Caesar In Egypt
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Caesar In Egypt
''Caesar in Egypt'' is a 1724 tragedy by the British writer Colley Cibber. It is inspired by Pierre Corneille's 1642 French play ''The Death of Pompey'' about Julius Caesar's intervention in the Egyptian Civil War between Cleopatra and her brother. Cibber also incorporated elements of Plutarch and John Fletcher (playwright), John Fletcher's ''The False One''. The Drury Lane company invested lots of resources to make it a particularly extravagant production in the traditional style of a Restoration theatre, Restoration heroic drama. The cast included Barton Booth as Julius Caesar, Robert Wilks as Mark Antony, Antony, Theophilus Cibber as Ptolemy XIII Theos Philopator, Ptolemy, Charles Williams (stage actor), Charles Williams as Decius, John Mills (stage actor), John Mills as Photinus, Colley Cibber as Achoreus, John Roberts (stage actor), John Roberts as First Centurion, John Thurmond as Second Centurion, Mary Porter (actress), Mary Porter as Cornelia Metella, Cornelia and Anne Old ...
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Colley Cibber
Colley Cibber (6 November 1671 – 11 December 1757) was an English actor-manager, playwright and Poet Laureate. His colourful memoir ''Apology for the Life of Colley Cibber'' (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticise his "miserable mutilation" of "crucified Molière ndhapless Shakespeare". He regarded himself as first and foremost an actor and had great popular success in comical fop parts, while as a tragic actor he was persistent but much ridiculed. Cibber's brash, extroverted personality did not sit well with his contemporaries, and he was frequently accused of tasteless theatrical productions, shady business methods, and a social and political opportunism that was thought to have gained him the laureateship over far better poets. He rose to ignominious fame when he became t ...
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Ptolemy XIII Theos Philopator
Ptolemy XIII Theos Philopator ( grc-gre, Πτολεμαῖος Θεός Φιλοπάτωρ, ''Ptolemaĩos''; c. 62 BC – 13 January 47 BC) was Pharaoh of Egypt from 51 to 47 BC, and one of the last members of the Ptolemaic dynasty (305–30 BC). He was the son of Ptolemy XII and the brother of and co-ruler with Cleopatra VII. Cleopatra's exit from Egypt caused a civil war to break out between the pharaohs. Ptolemy later ruled jointly with his other sister, Arsinoe IV. Biography Co-ruler of Egypt, inner turmoil Son of the Egyptian Pharaoh Ptolemy XII (r. 80–58 BC and 55–51 BC), Ptolemy XIII succeeded his father as pharaoh of the Ptolemaic Kingdom in the spring of 51 BC at the age of 11. His father had stipulated that Ptolemy XIII would be married to his older sister Cleopatra (r. 51–30 BC), with the couple ruling as co-rulers. In October 50 BC, Ptolemy XIII was promoted to senior ruler along with her, although the eunuch Pothinus acted as regent for him. In the sprin ...
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Plays Set In Ancient Egypt
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times'' ...
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Tragedy Plays
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fraction ...
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Plays By Colley Cibber
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times ...
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West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ...
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1724 Plays
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christien ...
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Anne Oldfield
Anne Oldfield (168323 October 1730) was an English actress and one of the highest paid actresses of her time. Early life and discovery She was born in London in 1683. Her father was a soldier, James Oldfield. Her mother was either Anne or Elizabeth Blanchard. Her grandfather owned a tavern and left her father several properties, he however mortgaged these which resulted in Anne and her mother being placed in financial difficulty when he died young. It appears that Oldfield received some education because her biographers state that she read widely in her youth. Oldfield and her mother went to live with her aunt, Mrs Voss, in the Mitre tavern, St James. In 1699, she attracted George Farquhar's attention when he overheard her reciting lines from Francis Beaumont and John Fletcher's play ''The Scornful Lady'' (1616) in a back room of her tavern. Soon after, she was hired by Christopher Rich to join the cast of the Theatre Royal, Drury Lane. Career A year later she was cast in he ...
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Cornelia Metella
Cornelia Metella ( 73 BC – after 48 BC) was the daughter of Quintus Caecilius Metellus Pius Scipio Nasica (who was a consul in 52 BC and originally from the gens Cornelia). She appears in numerous literary sources, including an official dedicatory inscription at Pergamon.Greek inscription translated into Latin as ''Cornelia Q. Metelli Pii Scipionis filia''. Despite her father's testamentary "adoption" by Metellus Pius, Cornelia is never called Caecilia Metella in any extant sources. Münzer supposed that she retained the ''gens Cornelia'' name because she was born before her father's adoption, which was a legal formality. Discussed by Jerzy Linderski, "Q. Scipio Imperator," in ''Imperium sine fine: T. Robert S. Broughton and the Roman Republic'' (Franz Steiner, 1996), p. 15online./ref> Biography Plutarch describes her as a beautiful woman of good character, well read and a skilled player of the lyre. She was also very well educated in geometry and philosophy. Cornelia was fi ...
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Mary Porter (actress)
Mary Porter (died 24 February 1765) was an English actress. Life She was brought to the attention of Betterton by Elizabeth Barry, who had seen her play the Fairy Queen at Bartholomew Fair. In his company she made her first appearance in 1699, in tragedy, in which she was at her best, although she also played a long list of comedy parts. When her friends, Mrs Barry, Mrs Bracegirdle and Mrs Oldfield, had retired from the stage, she was left its undisputed queen. In 1713 she appeared in John Gay's comedy '' The Wife of Bath'' at Drury Lane. In 1724 she featured in his tragedy '' The Captives'' as Astarbe, Queen of Media. Selected roles * Mirabel in ''The Rival Fools'' by Colley Cibber (1709) * Alicia in ''Jane Shore'' by Nicholas Rowe (1714) * Lady Woodvill in '' The Non-Juror'' by Colley Cibber (1717) * Eudocia in ''The Siege of Damascus'' by John Hughes (1720) * Astarbe in '' The Captives'' by John Gay John Gay (30 June 1685 – 4 December 1732) was an English poet and ...
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John Thurmond
John Thurmond (died 1727) was a British stage actor. To distinguish him from his son, also an actor named John, he is sometimes called John Thurmond the Elder. His earliest known stage performance was in 1695, when he played in '' Cyrus the Great'' with Thomas Betterton's troupe at the Lincoln's Inn Fields Theatre. Around 1699 he joined the Smock Alley Theatre where he acted alongside his wife Winifred. By 1708 he was back in London with the Drury Lane Theatre. He died on 7 September 1727 the same night he had been due to appear in '' Othello''. He was buried in St Paul's, Covent Garden, alongside his wife Winifred who died in 1736.Highfill, Burnim & Langhans p.431 Selected roles *Artabasus in '' Cyrus the Great'' by John Banks (1695) * Frederick in '' The She-Gallants'' by George Granville (1695) * Freindly ''The City Bride'' by Joseph Harris (1696) * Rodrigo in ''The Italian Husband'' by Edward Ravenscroft (1697) * Bellgard in '' Fatal Friendship'' by Catharine Trotter Co ...
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John Roberts (stage Actor)
John Roberts was a British stage actor of the eighteenth century. During the early 1720s he was a member of the Drury Lane company. He then left the company for a number of years before returning in 1728. He remained in the Dury Lane company until 1734, but also made appearances at the Haymarket Theatre and in summer performances at Bartholomew Fair. From 1734 he primarily appeared at the Covent Garden Theatre. His career was generally overshadowed by that of his wife, billed as Mrs Roberts during their marriage.Highfill, Burnim & Langhans p.10 Selected roles * Messenger in '' The Briton'' by Ambrose Philips (1722) * Roberto in ''Love in a Forest'' by Charles Johnson (1723) * First Centurion in ''Caesar in Egypt'' by Colley Cibber (1724) * Talthybius in ''Hecuba'' by Richard West (1726) * Old Apeall in ''The Humours of Oxford'' by Charles Johnson (1730) * Aeschylus in ''Timoleon'' by Benjamin Martyn (1730) * Narva in ''Sophonisba'' by James Thomson (1730) * Trapwell in ''Pasqui ...
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