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Cameo Of Shapur I And Valerian
The Cameo with Valerian and Shapur I is now on display in the Cabinet des Médailles of the Bibliothèque nationale de France in Paris. It has the inventory number Camée 360. and was bought in 1893. The cameo is 6,8 cm high and 10,3 cm wide and made of sardonyx, and is thought to date to about 260 AD. For the carving, the different colored layers of the stone was used. The background is dark, the figures are white and details are again dark again as they are on the highest level. The cameo shows two riders. Both horses are in flying gallop. On the right side appears the Sasanian king Shapur I (reigned AD 241–272). He wears a helmet with a globe crest. His shoulders also have attached globes. His right arm is holding the left arm of the Roman emperor Valerian (reigned AD 253–260). The Roman emperor holds in his right hand a sword (''gladius''). He is beardless and has on his head a laurel wreath, identifying him as Roman emperor. Though the client was presumably Sasanian, t ...
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Cameo Shapur Valerianus Bab360 CdM Paris
Cameo or CAMEO may refer to: * Cameo appearance, a brief appearance of a known figure in a film or television show * Cameo (carving), a method of carving, making use of layers of different colours, or an item made with such a method Music * ''Cameo'' (album), an album by Dusty Springfield * Cameo (band), an American funk group * Cameo Records, a 1920s New York-based record label * DJ Cameo, a British disc jockey and radio presenter * "Cameo", a song by Devo from ''Something for Everybody'' * "Cameo", a 2015 song by Momus from ''Turpsycore'' Places * Cameo, California, a community * Cameo, Colorado, a ghost town * Cameo, West Virginia Other uses * Cameo (apple), a cultivar of apple * Cameo (coinage), a finish evaluated in the process of coin grading * CAMEO (database), ''Conservation and Art Materials Encyclopedia Online'', a Museum of Fine Arts, Boston database of technical terms used in art conservation and historic preservation * CAMEO (satellite), an experiment incl ...
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Laurel Wreath
A laurel wreath is a round wreath made of connected branches and leaves of the bay laurel (), an aromatic broadleaf evergreen, or later from spineless butcher's broom (''Ruscus hypoglossum'') or cherry laurel (''Prunus laurocerasus''). It is a symbol of triumph and is worn as a chaplet around the head, or as a garland around the neck. The symbol of the laurel wreath traces back to Ancient Greece. In Greek mythology, the god Apollo, who is patron of lyrical poetry, musical performance and skill-based athletics, is conventionally depicted wearing a laurel wreath on his head in all three roles. Wreaths were awarded to victors in athletic competitions, including the ancient Olympics; for victors in athletics they were made of wild olive tree known as ''" kotinos"'' (), (sc. at Olympia) – and the same for winners of musical and poetic competitions. In Rome they were symbols of martial victory, crowning a successful commander during his triumph. Whereas ancient laurel wreaths are mos ...
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Collection Of The Cabinet Des Médailles, Paris
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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Iranian Culture
The culture of Iran () or culture of PersiaYarshater, Ehsa, ''Iranian Studies'', vol. XXII no. 1 (1989) is among the most influential in the world. Iran, also known as Persia, is widely considered to be one of the Cradle of civilization, cradles of civilization. Due to its dominant Geopolitics, geopolitical position in the world, it has heavily influenced peoples and cultures situated as far away as Southern Europe and Eastern Europe to the west; Central Asia to the north; the Arabian Peninsula to the south; and South Asia, East Asia, and Southeast Asia to the east. History of Iran, Iranian history has had a significant impact on the world through Persian art, art, Iranian architecture, architecture, Persian literature, poetry, Science and technology in Iran, science and technology, Ancient Iranian medicine, medicine, Iranian philosophy, philosophy, and History of engineering, engineering. An eclectic cultural elasticity has been said to be one of the key defining characteristic ...
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Roman Empire Cameos
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *'' Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television * Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *Ῥωμ ...
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Sasanian Art
Sasanian art, or Sassanid art, was produced under the Sasanian Empire which ruled from the 3rd to 7th centuries AD, before the Muslim conquest of Persia was completed around 651. In 224 AD, the last Parthian king was defeated by Ardashir I. The resulting Sasanian dynasty would last for four hundred years, ruling modern Iran, Iraq, and much territory to the east and north of modern Iran. At times the Levant, much of Anatolia and parts of Egypt and Arabia were under its control. It began a new era in Iran and Mesopotamia, which in many ways was built on Achaemenid traditions, including the art of the period. Nevertheless, there were also other influences on art of the period that came from as far as China and the Mediterranean. The surviving art of the Sassanids is best seen in its architecture, reliefs and metalwork, and there are some surviving paintings from what was evidently a widespread production. Stone reliefs were probably greatly outnumbered by interior ones in plaster, ...
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Carved Gem
An engraved gem, frequently referred to as an intaglio, is a small and usually semi-precious gemstone that has been carved, in the Western tradition normally with images or inscriptions only on one face. The engraving of gemstones was a major luxury art form in the Ancient world, and an important one in some later periods. Strictly speaking, ''engraving'' means carving ''in intaglio'' (with the design cut ''into'' the flat background of the stone), but relief carvings (with the design projecting ''out of'' the background as in nearly all cameos) are also covered by the term. This article uses ''cameo'' in its strict sense, to denote a carving exploiting layers of differently coloured stone. The activity is also called ''gem carving'' and the artists ''gem-cutters''. References to antique gems and intaglios in a jewellery context will almost always mean carved gems; when referring to monumental sculpture, counter-relief, meaning the same as ''intaglio'', is more likely to be us ...
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Antioch
Antioch on the Orontes (; grc-gre, Ἀντιόχεια ἡ ἐπὶ Ὀρόντου, ''Antiókheia hē epì Oróntou'', Learned ; also Syrian Antioch) grc-koi, Ἀντιόχεια ἡ ἐπὶ Ὀρόντου; or Ἀντιόχεια ἡ ἐπὶ Δάφνῃ "Antioch on Daphne"; or "Antioch the Great"; la, Antiochia ad Orontem; hy, Անտիոք ''Antiokʽ''; syr, ܐܢܛܝܘܟܝܐ ''Anṭiokya''; he, אנטיוכיה, ''Anṭiyokhya''; ar, أنطاكية, ''Anṭākiya''; fa, انطاکیه; tr, Antakya. was a Hellenistic, and later, a Biblical Christian city, founded by Seleucus I Nicator in 300 BC. This city served as the capital of the Seleucid Empire and later as regional capital to both the Roman and Byzantine Empire. During the Crusades, Antioch served as the capital of the Principality of Antioch, one of four Crusader states that were founded in the Levant. Its inhabitants were known as ''Antiochenes''; the city's ruin lies on the Orontes River, near Antakya, the ...
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Battle Of Edessa
The Battle of Edessa took place between the armies of the Roman Empire under the command of Emperor Valerian and Sasanian forces under Shahanshah (King of the Kings) Shapur I in 260. The Roman army was defeated and captured in its entirety by the Persian forces; for the first time, a Roman emperor was taken prisoner. As such, the battle is generally viewed as one of the worst disasters in military history. Background and prelude Prior to the battle, Shapur I had penetrated several times deeply into Roman territory, conquering and plundering Antioch in Syria in 253 or 256. After defeating the usurper Aemilianus and assuming the power for himself, Valerian arrived in the eastern provinces as soon as he could (254 or 255) and gradually restored order. Soon he had to confront a naval Gothic invasion in northern Asia Minor. The Goths ravaged Pontus and moved south into Cappadocia. An attempt by Valerian and his army in Antiocheia to intercept them failed because of the plague. Wh ...
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Gladius
''Gladius'' () is a Latin word meaning "sword" (of any type), but in its narrow sense it refers to the sword of ancient Roman foot soldiers. Early ancient Roman swords were similar to those of the Greeks, called '' xiphe'' (plural; singular ''xiphos''). From the 3rd century BC, however, the soldiers of the Roman Republic adopted a sword based on the celtic sword used by the Celtiberians in Hispania late into the Punic Wars, known in Latin as the ''gladius hispaniensis'', meaning "Hispanic-type sword". New variants of the gladius, such as the "Mainz gladius" and the "Pompeii gladius", were used from the first century AD and during the early centuries of the Roman Empire; in the third century AD the gladius was replaced by the " spatha". A fully equipped Roman legionary after the reforms of Gaius Marius was armed with a shield (''scutum''), one or two javelins ('' pila''), a sword (''gladius''), often a dagger ('' pugio''), and, perhaps in the later empire period, darts (''plumbat ...
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Cabinet Des Médailles
The BnF Museum or Museum of the Bibliothèque nationale de France, formerly known as the Cabinet des Médailles, is a significant art and history museum in Paris. It displays collections of the ''Département des Monnaies, Médailles et Antiques de la Bibliothèque nationale de France'' as well as manuscripts and books from the Library's collections. The BnF Museum is located in the Richelieu site, the former main building of the library bordering rue de Richelieu. Overview The Cabinet des Médailles is a museum containing internationally important collections of coins, engraved gems, and antiquities, with its distant origins in the treasuries of the French kings of the Middle Ages. The disruptions of the Wars of Religion inspired Charles IX (1560-1574) to create the position of a ("Special guardian of the King's medals and antiques"). Thus the collection, which has been augmented and never again dispersed - unlike the first royal library, assembled at the Palais du Louvre by ...
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Valerian (emperor)
Valerian (; la, Publius Licinius Valerianus; c. 199 – 260 or 264) was Roman emperor from 253 to spring 260 AD. He persecuted Christians and was later taken captive by the Persian emperor Shapur I after the Battle of Edessa, becoming the first Roman emperor to be captured as a prisoner of war, causing shock and instability throughout the Roman Empire. The unprecedented event and the unknown fate of the captured emperor generated a variety of different reactions and "new narratives about the Roman Empire in diverse contexts". Biography Origins and rise to power Unlike many of the would-be emperors and rebels who vied for imperial power during the Crisis of the Third Century of the Roman Empire, Valerian was of a noble and traditional senatorial family. Details of his early life are sparse, except for his marriage to Egnatia Mariniana, with whom he had two sons: later emperor Publius Licinius Egnatius Gallienus and Licinius Valerianus. He was Consul for the first time either ...
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