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Canon TS-E 24mm Lens
The Canon Inc., Canon TS-E 24 mm 3.5L II is a Tilt–shift photography#Perspective control lenses, tilt-shift, Wide-angle lens, wide-angle prime lens that provides the equivalent of the corresponding view camera front View camera#Movements, movements on Canon EOS camera bodies. Though it uses Canon's Canon EF lens mount, EF lens mount, it does not provide autofocus. Overview The TS-E 24 mm 3.5L II lens provides four Degrees of freedom (engineering), degrees of freedom, allowing ±8.5° tilt with respect to the film or sensor plane and ±12 mm shift with respect to the center of the image area; each movement can be rotated ±90° about the lens axis. Shifting allows adjusting the position of the subject in the image area without changing the camera angle; it is often used to avoid convergence of parallel lines, such as when photographing a tall building. Tilting the lens relies on the Scheimpflug principle to rotate the plane of focus away from parallel to the image ...
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Canon Inc
is a Japanese multinational corporation headquartered in Ōta, Tokyo, Japan, specializing in optical, imaging, and industrial products, such as lenses, cameras, medical equipment, scanners, printers, and semiconductor manufacturing equipment.Corporate Profile
" ''Canon''. Retrieved on 13 January 2009.
Canon has a primary listing on the and is a constituent of the Core30 and index. It has a secondary ...
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Macro Photography
Macro photography (or photomacrography or macrography, and sometimes macrophotography) is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life size (though ''macrophotography'' also refers to the art of making very large photographs). By the original definition, a macro photograph is one in which the size of the subject on the negative or image sensor is life size or greater. In some senses, however, it refers to a finished photograph of a subject that is greater than life size. The ratio of the subject size on the film plane (or sensor plane) to the actual subject size is known as the reproduction ratio. Likewise, a macro lens is classically a lens capable of reproduction ratios of at least 1:1, although it often refers to any lens with a large reproduction ratio, despite rarely exceeding 1:1. Apart from technical photography and film-based processes, where the s ...
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Canon EF Lenses
Canon or Canons may refer to: Arts and entertainment * Canon (fiction), the conceptual material accepted as official in a fictional universe by its fan base * Literary canon, an accepted body of works considered as high culture ** Western canon, the body of high culture literature, music, philosophy, and works of art that is highly valued in the West * Canon of proportions, a formally codified set of criteria deemed mandatory for a particular artistic style of figurative art * Canon (music), a type of composition * Canon (hymnography), a type of hymn used in Eastern Orthodox Christianity. * ''Canon'' (album), a 2007 album by Ani DiFranco * ''Canon'' (film), a 1964 Canadian animated short * ''Canon'' (game), an online browser-based strategy war game * ''Canon'' (manga), by Nikki * Canonical plays of William Shakespeare * ''The Canon'' (Natalie Angier book), a 2007 science book by Natalie Angier * ''The Canon'' (podcast), concerning film Brands and enterprises * Canon ...
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Canon TS-E 135mm Lens
The Canon TS-E 135 mm 4L MACRO is a tilt-shift, Macro prime lens that provides the equivalent of the corresponding view camera front movements on Canon EOS camera bodies. Unlike most other EF-mount lenses, it does not provide autofocus. Overview The TS-E 135 mm 4L MACRO provides four degrees of freedom, allowing ±10° tilt with respect to the film or sensor plane and ±12 mm shift with respect to the center of the image area; each movement can be rotated ±90° about the lens axis. Shifting allows adjusting the position of the subject in the image area without moving the camera back; it is often used to avoid convergence of parallel lines, such as when photographing a tall building. Tilting the lens relies on the Scheimpflug principle to rotate the plane of focus away from parallel to the image plane; this can be used either to have all parts of an inclined subject sharply rendered, or to restrict sharpness to a small part of a scene. Tilting the lens results in ...
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Canon TS-E 90mm Lens
The Canon TS-E 90 mm f/2.8 is a tilt-shift, telephoto prime lens that provides the equivalent of the corresponding view camera front movements on Canon EOS camera bodies. Unlike most other EF-mount lenses, it does not provide autofocus. Overview The TS-E 90 mm f/2.8 provides three degrees of freedom, allowing ±8° tilt with respect to the image plane and ±11 mm shift with respect to the center of the image area; the movements can be rotated ±90° about the lens axis, though not independently. Shifting allows adjusting the position of the subject in the image area without moving the camera back; it is often used to avoid convergence of parallel lines, such as when photographing a tall building. Tilting the lens relies on the Scheimpflug principle to rotate the plane of focus away from parallel to the image plane; this can be used either to have all parts of an inclined subject sharply rendered, or to restrict sharpness to a small part of a scene. Tilting the le ...
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Canon TS-E 50mm Lens
The Canon TS-E 50 mm 2.8L MACRO is a tilt-shift prime lens that provides the equivalent of the corresponding view camera front movements on Canon EOS camera bodies. Unlike most other EF-mount lenses, it does not provide autofocus. Overview The TS-E 50 mm 2.8L MACRO provides four degrees of freedom, allowing ±8,5° tilt with respect to the film or sensor plane and ±12 mm shift with respect to the center of the image area; each movement can be rotated ±90° about the lens axis. Shifting allows adjusting the position of the subject in the image area without moving the camera back; it is often used to avoid convergence of parallel lines, such as when photographing a tall building. Tilting the lens relies on the Scheimpflug principle to rotate the plane of focus away from parallel to the image plane; this can be used either to have all parts of an inclined subject sharply rendered, or to restrict sharpness to a small part of a scene. Tilting the lens results in a wed ...
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Canon TS-E 45mm Lens
The Canon TS-E 45 mm f/2.8 is a tilt-shift, normal prime lens that provides the equivalent of the corresponding view camera front movements on Canon EOS camera bodies. Unlike most other EF-mount lenses, it does not provide autofocus. Overview The TS-E 45 mm f/2.8 provides three degrees of freedom, allowing ±8° tilt with respect to the image plane and ±11 mm shift with respect to the center of the image area; the movements can be rotated ±90° about the lens axis, though not independently. Shifting allows adjusting the position of the subject in the image area without moving the camera back; it is often used to avoid convergence of parallel lines, such as when photographing a tall building. Tilting the lens relies on the Scheimpflug principle to rotate the plane of focus away from parallel to the image plane; this can be used either to have all parts of an inclined subject sharply rendered, or to restrict sharpness to a small part of a scene. Tilting the lens r ...
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Canon TS-E 17mm Lens
The Canon TS-E 17 mm 4L is a tilt-shift, ultra-wide-angle prime lens that provides the equivalent of the corresponding view camera front movements on Canon EOS camera bodies. Unlike most other EF-mount lenses, it does not provide autofocus. Overview The TS-E 17 mm 4L provides four degrees of freedom, allowing ±6.5° tilt with respect to the film or sensor plane and ±12 mm shift with respect to the center of the image area; each movement can be rotated ±90° about the lens axis. Shifting allows adjusting the position of the subject in the image area without moving the camera back; it is often used to avoid convergence of parallel lines, such as when photographing a tall building. Tilting the lens relies on the Scheimpflug principle to rotate the plane of focus away from parallel to the image plane; this can be used either to have all parts of an inclined subject sharply rendered, or to restrict sharpness to a small part of a scene. Tilting the lens results in a ...
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Suggested Retail Price
The list price, also known as the manufacturer's suggested retail price (MSRP), or the recommended retail price (RRP), or the suggested retail price (SRP) of a product is the price at which its manufacturer notionally recommends that a retailer sell the product. Suggested pricing methods may conflict with competition theory, as they allow prices to be set higher than would be established by supply and demand. Resale price maintenance—fixing prices—goes further than suggesting prices, and is illegal in many countries. Retailers may charge less than the suggested retail price, depending upon the actual wholesale cost of each item, usually purchased in bulk from the manufacturer, or in smaller quantities through a distributor. The suggested price is sometimes unrealistically high, so the seller can appear to be offering a discount. List price often cannot be compared directly internationally as products may differ in detail, sometimes due to different regulations, and list pr ...
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Filter (photography)
In photography and cinematography, a filter is a camera accessory consisting of an optical filter that can be inserted into the optical path. The filter can be of a square or oblong shape and mounted in a holder accessory, or, more commonly, a glass or plastic disk in a metal or plastic ring frame, which can be screwed into the front of or clipped onto the camera lens. Filters modify the images recorded. Sometimes they are used to make only subtle changes to images; other times the image would simply not be possible without them. In monochrome photography, coloured filters affect the relative brightness of different colours; red lipstick may be rendered as anything from almost white to almost black with different filters. Others change the colour balance of images, so that photographs under incandescent lighting show colours as they are perceived, rather than with a reddish tinge. There are filters that distort the image in a desired way, diffusing an otherwise sharp image, addin ...
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Angle Of View
The angle of view is the decisive variable for the visual perception of the size or projection of the size of an object. Angle of view and perception of size The perceived size of an object depends on the size of the image projected onto the retina. The size of the image depends on the angle of vision. A near and a far object can appear the same size if their edges produce the same angle of vision. With an optical device such as glasses or binoculars, microscope and telescope the angle of vision can be widened so that the object appears larger, which is favourable for the resolving power of the eye (see visual angle). Angle of view in photography In photography, angle of view (AOV) describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view. It is important to distinguish the angle of view from the angle of coverage, which describes the angle range that a lens can image. Typically the image ...
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