Calypso War

	Calypso War {{Unreferenced, date=December 2009 War is a calypso form that has existed since at least the turn of the twentieth century. Originally it was sung in patois or French creole. The classic War form is an eight-line stanza, the first four lines in a minor key, then modulating into the major, and returning to the minor with the refrain "santimanite" ("sans humanité" in patois, in English "without humanity"). The object of War is to promote the calypsonian and defeat his competitors. A War verse by Growling Tiger: :When I was a child at the age of five :And my dear old grandfather was alive :He would sit me upon his knee :And say "boy listen to me" :He said "boy I will tell you your birth" .e. fortune:"and it is to rule over men on this earth". :So I'm sorry for the molesters who mess with this Tiger Santimantay A War verse by Mighty Terror: :If you want to see what I say is true :Just call a Jamaican singer to you :And ask him to sing extemporaneously :You will see he hasn't this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
	Patois ''Patois'' (, pl. same or ) is speech or language that is considered nonstandard, although the term is not formally defined in linguistics. As such, ''patois'' can refer to pidgins, creoles, dialects or vernaculars, but not commonly to jargon or slang, which are vocabulary-based forms of cant. In colloquial usage of the term, especially in France, class distinctions are implied by the very meaning of the term, since in French, ''patois'' refers to any sociolect associated with uneducated rural classes, in contrast with the dominant prestige language (Standard French) spoken by the middle and high classes of cities or as used in literature and formal settings (the "acrolect"). Etymology The term ''patois'' comes from Old French , 'local or regional dialect' (originally meaning 'rough, clumsy or uncultivated speech'), possibly from the verb , 'to treat roughly', from , 'paw', from Old Low Franconian , 'paw, sole of the foot', plus the suffix . Examples In France and other Francop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
picture info	French-based Creole Languages A French creole, or French-based creole language, is a creole for which French is the lexifier. Most often this lexifier is not modern French but rather a 17th- or 18th-century koiné of French from Paris, the French Atlantic harbors, and the nascent French colonies. This article also contains information on French pidgin languages, contact languages that lack native speakers. These contact languages are not to be confused with non-creole varieties of French outside of Europe that date to colonial times, such as Acadian, Louisiana, New England or Quebec French. There are over 15.5 million speakers of some form of based French based creole languages. Haitian Creole is the most spoken creole language in the world, with over 12 million speakers. History Throughout the 17th century, French Creoles became established as a unique ethnicity originating from the mix of French, Indian, and African cultures. These French Creoles held a distinct ethno-cultural identity, a shared anti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
	Growling Tiger Neville Marcano (1916–13 May 1993), known as the Growling Tiger, was a Trinidadian calypsonian. Biography Born in Diego Martin, Trinidad, Tiger was originally a boxer who won the Trinidad flyweight championship in 1929.Thompson, Dave (2002), ''Reggae & Caribbean Music'', Backbeat Books, , pp. 5, 59. He was active in calypso from his teens and began singing professionally in 1934. He was a member of the old brigade of calypso singers, which included Lord Beginner, Attila The Hun, the Roaring Lion, and Lord Pretender. In 1935, he went to New York with Attila and Lord Beginner to record for the Decca label, recording 46 songs in total. In 1939, he won the first Calypso King competition with "Trade Union". More so than his contemporaries Tiger sang about social and political issues. His best known songs are "Money is King", about economic inequality, and "The Gold in Africa", about the Italian invasion of Ethiopia. Recording together with Atilla and Beginner as the Keskidee Trio, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
	Mighty Terror Fitzgerald Henry (13 January 1921 – 14 March 2007), better known as the Mighty Terror, was a Trinidadian calypsonian. Early career in Trinidad He was born Fitzgerald Cornelius Henry in Anguilla Village, Arouca, Trinidad.Paul Wadey, "The Mighty Terror - Calypso king" ''The Independent'', 19 March 2007.Peter Mason, "Obituary: Mighty Terror" ''The Guardian'', 4 April 2007. he studied trumpet as a child and also sang in church and school choirs. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
	Extempo Extempo (also extempo calypso) is a lyrically improvised form of calypso and is most notably practiced in Grenada and Trinidad and Tobago. It consists of performers improvising in song or in rhythmic speech on a given theme before an audience, which take turns to perform. It is inherently competitive, and success is judged by the wit and the ingenuity of the performance. It is similar in form to what has been defined as traditional African song: "a recitative or chants with a short chorus. The soloist gives the melody while a chorus sings a refrain. As the melody is given out, they turn to one another, each improvising in turn. Extempo tends to comprise topics from current events treated with mockery, ridicule and sarcasm, or with flattery or praise.” Art of extempo It is characterised either by the “single tone”, consisting of four-line stanzas or the “double tone”, which has eight-line stanzas. There are four basic melodies common to extempo: “Sans Humanite” ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
picture info	List Of Calypsos With Sociopolitical Influences This is a list of calypsos categorised by main topics. "Calypso music has been used by Calypsonians to provide sociopolitical commentary. Prior to the independence of Trinidad and Tobago, calypsonians would use their music to express the daily struggles of living in Trinidad, critique racial and economic inequalities, express opinions on social order, and voice overall concerns for those living on the island. The Black lower class in particular used Calypso music to protest inequalities inflicted upon them under British rule and advocate for their rights. In response, Calypso music came to exist as a form of musical protest." American presence in Trinidad and Tobago "Base (The)" (1958), Mighty Sparrow "Brown Skin Gal" - "Brown Skin Girl" (1933), King Radio "Gimme Back Me Dam Kimona" (1951), Mighty Growler "Green Fig" - "Mary, I am Tired and Disgusted" (1943), Lord Kitchener "No Nationality" (1946), Atilla the Hun "Roosevelt in Trinidad" - "FDR in Trinidad" (1936), At ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]