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Candara
Candara is a humanist sans-serif typeface designed by Gary Munch and commissioned by Microsoft. It is part of the ClearType Font Collection, a suite of fonts from various designers released with Windows Vista, all starting with the letter ''C'' to reflect that they were designed to work well with Microsoft's ClearType text rendering system. The others are Calibri, Cambria, Consolas, Corbel and Constantia. Features Candara's verticals show both convex and concave curvature with entasis and ectasis on opposite sides of stems, high-branching arcades in the lowercase, large apertures in all open forms, and unique ogee curves on diagonals. Its italic includes many calligraphic and serif font influences, which are common in modern sans-serif typefaces. Calibri and Corbel, from the same family, have similar designs and spacing. The family supports most of the WGL4 character set. OpenType features include automatic ligature sets, numerals (tabular, proportional, oldstyle and lining ...
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Candara Sample
Candara is a humanist sans-serif typeface designed by Gary Munch and commissioned by Microsoft. It is part of the ClearType Font Collection, a suite of fonts from various designers released with Windows Vista, all starting with the letter ''C'' to reflect that they were designed to work well with Microsoft's ClearType text rendering system. The others are Calibri, Cambria, Consolas, Corbel and Constantia. Features Candara's verticals show both convex and concave curvature with entasis and ectasis on opposite sides of stems, high-branching arcades in the lowercase, large apertures in all open forms, and unique ogee curves on diagonals. Its italic includes many calligraphic and serif font influences, which are common in modern sans-serif typefaces. Calibri and Corbel, from the same family, have similar designs and spacing. The family supports most of the WGL4 character set. OpenType features include automatic ligature sets, numerals (tabular, proportional, oldstyle and lin ...
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Cambria (typeface)
Cambria is a transitional serif typeface commissioned by Microsoft and distributed with Windows and Office. It was designed by Dutch typeface designer Jelle Bosma in 2004, with input from Steve Matteson and Robin Nicholas. It is intended as a serif font that is suitable for body text, that is very readable printed small or displayed on a low-resolution screen and has even spacing and proportions. It is part of the ClearType Font Collection, a suite of fonts from various designers released with Windows Vista. All start with the letter ''C'' to reflect that they were designed to work well with Microsoft's ClearType text rendering system, a text rendering engine designed to make text clearer to read on LCD monitors. The other fonts in the same group are Calibri, Candara, Consolas, Constantia and Corbel. Design Diagonal and vertical hairlines and serifs are relatively strong, while horizontal serifs are small and intend to emphasize stroke endings rather than stand out themselves ...
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Corbel (typeface)
Corbel is a humanist font, humanist sans-serif typeface designed by Jeremy Tankard for Microsoft and released to consumers in 2007. It is part of the ClearType Font Collection, a suite of fonts from various designers released with Windows Vista. All start with the letter ''C'' to reflect that they were designed to work well with Microsoft's ClearType text rendering system, a text rendering engine designed to make text clearer to read on LCD monitors. The other fonts in the same group are Calibri, Cambria (typeface), Cambria, Candara, Consolas and Constantia (typeface), Constantia. Design In a blurb for its use, Corbel was described as "designed to give an uncluttered, clean appearance on screen. The letter forms are open with soft, flowing curves. It is legible and clear at small sizes. At larger sizes the detailing and style of the shapes is more apparent." The italic style is a italic type, true italic, with influences from serif fonts and calligraphy, with many letters gaining ...
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Calibri
Calibri () is a digital sans-serif typeface family in the humanist or modern style. It was designed by Luc(as) de Groot in 2002–2004 and released to the general public in 2007, with Microsoft Office 2007 and Windows Vista. In Office 2007, it replaced Times New Roman as the default typeface in Word and replaced Arial as the default in PowerPoint, Excel, Outlook, and WordPad. De Groot described its subtly rounded design as having "a warm and soft character". Calibri is part of the ClearType Font Collection, a suite of fonts from various designers released with Windows Vista. All start with the letter ''C'' to reflect that they were designed to work well with Microsoft's ClearType text rendering system, a text rendering engine designed to make text clearer to read on liquid-crystal display monitors. The other fonts in the same group are Cambria, Candara, Consolas, Constantia and Corbel. Characteristics Calibri features subtly rounded stems and corners that are visible at lar ...
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Constantia (typeface)
Constantia is a serif typeface designed by John Hudson and commissioned by Microsoft. It is a transitional serif design, influenced by Eric Gill’s Perpetua design. Development of the typeface began in 2003 and it was released in 2006. Constantia is part of the ClearType Font Collection, a suite of fonts from various designers released with Windows Vista. All start with the letter ''C'' to reflect that they were designed to work well with Microsoft’s ClearType text rendering system, a text rendering engine designed to make text clearer to read on LCD monitors. The other fonts in the suite are Calibri, Cambria, Candara, Consolas and Corbel. Features Constantia was designed for either print or on-screen uses. Numerals are text figures by default, as seen on the sample image; the font also includes lining figures as an alternate style. Reviewing it for the website ''Typographica'', Raph Levien described it as likely to be “everyone’s favourite face n the suite..a highly reada ...
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ClearType Font Collection
ClearType is Microsoft's implementation of subpixel rendering technology in rendering text in a font system. ClearType attempts to improve the appearance of text on certain types of computer display screens by sacrificing color fidelity for additional intensity variation. This trade-off is asserted to work well on LCD flat panel monitors. ClearType was first announced at the November 1998 COMDEX exhibition. The technology was first introduced in software in January 2000 as an always-on feature of Microsoft Reader, which was released to the public in August 2000. ClearType was significantly changed with the introduction of DirectWrite in Windows 7. Background Computer displays where the positions of individual pixels are permanently fixed such as most modern flat panel displays can show saw-tooth edges when displaying small, high-contrast graphic elements, such as text. ClearType uses spatial anti-aliasing at the subpixel level to reduce visible artifacts on such displays when te ...
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ClearType
ClearType is Microsoft's implementation of subpixel rendering technology in rendering text in a font system. ClearType attempts to improve the appearance of text on certain types of computer display screens by sacrificing color fidelity for additional intensity variation. This trade-off is asserted to work well on LCD flat panel monitors. ClearType was first announced at the November 1998 COMDEX exhibition. The technology was first introduced in software in January 2000 as an always-on feature of Microsoft Reader, which was released to the public in August 2000. ClearType was significantly changed with the introduction of DirectWrite in Windows 7. Background Computer displays where the positions of individual pixels are permanently fixed such as most modern flat panel displays can show saw-tooth edges when displaying small, high-contrast graphic elements, such as text. ClearType uses spatial anti-aliasing at the subpixel level to reduce visible artifacts on such displays when t ...
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Text Figures
Text figures (also known as non-lining, lowercase, old style, ranging, hanging, medieval, billing, or antique figures or numerals) are numerals designed with varying heights in a fashion that resembles a typical line of running text, hence the name. They are contrasted with lining figures (also called titling or modern figures), which are the same height as upper-case letters. Georgia is an example of a popular typeface that employs text figures by default. Design In text figures, the shape and positioning of the numerals vary as those of lowercase letters do. In the most common scheme, '' 0'', '' 1'', and '' 2'' are of x-height, having neither ascenders nor descenders; '' 6'' and '' 8'' have ascenders; and '' 3'', '' 4'', '' 5'', '' 7'', and '' 9'' have descenders. Other schemes exist; for example, the types cut by the Didot family of punchcutters and typographers in France between the late 18th and early 19th centuries typically had an ascending ''3'' and ''5'', a form pr ...
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Consolas
Consolas is a monospaced typeface designed by Luc(as) de Groot. It is a part of the ClearType Font Collection, a suite of fonts that take advantage of Microsoft's ClearType font rendering technology. It has been included with Windows since Windows Vista, Microsoft Office 2007 and Microsoft Visual Studio 2010, and is available for download from Microsoft. It is the only standard Windows Vista font with a slash through the zero character. It is the default font for Microsoft Notepad as of Windows 8. Characteristics Consolas supports the following OpenType layout features: stylistic alternates, localized forms, uppercase-sensitive forms, oldstyle figures, lining figures, arbitrary fractions, superscript, subscript. Although Consolas is designed as a replacement for Courier New, only 713 glyphs were initially available, as compared to Courier New (2.90)'s 1318 glyphs. In version 5.22 (included with Windows 7), support for Greek Extended, Combining Diacritical Marks For Symbols, Numb ...
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Microsoft PowerPoint Viewer
Microsoft PowerPoint is a presentation program, created by Robert Gaskins and Dennis Austin at a software company named Forethought, Inc. It was released on April 20, 1987, initially for Macintosh computers only. Microsoft acquired PowerPoint for about $14 million three months after it appeared. This was Microsoft's first significant acquisition, and Microsoft set up a new business unit for PowerPoint in Silicon Valley where Forethought had been located. PowerPoint became a component of the Microsoft Office suite, first offered in 1989 for Macintosh and in 1990 for Windows, which bundled several Microsoft apps. Beginning with PowerPoint 4.0 (1994), PowerPoint was integrated into Microsoft Office development, and adopted shared common components and a converged user interface. PowerPoint's market share was very small at first, prior to introducing a version for Microsoft Windows, but grew rapidly with the growth of Windows and of Office. Since the late 1990s, PowerPoint ...
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Microsoft Office
Microsoft Office, or simply Office, is the former name of a family of client software, server software, and services developed by Microsoft. It was first announced by Bill Gates on August 1, 1988, at COMDEX in Las Vegas. Initially a marketing term for an office suite (bundled set of productivity applications), the first version of Office contained Microsoft Word, Microsoft Excel, and Microsoft PowerPoint. Over the years, Office applications have grown substantially closer with shared features such as a common spell checker, Object Linking and Embedding data integration and Visual Basic for Applications scripting language. Microsoft also positions Office as a development platform for line-of-business software under the Office Business Applications brand. It contains a word processor (Word), a spreadsheet program (Excel) and a presentation program (PowerPoint), an email client (Outlook), a database management system (Access), and a desktop publishing app (Publisher). Office ...
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Optima
Optima is a humanist sans-serif typeface designed by Hermann Zapf and released by the D. Stempel AG foundry, Frankfurt, West Germany in 1958. Though classified as a sans-serif, Optima has a subtle swelling at the terminals suggesting a glyphic serif. Optima was inspired by classical Roman capitals and the stonecarving on Renaissance-period tombstones Zapf saw in Florence on a 1950 holiday to Italy. Zapf intended Optima to be a typeface that could serve for both body text and titling. To prove its versatility, Zapf set his entire book ''About Alphabets'' in the regular weight. Zapf retained an interest in the design, collaborating on variants and expansions into his eighties. History Interested in calligraphy and the history of Italian printing and lettering, Zapf first visited Italy in 1950. While in Florence, Zapf was particularly interested in the design of the lettering in tombstones of the cemetery of the Basilica di Santa Croce in Florence, in which the strokes subtl ...
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