Jesus appeared for 40 days prior to his Ascension, Ascension Day is traditionally celebrated on a Thursday, the fortieth day of Easter; although some Christian denominations have moved the observance to the following Sunday. The day of observance varies by ecclesiastical province in many Christian denominations, as with Methodists and Catholics, for example. History The observance of this feast is of great antiquity. Eusebius seems to hint at the celebration of it in the 4th century. At the beginning of the 5th century, Augustine of Hippo says that it is of Apostolic origin, and he speaks of ...
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Rococo Style
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ...
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Asolo
Asolo () is a town and ''comune'' in the Veneto Region of northern Italy. It is known as "The Pearl of the province of Treviso", and also as "The City of a Hundred Horizons" for its mountain settings. History The town was originally a settlement of the Veneti, and was mentioned as Acelum in the works of Pliny. Its citizens were inscribed into the Roman tribe ''Claudia''. It was called Acelum in the acts of a synod held in Marano in 588 or 591, since one of the participants was ''Agnellus episcopus sanctae Acelinae ecclesiae''; the name Asolo was already in use by the time of a synod held in Mantua in 827 (or perhaps 835), at which the participation of ''Arthemius episcopus Asolensis'' is noted. In 969, Emperor Otto I assigned the territory of the diocese of Acelum/Asolo to the diocese of Treviso. This action may be related to the destruction caused by the Hungarian raiders who in 899 defeated Berengar I of Italy near the town. However, one of the bishops at a synod at Rome und ...
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Eurydice
Eurydice (; Ancient Greek: Εὐρυδίκη 'wide justice') was a character in Greek mythology and the Auloniad wife of Orpheus, who tried to bring her back from the dead with his enchanting music. Etymology Several meanings for the name ''Eurydice'' have been proposed such as "true judgement" or "profound judgement" from the Greek: ''eur dike''. Fulgentius, a mythographer of the late 5th to early 6th century AD, gave the latter etymological meaning. Adriana Cavarero, in the book ''Relating Narratives: Storytelling and Selfhood'', wrote that "the etymology of Eurydice seems rather to indicate, in the term ''eurus'', a vastness of space or power, which, joining to ''dike'' nd thus ''deiknumi'', to show designates her as 'the one who judges with breadth' or, perhaps, 'she who shows herself amply'". In some accounts, she was instead called Agriope, which means "savage face". Mythology Marriage to Orpheus, death and afterlife Eurydice was the Auloniad wife of musicia ...
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Orpheus
Orpheus (; Ancient Greek: Ὀρφεύς, classical pronunciation: ; french: Orphée) is a Thracian bard, legendary musician and prophet in ancient Greek religion. He was also a renowned poet and, according to the legend, travelled with Jason and the Argonauts in search of the Golden Fleece, and even descended into the Underworld of Hades, to recover his lost wife Eurydice. Ancient Greek authors as Strabo and Plutarch note Orpheus's Thracian origins. The major stories about him are centered on his ability to charm all living things and even stones with his music (the usual scene in Orpheus mosaics), his attempt to retrieve his wife Eurydice from the underworld, and his death at the hands of the maenads of Dionysus, who tired of his mourning for his late wife Eurydice. As an archetype of the inspired singer, Orpheus is one of the most significant figures in the reception of classical mythology in Western culture, portrayed or alluded to in countless forms of art and popular ...
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Accademia Di Belle Arti Di Venezia
The is a public tertiary academy of art in Venice, Italy. History The Accademia di Belle Arti di Venezia was founded on 24 September 1750; the statute dates from 1756. The first director was Giovanni Battista Piazzetta; Gianbattista Tiepolo became the first president after his return from Würzburg. The academy was at first housed in a room on the upper floor of the Fonteghetto della Farina, a flour warehouse and market on the Grand Canal, close to Piazza San Marco. The space was insufficient, and students and teachers had to contend with the noise and dust of the market, which also occupied the first floor of the building. Antonio Canova studied at the academy in the 1770s. In 1807, the academy was re-founded by Napoleonic decree. The name was changed from Veneta Academia di Pittura, Scultura e Architettura to Accademia Reale di Belle Arti, "royal academy of fine arts", and the academy was moved to premises in the Palladian complex of the Scuola della Carità. In 1879 ...
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Giovanni Ferrari (sculptor)
Giovanni Ferrari detto Torretto (5 June 1744 – 2 November 1826) was an Italian sculptor. Biography Giovanni Ferrari was born 5 June 1744, in Crespano del Grappa. His father, Gaetano, was a stonemason by trade. His mother was Domenica Tedesca. He is the last of well-known artist from the Torretti dynasty of sculptors, which including his great-uncle Giuseppe Torretto and Uncle Giuseppe Bernardi. In 1755 he moved to Venice to join the studio of the latter, and at Bernardi's death in 1773, he inherited his studio. He died 2 November 1826 in Venice. As sculptor Ferrari was concerned initially to complete some works of his predecessor, helped, among others, by Antonio Canova, who had been working in the shop since 1744. But by 1777, Ferrari closed the studio, and moved to Mantua, then to Modena, then to Bologna. From 1779 he was in Rome where he worked at the studio of Lorenzo Cardelli, and later under Francesco Antonio Franzoni. He then returned to Venice, where he worked till 179 ...
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Giuseppe Bernardi
Giuseppe Bernardi (24 March 1694 in Pagnano – 22 February 1773 in Venice), also called Torretto, was a prominent mid-18th-century Italian sculptor. He is also known as a carver of intaglios and as the first teacher of Neoclassical sculptor Antonio Canova. His father was Sebastiano Bernardi whose works include the statues of the park of the Villa Manin di Passariano (Udine) and of the Prato della Valle in Padua. His mother, Cecilia Torretto, was sister to the sculptor Giuseppe Torretto and Bernardi took the nickname "il Torretto" as a child in honor of his uncle. Career Bernardi learned his craft from his maternal uncle whose workshop he later inherited. He worked on both small and large projects, and documents from his workshop indicate that he was quite prolific, taking on numerous projects at a time. Beginning in the 1730s, he was involved with the Santa Maria della Fava sculptural project which took him several decades to complete. He was commissioned to sculpt eight, over- ...
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