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Cambodian Musical Instruments
Traditional Cambodian musical instruments are the musical instruments used in the traditional and classical music of Cambodia. They comprise a wide range of wind, string, and percussion instruments, used by both the Khmer majority as well as the nation's ethnic minorities. File:Shoulder-mounted nipple gong at Angkor Wat.jpg, Soldiers carry drums and a shoulder-mounted nipple gong in relief at Angkor Wat. File:Kse diev at Angkor Wat, North Section, 16th Century.jpg, Kse diev at Angkor Wat, North Section, 16th Century. File:Kongpeat from Angkor Wat.jpg, Khmer gong chimes from Angkor Wat. Woodwind Flute *Khloy ( km, ខ្លុយ) - vertical duct flute made of bamboo, hardwood, or plastic, with buzzing membrane ** Khloy ek - smaller in size ** Khloy thom - larger in size Free-reed *Sneng ( km, ស្នែង) - water buffalo or ox horn with a single free reed * Pey pok ( km, ប៉ីពក) - free-reed pipe While similar to a flute, it uses a single reed to create sound. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambodian Musical Instruments
Traditional Cambodian musical instruments are the musical instruments used in the traditional and classical music of Cambodia. They comprise a wide range of wind, string, and percussion instruments, used by both the Khmer majority as well as the nation's ethnic minorities. File:Shoulder-mounted nipple gong at Angkor Wat.jpg, Soldiers carry drums and a shoulder-mounted nipple gong in relief at Angkor Wat. File:Kse diev at Angkor Wat, North Section, 16th Century.jpg, Kse diev at Angkor Wat, North Section, 16th Century. File:Kongpeat from Angkor Wat.jpg, Khmer gong chimes from Angkor Wat. Woodwind Flute *Khloy ( km, ខ្លុយ) - vertical duct flute made of bamboo, hardwood, or plastic, with buzzing membrane ** Khloy ek - smaller in size ** Khloy thom - larger in size Free-reed *Sneng ( km, ស្នែង) - water buffalo or ox horn with a single free reed * Pey pok ( km, ប៉ីពក) - free-reed pipe While similar to a flute, it uses a single reed to create sound. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pey Au
The ''pey au'' (sometimes spelled ''pei au'' or ''pei ar'') (Khmer: ប៉ីអ) is a Cambodian musical instrument, similar to a flute but using a set of double reeds to produce sound. The instrument uses an external reed, cut from a prebos tree and flattened with small strips of ratan. The bundle is insterted into a hold at the top of the flute part of the instrument, creating a mouthpiece. The instrument's body is made of "narrow bore bamboo", narrower than that used for the ''khloy'' vertical flute and ''pey pok''. The instrument gives the pitch to be used in aareak and phleng kar wedding orchestras. Pitches are not standardized in Cambodia, although the spaces between pitches is. The instrument is ancient and predates the Angkor Angkor ( km, អង្គរ , 'Capital city'), also known as Yasodharapura ( km, យសោធរបុរៈ; sa, यशोधरपुर),Headly, Robert K.; Chhor, Kylin; Lim, Lam Kheng; Kheang, Lim Hak; Chun, Chen. 1977. ''Cambodian-E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tube Zither
The tube zither is a stringed musical instrument in which a tube functions both as an instrument's neck and its soundbox. As the neck, it holds strings taut and allows them to vibrate. As a soundbox or it modifies the sound and transfers it to the open air. The instruments are among the oldest of chordophones, being "a very early stage" in the development of chordophones, and predate some of the oldest chordophones, such as the Chinese Se, zithers built on a tube split in half. Most tube zithers are made of bamboo, played today in Madagascar, India, Southeast Asia and Taiwan. Tube zithers made from other materials have been found in Europe and the United States, made from materials such as cornstalks and cactus. There are both round and half tube zithers, as well as tube zithers with the strings cut out of the bamboo body, ''idiochordic'', or, rarely, have separate strings, ''heterochordic''. Cultural connections The areas where the bamboo tube zither has been used was connec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kong Ring
The kong ring or gung treng (Khmer: គង់រេង) is a Cambodian tube zither, in which a tube of bamboo is used as a resonator for stings that run along the outside of the tube, lengthwise. It has the same musical purpose as the "Kong mong, bossed gongs" (circular gongs that have a rounded bump in the center, like a shield boss) and may substitute for them and accompany singing. Although it is a traditional instrument with a long history, it has been improved on in modern times. The kong ring is represented by similar instruments in other countries of South Asia and the Pacific. Styles There are two different syles; the traditional uses bamboo to make the sounding strings, and a more modern style uses new materials. Traditional Originally, the strings played were created by cutting the outer layer or crust of the bamboo, to separate 7 strings (leaving them attached to the tube at each end), and placing a bridge pressed underneath at each end. Resonance holes were cut unde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chapei Dong Veng
The Chapei Dang Veng (Khmer language, Khmer: ចាប៉ីដងវែង) or chapey (ចាប៉ី) is a Cambodian two-stringed, long-necked guitar that is usually plucked. It has two double courses of nylon Strings (music), strings. The top and bottom strings are typically tuned to G and C respectively, with the 12 frets having notes 1 D, 2 E, 3 F, 4 G, 5 A, 6 B, 7 C, 8 D, 9 E, 10 F, 11 G, 12 A. Chapei Dang Veng is a Cambodian musical tradition closely associated with the life, customs and beliefs of the Cambodian people. It features the chapei (a type of lute often played at cultural festivals) accompanied by singing. Song lyrics range from the educational and a type of social commentary, to satire while incorporating traditional poems, folk tales or Buddhist stories. The tradition is considered to have multiple functions within Cambodian communities, such as safeguarding traditional rituals; transmitting social, cultural and religious knowledge and values; providing expos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tro U
The ''tro'' ( km, ទ្រ) is Cambodia's traditional spike fiddles, bowed string instruments that are held and played vertically. Spike fiddles have a handle that passes through the resonator, often forming a spike, on the bottom side where it emerges. The family is similar or distantly related to the Chinese erhu or huqin. The instruments have a soundbox at the bottom of the stick, covered with leather or snake skin. Strings run from pegs at the top of the stick and secured at the bottom, running across the soundbox. The larger the soundbox, the lower the pitch range. Instruments in this family include the two-stringed ''tro ou'', ''tro sau thom'', ''tro sau toch'' and ''tro che'', as well as the three-stringed ''tro Khmer'' spike fiddle. The two-stringed tros are tuned in a fifth, while the three-stringed tro Khmer is tuned in fourths. The tros, with the exception of the tro Khmer, are strung so that the bowstring is permanently placed between the two stings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tro Sau Thom
The ''tro'' ( km, ទ្រ) is Cambodia's traditional spike fiddles, bowed string instruments that are held and played vertically. Spike fiddles have a handle that passes through the resonator, often forming a spike, on the bottom side where it emerges. The family is similar or distantly related to the Chinese erhu or huqin. The instruments have a soundbox at the bottom of the stick, covered with leather or snake skin. Strings run from pegs at the top of the stick and secured at the bottom, running across the soundbox. The larger the soundbox, the lower the pitch range. Instruments in this family include the two-stringed ''tro ou'', ''tro sau thom'', ''tro sau toch'' and ''tro che'', as well as the three-stringed ''tro Khmer'' spike fiddle. The two-stringed tros are tuned in a fifth, while the three-stringed tro Khmer is tuned in fourths. The tros, with the exception of the tro Khmer, are strung so that the bowstring is permanently placed between the two stings. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tro Sau Toch
The ''tro'' ( km, ទ្រ) is Cambodia's traditional spike fiddles, bowed string instruments that are held and played vertically. Spike fiddles have a handle that passes through the resonator, often forming a spike, on the bottom side where it emerges. The family is similar or distantly related to the Chinese erhu or huqin. The instruments have a soundbox at the bottom of the stick, covered with leather or snake skin. Strings run from pegs at the top of the stick and secured at the bottom, running across the soundbox. The larger the soundbox, the lower the pitch range. Instruments in this family include the two-stringed ''tro ou'', ''tro sau thom'', ''tro sau toch'' and ''tro che'', as well as the three-stringed ''tro Khmer'' spike fiddle. The two-stringed tros are tuned in a fifth, while the three-stringed tro Khmer is tuned in fourths. The tros, with the exception of the tro Khmer, are strung so that the bowstring is permanently placed between the two stings. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tro Che
The ''tro'' ( km, ទ្រ) is Cambodia's traditional spike fiddles, bowed string instruments that are held and played vertically. Spike fiddles have a handle that passes through the resonator, often forming a spike, on the bottom side where it emerges. The family is similar or distantly related to the Chinese erhu or huqin. The instruments have a soundbox at the bottom of the stick, covered with leather or snake skin. Strings run from pegs at the top of the stick and secured at the bottom, running across the soundbox. The larger the soundbox, the lower the pitch range. Instruments in this family include the two-stringed ''tro ou'', ''tro sau thom'', ''tro sau toch'' and ''tro che'', as well as the three-stringed ''tro Khmer'' spike fiddle. The two-stringed tros are tuned in a fifth, while the three-stringed tro Khmer is tuned in fourths. The tros, with the exception of the tro Khmer, are strung so that the bowstring is permanently placed between the two stings. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tro Khmer
The ''tro Khmer'' () is a traditional bowed string instrument from Cambodia. Its body is made from a special type of coconut covered on one end with snake skin, and it has three strings. Instruments are not standardized, and coconuts vary in size; however the instrument's sound bowl may have dimensions 16.5 cm by 14 cm. In the past the strings were made of silk. By the 1960s, metal strings were in use, and the sound of the instrument changed, becoming sharper. The ''tro Khmer'' is closely related to a Thai instrument called ''saw sam sai''. The instrument may be related to the similarly shaped Indonesian version of the rebab, arriving there from Muslim culture, c. 15th century a.d. A difference between the two is the number of stings; where the Indonesian rebab has two strings, the tro Khmer has three. References See also * Indonesian rebab *Tro (instrument) *Traditional Cambodian musical instruments *Music of Cambodia *Huqin ''Huqin'' () is a family of bowed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tro (instrument)
The ''tro'' ( km, ទ្រ) is Cambodia's traditional spike fiddles, bowed string instruments that are held and played vertically. Spike fiddles have a handle that passes through the resonator, often forming a spike, on the bottom side where it emerges. The family is similar or distantly related to the Chinese erhu or huqin. The instruments have a soundbox at the bottom of the stick, covered with leather or snake skin. Strings run from pegs at the top of the stick and secured at the bottom, running across the soundbox. The larger the soundbox, the lower the pitch range. Instruments in this family include the two-stringed ''tro ou'', ''tro sau thom'', ''tro sau toch'' and ''tro che'', as well as the three-stringed ''tro Khmer'' spike fiddle. The two-stringed tros are tuned in a fifth, while the three-stringed tro Khmer is tuned in fourths. The tros, with the exception of the tro Khmer, are strung so that the bowstring is permanently placed between the two stings. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sounds Of Angkor (4)
In physics, sound is a vibration that propagates as an acoustic wave, through a transmission medium such as a gas, liquid or solid. In human physiology and psychology, sound is the ''reception'' of such waves and their ''perception'' by the brain. Only acoustic waves that have frequencies lying between about 20 Hz and 20 kHz, the audio frequency range, elicit an auditory percept in humans. In air at atmospheric pressure, these represent sound waves with wavelengths of to . Sound waves above 20 kHz are known as ultrasound and are not audible to humans. Sound waves below 20 Hz are known as infrasound. Different animal species have varying hearing ranges. Acoustics Acoustics is the interdisciplinary science that deals with the study of mechanical waves in gasses, liquids, and solids including vibration, sound, ultrasound, and infrasound. A scientist who works in the field of acoustics is an ''acoustician'', while someone working in the field of acoustical e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
