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Cangaço
''Cangaço'' () was a phenomenon of Northeast Brazil in the late 19th and early 20th centuries. This region of Brazil is known for its aridness and hard way of life, and in a form of "social banditry" against the government, many men and women decided to become nomadic bandits, roaming the hinterlands seeking money, food, and revenge. Origin of the word By 1834, the term ''cangaceiro'' was already used to refer to bands of poor peasants who inhabited the northeastern deserts, wearing leather clothing and hats, carrying carbines, revolvers, shotguns, and the long narrow knife known as the . "Cangaceiro" was a pejorative expression, meaning a person who could not adapt himself to the coastal lifestyle. Types of banditry By the mid 19th century in that region, there were two main groups of loosely organized armed outlaws: the '' jagunços'', mercenaries who worked for whoever paid their price, usually land-owners who wanted to protect or expand their territorial limits and also de ...
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Lampião E Benjamin Abrahão Botto
"Captain" Virgulino Ferreira da Silva (), better known as Lampião (older spelling: ''Lampeão'', , meaning "lantern" or "oil lamp"), was probably the twentieth century's most successful traditional bandit leader. The banditry endemic to the Brazilian Northeast was called ''Cangaço''. ''Cangaço'' had origins in the late 19th century but was particularly prevalent in the 1920s and 1930s. Lampião led a band of up to 100 ''cangaceiros'', who occasionally took over small towns and who fought a number of successful actions against paramilitary police when heavily outnumbered. Lampião's exploits and reputation turned him into a folk hero, the Brazilian equivalent of Jesse James or Pancho Villa. Biography Early life Virgulino was born on June 7, 1897, near the village of Serra Talhada, on his father's 'ranch' named ''Passagem das Pedras'' in the semi-arid backlands (''sertão'') of the state of Pernambuco. He was the third of nine children of José Ferreira da Silva and Maria Lope ...
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Lampião Em Mossoró
"Captain" Virgulino Ferreira da Silva (), better known as Lampião (older spelling: ''Lampeão'', , meaning "lantern" or "oil lamp"), was probably the twentieth century's most successful traditional bandit leader. The banditry endemic to the Brazilian Northeast was called ''Cangaço''. ''Cangaço'' had origins in the late 19th century but was particularly prevalent in the 1920s and 1930s. Lampião led a band of up to 100 ''cangaceiros'', who occasionally took over small towns and who fought a number of successful actions against paramilitary police when heavily outnumbered. Lampião's exploits and reputation turned him into a folk hero, the Brazilian equivalent of Jesse James or Pancho Villa. Biography Early life Virgulino was born on June 7, 1897, near the village of Serra Talhada, on his father's 'ranch' named ''Passagem das Pedras'' in the semi-arid backlands (''sertão'') of the state of Pernambuco. He was the third of nine children of José Ferreira da Silva and Maria Lope ...
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Lampião
"Captain" Virgulino Ferreira da Silva (), better known as Lampião (older spelling: ''Lampeão'', , meaning "lantern" or "oil lamp"), was probably the twentieth century's most successful traditional bandit leader. The banditry endemic to the Brazilian Northeast was called ''Cangaço''. ''Cangaço'' had origins in the late 19th century but was particularly prevalent in the 1920s and 1930s. Lampião led a band of up to 100 ''cangaceiros'', who occasionally took over small towns and who fought a number of successful actions against paramilitary police when heavily outnumbered. Lampião's exploits and reputation turned him into a folk hero, the Brazilian equivalent of Jesse James or Pancho Villa. Biography Early life Virgulino was born on June 7, 1897, near the village of Serra Talhada, on his father's 'ranch' named ''Passagem das Pedras'' in the semi-arid backlands (''sertão'') of the state of Pernambuco. He was the third of nine children of José Ferreira da Silva and Maria Lopes ...
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A Morte Comanda O Cangaço
''A Morte Comanda o Cangaço'' is a 1960 Brazilian Western action film directed by Carlos Coimbra and Walter Guimarães Motta. Shot in Pernambuco, it stars Alberto Ruschel, Aurora Duarte, and Milton Ribeiro in a fiction about ''cangaço''. It was entered into the 11th Berlin International Film Festival. The film was also selected as the Brazilian entry for the Best Foreign Language Film at the 33rd Academy Awards, but was not accepted as a nominee.Margaret Herrick Library, Academy of Motion Picture Arts and Sciences Cast * Alberto Ruschel as Raimundo Vieira * Aurora Duarte as Florind * Milton Ribeiro as Capitano Silvero * Maria Augusta Costa Leite as Dona Cidinha * Gilberto Marques as Coll. Nesinho * Ruth de Souza * Lyris Castellani * Apolo Monteiro * Edson França * José Mercaldi * Leo de Avelar * Jean Lafront See also * List of submissions to the 33rd Academy Awards for Best Foreign Language Film * List of Brazilian submissions for the Academy Award for Best Foreign Lan ...
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Cangaço
''Cangaço'' () was a phenomenon of Northeast Brazil in the late 19th and early 20th centuries. This region of Brazil is known for its aridness and hard way of life, and in a form of "social banditry" against the government, many men and women decided to become nomadic bandits, roaming the hinterlands seeking money, food, and revenge. Origin of the word By 1834, the term ''cangaceiro'' was already used to refer to bands of poor peasants who inhabited the northeastern deserts, wearing leather clothing and hats, carrying carbines, revolvers, shotguns, and the long narrow knife known as the . "Cangaceiro" was a pejorative expression, meaning a person who could not adapt himself to the coastal lifestyle. Types of banditry By the mid 19th century in that region, there were two main groups of loosely organized armed outlaws: the '' jagunços'', mercenaries who worked for whoever paid their price, usually land-owners who wanted to protect or expand their territorial limits and also de ...
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O Cangaceiro
''O Cangaceiro'' (lit. "The Cangaceiro"; also known as ''The Bandit'' and ''The Bandits'') is a 1953 Brazilian adventure western film directed by Lima Barreto. After some reluctance by its studio Vera Cruz, Barreto shot it in 1952. After its release it was national and international success, and won several film awards, including at the 1953 6th Cannes Film Festival, for Adventure Film Award. It was poorly received in retrospect despite being praised by the time of its release and started a subgenre in Brazilian cinema. Cast * Alberto Ruschel as Teodoro * Marisa Prado as Olívia * Milton Ribeiro as Galdino * Vanja Orico as Maria Clódia * Adoniran Barbosa as Mané Mole Production In 1950, Lima Barreto joined the film studio Companhia Cinematográfica Vera Cruz invited by its then president Alberto Cavalcanti. After releasing two documentaries successfully for the studio, ''Painel'' and ''Santuário'', Barreto get the chance to direct a feature film. With the idea to shoot a ...
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Maria Bonita (bandit)
Maria Bonita was the nickname of Maria Déia, a member of a Cangaço band, marauders and outlaws active in the Brazilian Northeast in the 1920s and 1930s. Maria Bonita means "Beautiful Maria". She has the status of a 'folk heroine' in Brazil. There is some inconsistency over the original name of Maria Bonita, with Maria Alia da Silva and Maria Gomes de Oliveira also attributed. Life She was the girlfriend of "Captain" Virgulino Ferreira da Silva, better known as Lampião (Portuguese pronunciation: ɐ̃ˈpjɐ̃w meaning "lantern" or "oil lamp"), the outlaw bandit leader. She was raised in the Jeremoabo area of the State of Bahia. Virgulino's father was killed in a confrontation with the police in 1919. Virgulino sought vengeance and proved to be extremely violent in doing so. He became an outlaw and was incessantly pursued by the police (whom he called ''macacos'' or monkeys). The cangaceiro bandit's weapons were mostly stolen or obtained by bribery from the police and paramil ...
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Deus E O Diabo Na Terra Do Sol
''Black God, White Devil'' ( pt, Deus e o Diabo na Terra do Sol; literally, ''God and the Devil in the Land of the Sun'') is a 1964 Brazilian film directed and written by Glauber Rocha. The film stars Othon Bastos, Maurício do Valle, Yoná Magalhães, and Geraldo Del Rey. It belongs to the Cinema Novo movement, addressing the socio-political problems of 1960s Brazil. The film was released on DVD in North America for the first time by Koch-Lorber Films. Plot The film starts in the 1940s, during another drought in the sertão, when ranch hand Manoel (Geraldo Del Rey) is fed up with his situation and hopes to buy his own plot of land. His boss tries to cheat him of his earnings and Manoel kills him, fleeing with his wife, Rosa (Yoná Magalhães). Now an outlaw, Manoel travels to the holy site of Monte Santo to join up with a religious cult headed by the self-proclaimed saint Sebastião who condones violence (at one point slaughtering a baby) and preaches disturbing doctrines agains ...
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Jagunço
A Jagunço (), from the Portuguese ''zarguncho'' (a weapon of African origin, similar to a short lance or ''chuzo''), is an armed hand or bodyguard, usually hired by plantation owners and "colonels" in the backlands of Brazil, especially in Northern Brazil. They were hired to protect their employer, big land owner against invaders and feudal enemies, and also to control their slaves and indentured servants. Some farmers formed their own private militias with a number of heavily armed jagunços. There were also free-lancing or mercenary jagunços, who could be hired for temporary conflicts, as vigilantes, or for contract murders. Local folklore says that jagunços with yellow eyes were particularly fearsome and efficient. The term was later extended to name any kind of rural bandit or outlaw, such as the " cangaceiros" (of which Lampião is the most notorious example).Chandler, 2000. It was also applied as a pejorative term for the inhabitants of Canudos, a village founded by t ...
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Social Banditry
Social banditry or social crime is a form of lower class social resistance involving behavior that by law is illegal but is supported by wider "oppressed" society as being moral and acceptable. The term ''social bandit'' was invented by the Marxist historian Eric Hobsbawm in his 1959 book ''Primitive Rebels'' and 1969 book ''Bandits''. Hobsbawm characterized ''social banditry'' as a primitive form of class struggle and class resistance in usually pre-industrial and frontier societies. He further expanded the field in the 1969 study ''Bandits''. Social banditry is a widespread phenomenon that has occurred in many societies throughout recorded history, and forms of social banditry still exist, as evidenced by piracy and organized crime syndicates. Later social scientists have also discussed the term's applicability to more modern forms of crime, like street gangs and the economy associated with the trade in illegal drugs. Eric Hobsbawm Hobsbawm's key thesis was that outlaws were i ...
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Extortion
Extortion is the practice of obtaining benefit through coercion. In most jurisdictions it is likely to constitute a criminal offence; the bulk of this article deals with such cases. Robbery is the simplest and most common form of extortion, although making unfounded threats in order to obtain an unfair business advantage is also a form of extortion. Extortion is sometimes called the "protection racket" because the racketeers often phrase their demands as payment for "protection" from (real or hypothetical) threats from unspecified other parties; though often, and almost always, such "protection" is simply abstinence of harm from the same party, and such is implied in the "protection" offer. Extortion is commonly practiced by organized crime. In some jurisdictions, actually obtaining the benefit is not required to commit the offense, and making a threat of violence which refers to a requirement of a payment of money or property to halt future violence is sufficient to commit ...
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Antônio Silvino
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician ...
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