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Calontir
The Kingdom of Calontir is one of twenty "kingdoms", or regions, of the Society for Creative Anachronism (SCA), an international organization dedicated to researching and recreating aspects of the Middle Ages. Calontir is located in the Midwestern United States and includes about 40 local SCA groups in Kansas, Nebraska, Missouri, Iowa, and (the Fayetteville area of) Arkansas. Calontir is bordered on the east by the Middle Kingdom, on the south by the kingdoms of Gleann Abhann and Ansteorra, on the west by the Kingdom of the Outlands, and on the north by the Kingdom of Northshield. History The name Calontir is believed by many to be Welsh for "Heartland"; however, that is incorrect. "Heartland" as a single word in Welsh would be "perfeddwlad." "Heart land" as two words more closely resembles "Calontir;" it translated into Welsh as "tir y galon" or "Calondir." Over time the error has become common usage. It began as a principality within the Middle Kingdom in 1981-2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calontir
The Kingdom of Calontir is one of twenty "kingdoms", or regions, of the Society for Creative Anachronism (SCA), an international organization dedicated to researching and recreating aspects of the Middle Ages. Calontir is located in the Midwestern United States and includes about 40 local SCA groups in Kansas, Nebraska, Missouri, Iowa, and (the Fayetteville area of) Arkansas. Calontir is bordered on the east by the Middle Kingdom, on the south by the kingdoms of Gleann Abhann and Ansteorra, on the west by the Kingdom of the Outlands, and on the north by the Kingdom of Northshield. History The name Calontir is believed by many to be Welsh for "Heartland"; however, that is incorrect. "Heartland" as a single word in Welsh would be "perfeddwlad." "Heart land" as two words more closely resembles "Calontir;" it translated into Welsh as "tir y galon" or "Calondir." Over time the error has become common usage. It began as a principality within the Middle Kingdom in 1981-2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gleann Abhann
The Society for Creative Anachronism (SCA) is an international living history group with the aim of studying and recreating mainly Medieval European cultures and their histories before the 17th century. A quip often used within the SCA describes it as a group devoted to the Middle Ages "as they ought to have been", choosing to "selectively recreate the culture, choosing elements of the culture that interest and attract us". Founded in 1966, the non-profit educational corporation has over 20,000 paid members as of 2020 with about 60,000 total participants in the society (including members and non-member participants). History The SCA's roots can be traced to a backyard party of a UC Berkeley medieval studies graduate, the author Diana Paxson, in Berkeley, California, on May Day in 1966. The party began with a "Grand Tournament" in which the participants wore helmets, fencing masks, and usually some semblance of a costume, and sparred with each other using weapons such as plywood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Society For Creative Anachronism
The Society for Creative Anachronism (SCA) is an international living history group with the aim of studying and recreating mainly Medieval European cultures and their histories before the 17th century. A quip often used within the SCA describes it as a group devoted to the Middle Ages "as they ought to have been", choosing to "selectively recreate the culture, choosing elements of the culture that interest and attract us". Founded in 1966, the non-profit educational corporation has over 20,000 paid members as of 2020 with about 60,000 total participants in the society (including members and non-member participants). History The SCA's roots can be traced to a backyard party of a UC Berkeley medieval studies graduate, the author Diana Paxson, in Berkeley, California, on May Day in 1966. The party began with a "Grand Tournament" in which the participants wore helmets, fencing masks, and usually some semblance of a costume, and sparred with each other using weapons such as plywood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingdom Of Northshield
The Society for Creative Anachronism (SCA) is an international living history group with the aim of studying and recreating mainly Medieval European cultures and their histories before the 17th century. A quip often used within the SCA describes it as a group devoted to the Middle Ages "as they ought to have been", choosing to "selectively recreate the culture, choosing elements of the culture that interest and attract us". Founded in 1966, the non-profit educational corporation has over 20,000 paid members as of 2020 with about 60,000 total participants in the society (including members and non-member participants). History The SCA's roots can be traced to a backyard party of a UC Berkeley medieval studies graduate, the author Diana Paxson, in Berkeley, California, on May Day in 1966. The party began with a "Grand Tournament" in which the participants wore helmets, fencing masks, and usually some semblance of a costume, and sparred with each other using weapons such as p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingdom Of The Outlands
The Society for Creative Anachronism (SCA) is an international living history group with the aim of studying and recreating mainly Medieval European cultures and their histories before the 17th century. A quip often used within the SCA describes it as a group devoted to the Middle Ages "as they ought to have been", choosing to "selectively recreate the culture, choosing elements of the culture that interest and attract us". Founded in 1966, the non-profit educational corporation has over 20,000 paid members as of 2020 with about 60,000 total participants in the society (including members and non-member participants). History The SCA's roots can be traced to a backyard party of a UC Berkeley medieval studies graduate, the author Diana Paxson, in Berkeley, California, on May Day in 1966. The party began with a "Grand Tournament" in which the participants wore helmets, fencing masks, and usually some semblance of a costume, and sparred with each other using weapons such as plywoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ansteorra
The Society for Creative Anachronism (SCA) is an international living history group with the aim of studying and recreating mainly Medieval European cultures and their histories before the 17th century. A quip often used within the SCA describes it as a group devoted to the Middle Ages "as they ought to have been", choosing to "selectively recreate the culture, choosing elements of the culture that interest and attract us". Founded in 1966, the non-profit educational corporation has over 20,000 paid members as of 2020 with about 60,000 total participants in the society (including members and non-member participants). History The SCA's roots can be traced to a backyard party of a UC Berkeley medieval studies graduate, the author Diana Paxson, in Berkeley, California, on May Day in 1966. The party began with a "Grand Tournament" in which the participants wore helmets, fencing masks, and usually some semblance of a costume, and sparred with each other using weapons such as p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SCA Fencing
Rapier Combat is a style of historical fencing practiced in the Society for Creative Anachronism (SCA). The primary focus is to study, replicate and compete with styles of rapier sword-fighting found in Europe during the Renaissance period, using blunted steel swords and a variety of off-hand defensive items. Participants wear period clothing while competing, along with or incorporating protective equipment (such as modern fencing masks) for safety. In the April 2020 update of the rules, the sport was renamed 'Fencing Combat'. History Since the founding day of the Society for Creative Anachronism (SCA), there was an interest in simulated combat sport with a "medieval style". The first "tournaments" were highly informal and used a mishmash of fencing equipment and wooden weapons. The first combat style among the SCA that evolved into a formal rule set from this was Armored Combat, which uses wooden, padded and rubber weapons along with specially made body armor unique to that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurel Wreath
A laurel wreath is a round wreath made of connected branches and leaves of the bay laurel (), an aromatic broadleaf evergreen, or later from spineless butcher's broom (''Ruscus hypoglossum'') or cherry laurel (''Prunus laurocerasus''). It is a symbol of triumph and is worn as a chaplet around the head, or as a garland around the neck. The symbol of the laurel wreath traces back to Ancient Greece. In Greek mythology, the god Apollo, who is patron of lyrical poetry, musical performance and skill-based athletics, is conventionally depicted wearing a laurel wreath on his head in all three roles. Wreaths were awarded to victors in athletic competitions, including the ancient Olympics; for victors in athletics they were made of wild olive tree known as ''" kotinos"'' (), (sc. at Olympia) – and the same for winners of musical and poetic competitions. In Rome they were symbols of martial victory, crowning a successful commander during his triumph. Whereas ancient laurel wreaths are mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Or (heraldry)
In heraldry, or (/ɔːʁ/; French for "gold") is the tincture of gold and, together with argent (silver), belongs to the class of light tinctures called "metals", or light colours. In engravings and line drawings, it is hatched using a field of evenly spaced dots. It is very frequently depicted as yellow, though gold leaf was used in many illuminated manuscripts and more extravagant rolls of arms. The word "gold" is occasionally used in place of "or" in blazon, sometimes to prevent repetition of the word "or" in a blazon, or because this substitution was in fashion when the blazon was first written down, or when it is preferred by the officer of arms. The use of "gold" for "or" (and "silver" for "argent") was a short-lived fashion amongst certain heraldic writers in the mid-20th century who attempted to "demystify" and popularise the subject of heraldry. "Or" is sometimes spelled with a capital letter (e.g. "Gules, a fess Or") so as not to confuse it with the conjunction "or". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Livery
A livery is an identifying design, such as a uniform, ornament, symbol or insignia that designates ownership or affiliation, often found on an individual or vehicle. Livery will often have elements of the heraldry relating to the individual or corporate body feature in the livery. Alternatively, some kind of a personal emblem or badge, or a distinctive colour, is featured. The word itself derives from the French ''livrée'', meaning ''dispensed, handed over''. Most often it would indicate that the wearer of the livery was a servant, dependant, follower or friend of the owner of the livery, or, in the case of objects, that the object belonged to them. In the late medieval phenomenon of bastard feudalism, livery badges worn by the "retainers" of great lords, sometimes in effect private armies, became a great political concern in England. Etymology "In the ''Black'' Book of 1483, it was laid down that each person should receive "... for his Livery at night, half a chet loaf, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crown (heraldry)
A crown is often an emblem of a sovereign state, usually a monarchy (see The Crown), but also used by some republics. A specific type of crown is employed in heraldry under strict rules. Indeed, some monarchies never had a physical crown, just a heraldic representation, as in the constitutional kingdom of Belgium. Crowns are also often used as symbols of religious status or veneration, by divinities (or their representation such as a statue) or by their representatives, e.g. the Black Crown of the Karmapa Lama, sometimes used a model for wider use by devotees. A crown can be a charge ''in'' a coat of arms, or set ''atop'' the shield to signify the status of its owner, as with the coat of arms of Norway. Physical and heraldic crowns Sometimes, the crown commonly depicted and used in heraldry differs significantly from any specific physical crown that may be used by a monarchy. File:Den norske kongekronen.jpg, Photograph of the physical crown of Norway File:Crown of the Kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shield Wall
A shield wall ( or in Old English, in Old Norse) is a military formation that was common in ancient and medieval warfare. There were many slight variations of this formation, but the common factor was soldiers standing shoulder to shoulder and holding their shields so that they would abut or overlap. Each soldier thus benefited from the protection of the shields of his neighbors and his own. History Ancient history The formation was known to be used by many ancient armies including the Persian Sparabara, Greek phalanx, and the early Roman army, but its origin and spread is unknown. It may have developed independently more than once. Although little is recorded about their military tactics, the Stele of the Vultures depicts Sumerian soldiers in a shield wall formation during the third millennium BC. By the seventh century BC, shield walls in ancient Greece are well-documented. The soldiers in the shield wall formations were called hoplites, so named for their equi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
