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Cabaret Voltaire may refer to: *Cabaret Voltaire (Zurich) Cabaret Voltaire was the name of a short-lived artistic nightclub in Zürich, Switzerland in 1916 (revived in the 21st century). It was founded by Hugo Ball, with his companion Emmy Hennings, in the back room of Holländische Meierei, Spiegelgas ..., a Swiss cabaret founded in 1916, distinguished by the involvement of Dada artists * Cabaret Voltaire (band), a British industrial/techno musical group * ''Cabaret Voltaire'' (magazine), a Dada magazine published in 1916 in Zurich *''Cabaret Voltaire'', a 1916 painting by Marcel Janco *Cabaret Voltaire, a Houston, Texas punk club {{disambig ...
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Cabaret Voltaire (Zurich)
Cabaret Voltaire was the name of a short-lived artistic nightclub in Zürich, Switzerland in 1916 (revived in the 21st century). It was founded by Hugo Ball, with his companion Emmy Hennings, in the back room of Holländische Meierei, Spiegelgasse 1, on February 5, 1916, as a cabaret for artistic and political purposes. Other founding members were Marcel Janco, Richard Huelsenbeck, Tristan Tzara, and Sophie Taeuber-Arp and Jean Arp. Events at the cabaret proved pivotal in the founding of the anarchic art movement known as Dada. In 2013, the Cabaret Voltaire performances were collectively ranked by Dale Eisinger of ''Complex'' as the 25th best work of performance art in history. Cabaret Voltaire closed in the summer of 1916, but the Cabaret was revived in the same building in the 21st century. History Switzerland was a neutral country during World War I and among the many refugees coming to Zürich were artists from all over Europe. Ball and Hennings approached Ephraim Jan, ...
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Cabaret Voltaire (band)
Cabaret Voltaire was an English music group formed in Sheffield in 1973 and initially composed of Stephen Mallinder, Richard H. Kirk, and Chris Watson. The group was named after the Cabaret Voltaire, the Zürich nightclub that served as a centre for the early Dada movement. The early work of Cabaret Voltaire consisted primarily of experimentation with DIY electronics and tape machines, as well as Dada-influenced performance art, helping to pioneer industrial music in the mid-1970s. Finding an audience during the post-punk era, they integrated their experimental sensibilities with dance and pop styles. They are often characterized as among the most innovative and influential electronic groups of their era. History Formation By the early 1970s, Chris Watson of Sheffield, England, began experimenting with electronic devices to make "music without musical instruments." Inspired by the tech geekery of Brian Eno of Roxy Music, and helped along by his work as a telephone engineer, ...
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Cabaret Voltaire (magazine)
''Cabaret Voltaire'' was a one-issue Dadaist art magazine which was published in May 1916 in Zurich, Switzerland. Its subtitle was ''eine Sammlung künstlerischer und literarischer Beiträge'' (German: ''A collection of artistic and literary contributions''). History and profile ''Cabaret Voltaire'' was launched by the German writer Hugo Ball in Zurich and appeared on 31 May 1916. In the magazine Hugo Ball announced the opening of an artistic nightclub with the same name, Cabaret Voltaire. The publisher of the magazine was Julius Heuberger. Its size was 21.5 x 27 cm (8½ x 10½ inches), and it had thirty-two pages. Five hundred copies of the magazine was issued. ''Cabaret Voltaire'' published articles in French and German. Its format was conventional, and the magazine featured work by the Dadaist, Futurist and Cubist artists. The successor of ''Cabaret Voltaire'' was ''Dada'', an art and literary review launched by Tristan Tzara Tristan Tzara (; ; born Samuel or Samy Ros ...
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Marcel Janco
Marcel Janco (, ; common rendition of the Romanian language, Romanian name Marcel Hermann Iancu ; 24 May 1895 – 21 April 1984) was a Romanian and Israeli visual artist, architect and art theorist. He was the co-inventor of Dadaism and a leading exponent of Constructivism (art), Constructivism in Eastern Europe. In the 1910s, he co-edited, with Ion Vinea and Tristan Tzara, the Romanian art magazine ''Simbolul''. Janco was a practitioner of Art Nouveau, Futurism and Expressionism before contributing his painting and stage design to Tzara's literary Dadaism. He parted with Dada in 1919, when he and painter Hans Arp founded a Constructivist circle, ''Das Neue Leben''. Reunited with Vinea, he founded ''Contimporanul'', the influential tribune of the Romanian avant-garde, advocating a mix of Constructivism, Futurism and Cubism. At ''Contimporanul'', Janco expounded a "revolutionary" vision of urban planning. He designed some of the most innovative landmarks of downtown Bucharest. He wo ...
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