Camilla Nylund
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Camilla Nylund
Camilla Nylund (born 11 June 1968) is a Finnish operatic soprano. She appears internationally in lyric-dramatic roles such as Beethoven's Leonore, Verdi's Elisabetta, and Wagner's Elisabeth and Sieglinde. She is especially known for portraying leading female characters in operas by Richard Strauss, (e.g. Marschallin, Arabella, Ariadne and Countess Madeleine). She has appeared at international festivals and the openings of the Dresdner Frauenkirche and the Elbphilharmonie. Career Born in Vaasa, Finland, Nylund first studied musicology in Turku, and voice at the conservatoire. She continued her studies at the Mozarteum in Salzburg. After finishing her schooling in Austria, she became a member of the Staatsoper Hannover, followed by the Semperoper in Dresden, where she remained until 2002. Nylund was honoured there with the Christel-Goltz Prize - for roles such as Marie in Smetana's '' Die verkaufte Braut'', Agathe in Weber's ''Der Freischütz'', and Fiordiligi in Mozart's ...
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Vaasa
Vaasa (; sv, Vasa, , Sweden ), in the years 1855–1917 as Nikolainkaupunki ( sv, Nikolajstad; literally meaning "city of Nicholas),Vaasa oli ennen Nikolainkaupunki ja Aurinkolahti Mustalahti – paikannimiä ei kuitenkaan pidä muuttaa heppoisin perustein
– '''' (in Finnish)
is a city on the west coast of . It received its charter in 1606, during the reign of
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Mozarteum
Mozarteum University Salzburg (German: ''Universität Mozarteum Salzburg'') is one of three affiliated but separate (it is actually a state university) entities under the “Mozarteum” moniker in Salzburg municipality; the International Mozarteum Foundation and the Mozarteum Orchestra Salzburg are the other two. It specializes in music, the dramatic arts, and to a lesser degree graphic arts. Like its affiliates it was established in honour of Salzburg-born musician Wolfgang Amadeus Mozart. History and clarification In 1841, Mozart's widow Constanze Weber Mozart founded the first of the “Mozarteum” entities: the “Cathedral Music Association and Mozarteum,” whose mission was the “refinement of musical taste with regard to sacred music and concerts.” The association operated as predecessor to the Mozarteum Orchestra Salzburg through the 19th century and was at the heart of the city’s musical life, offering concerts and related activities. It assumed its present ...
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Missa Solemnis (Beethoven)
The Missa solemnis in D major, Op. 123, is a Solemn Mass composed by Ludwig van Beethoven from 1819 to 1823. It was first performed on 7 April 1824 in Saint Petersburg, Russia, under the auspices of Beethoven's patron Prince Nikolai Galitzin; an incomplete performance was given in Vienna on 7 May 1824, when the Kyrie, Credo, and Agnus Dei were conducted by the composer. It is generally considered one of the composer's supreme achievements and, along with Bach's Mass in B minor, one of the most significant Mass settings of the common practice period. Written around the same time as his Ninth Symphony, it is Beethoven's second setting of the Mass, after his Mass in C major, Op. 86. The work was dedicated to Archduke Rudolf of Austria, archbishop of Olmütz, Beethoven's foremost patron as well as pupil and friend. The copy presented to Rudolf was inscribed "Von Herzen—Möge es wieder—Zu Herzen gehn!" ("From the heart – may it return to the heart!") Structure Like ma ...
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Frauenkirche Dresden
The Dresden Frauenkirche (german: Dresdner Frauenkirche, , ''Church of Our Lady'') is a Lutheran church in Dresden, the capital of the German state of Saxony. Destroyed during the Allied firebombing of Dresden towards the end of World War II, the church was reconstructed between 1994 and 2005. An earlier church building was Catholic until it became Protestant during the Reformation. The old church was replaced in the 18th century by a larger Baroque Lutheran building. It is considered an outstanding example of Protestant sacred architecture, featuring one of the largest domes in Europe. It was originally built as a sign of the will of the citizens of Dresden to remain Protestant after their ruler had converted to Catholicism. It now also serves as a symbol of reconciliation between former warring enemies. After the destruction of the church in 1945, the remaining ruins were left for 50 years as a war memorial, following decisions of local East German leaders. The church was ...
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Cologne Opera
The Cologne Opera (German: Oper der Stadt Köln or Oper Köln) refers both to the main opera house in Cologne, Germany and to its resident opera company. History of the company From the mid 18th century, opera was performed in the city's court theatres by travelling Italian opera companies. The first permanent company in the city was established in 1822, and performed primarily in the Theater an der Schmierstraße (built in 1783 as a private theatre and also used for plays and concerts). The opera company later performed in Theater in der Glockengasse (built in 1872) and in the Theater am Habsburger Ring (built in 1902). The Theater am Habsburger Ring was constructed by the city of Cologne and became its first theatre to be specifically designed as an opera house. The opera house The current opera house was designed by the German architect, Wilhelm Riphahn. It was inaugurated on 8 May 1957 in the presence of Konrad Adenauer, then the Chancellor of Germany and a former mayor of C ...
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Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the process r ...
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Irmgard Boas
Irmgard is a feminine German given name. Notable people with the name include: * Irmgard of Berg (fl. 12th century), German noble, daughter of Adolf VI, Count of Berg * Irmgard of Chiemsee (c. 831/833 – 16 July 866) * Irmgard of Cleves (c. 1307–1362), German noble, wife of John IV, Lord of Arkel * Saint Irmgardis or Irmgard (1000–1065 or 1082/1089) * Irmgard Bartenieff (1900–1981), German dance theorist, dancer, choreographer and physical therapist * Irmgard Bensusan (born 1991), South African paralympic sprinter * Irmgard Brendenal-Böhmer, German rower * Irmgard Enderle (1895–1985), German politician, trade unionist and journalist * Irmgard Farden Aluli (1911–2001), Hawaiian composer * Irmgard Flügge-Lotz (1903–1974), German-American mathematician, aerospace engineer, and control theorist * Irmgard Fuest (1903–1980), German lawyer and politician * Irmgard Griss (born 1946), Austrian lawyer and judge, former President of the Supreme Court of Justice * Irmga ...
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Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da P ...
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Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year f ...
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The Bartered Bride
''The Bartered Bride'' ( cz, Prodaná nevěsta, links=no, ''The Sold Bride'') is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the development of Czech music. It was composed during the period 1863 to 1866, and first performed at the Provisional Theatre, Prague, on 30 May 1866 in a two-act format with spoken dialogue. Set in a country village and with realistic characters, it tells the story of how, after a late surprise revelation, true love prevails over the combined efforts of ambitious parents and a scheming marriage broker. The opera was not immediately successful, and was revised and extended in the following four years. In its final version, premiered in 1870, it rapidly gained popularity and eventually became a worldwide success. Until this time, the Czech national opera had only been represented by minor, rarely performed works. This opera, Smetana's second ...
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Christel-Goltz Prize
The Christel-Goltz Prize for voice has been awarded annually since 1992 until 2012 by the Foundation for the Promotion of the Semperoper. It was funded by soprano Christel Goltz. The previous prizewinners were: *1993: Ute Selbig. *1994: Kerstin Witt *1995: Eva Kirchner. *1996: Jukka Rasilainen. *1997: Roland Wagenführer. *1998: Werner Güra *1999: Evelyn Herlitzius *2000: Camilla Nylund. *2001: Sophie Koch *2002: Klaus Florian Vogt *2003: Georg Zeppenfeld *2004: Markus Marquardt. *2005: Christa Mayer *2006: Wookyung Kim. *2007: Anke Vondung Anke Vondung (born in Speyer, Rhineland-Palatinate in 1972), is a German mezzo-soprano. She was a member of the Semperoper Dresden from 2003 to 2006. Career She won third prize in the 1998 ARD International Music Competition in Munich. She has ... *2008: Christoph Pohl *2009: Markus Butter *2010: (no award) *2011: Carolina Ullrich *2012: Marjorie Owens.
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