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Cabaret De L'Enfer
''Cabaret de l'Enfer'' (The Cabaret of Hell) was a famous cabaret in Montmartre, founded in November 1892 by Antonin Alexander and demolished in 1950 to allow for the expansion of a Monoprix supermarket. The ''Cabaret de L'Enfer'' was the counterpart to The ''Cabaret du Ciel'' (The Cabaret of Sky), another cabaret which shared the same address on the Boulevard de Clichy. Antonin Alexander was the creator, director, and host of the twin ventures. Jules Claretie, who wrote that future historians of the mores of the Belle Epoque "could not silently pass by these cabarets", described them as "putting Dante's poem within walking distance". For Georges Renault and Henri Château, "Le Ciel and L'Enfer, gaping wide-open all in a row" was worthy of the label "spectacular". The flâneurs of Paris entered through the monumental jaws of Leviathan, devourer of the damned. The intimidating façade was "a stucco ode to female nudity being devoured by infernal flames". The Cabaret de l'Enfe ...
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Cabaret De L'Enfer
''Cabaret de l'Enfer'' (The Cabaret of Hell) was a famous cabaret in Montmartre, founded in November 1892 by Antonin Alexander and demolished in 1950 to allow for the expansion of a Monoprix supermarket. The ''Cabaret de L'Enfer'' was the counterpart to The '' Cabaret du Ciel'' (The Cabaret of Sky), another cabaret which shared the same address on the Boulevard de Clichy. Antonin Alexander was the creator, director, and host of the twin ventures. Jules Claretie, who wrote that future historians of the mores of the Belle Epoque "could not silently pass by these cabarets", described them as "putting Dante's poem within walking distance". For Georges Renault and Henri Château, "Le Ciel and L'Enfer, gaping wide-open all in a row" was worthy of the label "spectacular". The flâneurs of Paris entered through the monumental jaws of Leviathan, devourer of the damned. The intimidating façade was "a stucco ode to female nudity being devoured by infernal flames". The Cabaret de l'Enf ...
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Façade Des Cabarets Le Ciel Et L'Enfer, 1909
A façade () (also written facade) is generally the front part or exterior of a building. It is a loan word from the French (), which means ' frontage' or 'face'. In architecture, the façade of a building is often the most important aspect from a design standpoint, as it sets the tone for the rest of the building. From the engineering perspective, the façade is also of great importance due to its impact on energy efficiency. For historical façades, many local zoning regulations or other laws greatly restrict or even forbid their alteration. Etymology The word is a loanword from the French , which in turn comes from the Italian , from meaning 'face', ultimately from post-classical Latin . The earliest usage recorded by the ''Oxford English Dictionary'' is 1656. Façades added to earlier buildings It was quite common in the Georgian period for existing houses in English towns to be given a fashionable new façade. For example, in the city of Bath, The Bunch of Grapes in W ...
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Hell
In religion and folklore, hell is a location in the afterlife in which evil souls are subjected to punitive suffering, most often through torture, as eternal punishment after death. Religions with a linear divine history often depict hells as eternal destinations, the biggest examples of which are Christianity and Islam, whereas religions with reincarnation usually depict a hell as an intermediary period between incarnations, as is the case in the dharmic religions. Religions typically locate hell in another dimension or under Earth's surface. Other afterlife destinations include heaven, paradise, purgatory, limbo, and the underworld. Other religions, which do not conceive of the afterlife as a place of punishment or reward, merely describe an abode of the dead, the grave, a neutral place that is located under the surface of Earth (for example, see Kur, Hades, and Sheol). Such places are sometimes equated with the English word ''hell'', though a more correct translatio ...
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Demolished Buildings And Structures In Paris
Demolition (also known as razing, cartage, and wrecking) is the science and engineering in safely and efficiently tearing down of buildings and other artificial structures. Demolition contrasts with deconstruction, which involves taking a building apart while carefully preserving valuable elements for reuse purposes. For small buildings, such as houses, that are only two or three stories high, demolition is a rather simple process. The building is pulled down either manually or mechanically using large hydraulic equipment: elevated work platforms, cranes, excavators or bulldozers. Larger buildings may require the use of a wrecking ball, a heavy weight on a cable that is swung by a crane into the side of the buildings. Wrecking balls are especially effective against masonry, but are less easily controlled and often less efficient than other methods. Newer methods may use rotational hydraulic shears and silenced rock-breakers attached to excavators to cut or break thro ...
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Cabarets In Paris
Cabaret is a form of theatrical entertainment featuring music, song, dance, recitation, or drama. The performance venue might be a pub, a casino, a hotel, a restaurant, or a nightclub with a stage for performances. The audience, often dining or drinking, does not typically dance but usually sits at tables. Performances are usually introduced by a master of ceremonies or MC. The entertainment, as done by an ensemble of actors and according to its European origins, is often (but not always) oriented towards adult audiences and of a clearly underground nature. In the United States, striptease, burlesque, drag shows, or a solo vocalist with a pianist, as well as the venues which offer this entertainment, are often advertised as cabarets. Etymology The term originally came from Picard language or Walloon language words ''camberete'' or ''cambret'' for a small room (12th century). The first printed use of the word ''kaberet'' is found in a document from 1275 in Tournai. The term was u ...
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Mephistopheles
Mephistopheles (, ), also known as Mephisto, is a demon featured in German folklore. He originally appeared in literature as the demon in the Faust legend, and he has since appeared in other works as a stock character (see: Mephistopheles in the arts and popular culture). Etymology and name meaning The name ''Mephistopheles'' is a corrupted Greek compound. The Greek particle of negation (μη, ''mē'') and the Greek word for love or loving (φίλος, ''philos'') are the first and last terms of the compound but the middle term is more doubtful. For the middle term, three meanings have been noticed and three different complete etymologies have been established: *not loving light (φως το, ''phōs to''; the old form of the word being ''Mephostopheles'') *not loving Faust *allied to '' mephitic,'' a term which designates the poisonous vapors arising from the earth in certain places—pools, caverns, springs—destructive of human life. It is likely that the name was invent ...
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Guy Georges
Guy Georges (born Guy Rampillon; 15 October 1962) is a French serial killer and serial rapist, dubbed ''le tueur de l'Est Parisien'' (the East Paris killer) or The Beast of the Bastille. He was convicted on April 5, 2001 of murdering seven women between 1991 and 1997. He was sentenced to life in prison with the possibility of parole after 22 years. Background Guy Georges was born Guy Rampillon on October 10 or 15, 1962 to a French mother and a Black American father (George Cartwright, U.S. military cook stationed at a NATO base). His mother, Helène Rampillon, had an older son named Stéphane, fathered by a white U.S. serviceman. Stéphane was raised by Helène's parents, who refused to raise Guy because he was Helène's second child and because of the stigmatization of mixed-race children in their hometown of Angers. After six years moving between foster homes and his mother's care, Guy became a ward of the state and was placed with the Morin family. The Morins had previously c ...
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Liberation Of Paris
The liberation of Paris (french: Libération de Paris) was a military battle that took place during World War II from 19 August 1944 until the German garrison surrendered the French capital on 25 August 1944. Paris had been occupied by Nazi Germany since the signing of the Second Compiègne Armistice on 22 June 1940, after which the ''Wehrmacht'' occupied northern and western France. The liberation began when the French Forces of the Interior—the military structure of the French Resistance—staged an uprising against the German garrison upon the approach of the US Third Army, led by General George Patton. On the night of 24 August, elements of General Philippe Leclerc's 2nd French Armored Division made their way into Paris and arrived at the Hôtel de Ville shortly before midnight. The next morning, 25 August, the bulk of the 2nd Armored Division and US 4th Infantry Division and other allied units entered the city. Dietrich von Choltitz, commander of the German garrison ...
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Cabaret De L'Enfer Entrance
Cabaret is a form of theatrical entertainment featuring music, song, dance, recitation, or drama. The performance venue might be a pub, a casino, a hotel, a restaurant, or a nightclub with a stage for performances. The audience, often dining or drinking, does not typically dance but usually sits at tables. Performances are usually introduced by a master of ceremonies or MC. The entertainment, as done by an ensemble of actors and according to its European origins, is often (but not always) oriented towards adult audiences and of a clearly underground nature. In the United States, striptease, burlesque, drag shows, or a solo vocalist with a pianist, as well as the venues which offer this entertainment, are often advertised as cabarets. Etymology The term originally came from Picard language or Walloon language words ''camberete'' or ''cambret'' for a small room (12th century). The first printed use of the word ''kaberet'' is found in a document from 1275 in Tournai. The term ...
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Robert Desnos
Robert Desnos (; 4 July 1900 – 8 June 1945) was a French poet who played a key role in the Surrealist movement of his day. Biography Robert Desnos was born in Paris on 4 July 1900, the son of a licensed dealer in game and poultry at the '' Halles'' market. Desnos attended commercial college, and started work as a clerk. He also worked as an amanuensis for journalist Jean de Bonnefon. After that he worked as a literary columnist for the newspaper '' Paris-Soir''. The first poems by Desnos to appear in print were published in 1917 in ''La Tribune des Jeunes'' (Platform for Youth) and in 1919 in the avant-garde review ''Le Trait d'union'' (Hyphen), and also the same year in the Dadaist magazine ''Littérature''. In 1922 he published his first book, a collection of surrealistic aphorisms, with the title Rrose Sélavy (based upon the name (pseudonym) of the popular French artist Marcel Duchamp). In 1919 he met the poet Benjamin Péret, who introduced him to the Paris Dada group ...
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André Breton
André Robert Breton (; 19 February 1896 – 28 September 1966) was a French writer and poet, the co-founder, leader, and principal theorist of surrealism. His writings include the first ''Surrealist Manifesto'' (''Manifeste du surréalisme'') of 1924, in which he defined surrealism as "Surrealist automatism, pure psychic automatism". Along with his role as leader of the surrealist movement he is the author of celebrated books such as ''Nadja (novel), Nadja'' and ''L'Amour fou''. Those activities, combined with his critical and theoretical work on writing and the plastic arts, made André Breton a major figure in twentieth-century French art and literature. Biography André Breton was the only son born to a family of modest means in Tinchebray (Orne) in Normandy, France. His father, Louis-Justin Breton, was a policeman and atheism, atheistic, and his mother, Marguerite-Marie-Eugénie Le Gouguès, was a former seamstress. Breton attended medical school, where he developed a parti ...
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Cabaret Du N%C3%A9ant
''Cabaret du Néant'' (, "Cabaret of Nothingness"/"Cabaret of the Void") was a cabaret in Montmartre, Paris, founded in 1892. The ''Cabaret du Néant'' was an early pioneer of the modern theme restaurant and dealt with various aspects of mortality and death. The dark theme of the cabaret included magic tricks and illusions focusing on morbid subjects. The cabaret was first established in Brussels, subsequently moved to Paris, and promoted performances in New York City.Library Of Congress. The Journal, March 21, 1896
New York N.Y, 1895, Newspaper. Retrieved from the Library of Congress (Accessed December 03, 2017)
The ''Cabaret du Néant'', along with the ''Cabaret de L'Enfer'' (Cabaret of Hell), and the ''Cabaret du Ciel'' (Cabaret of Heaven), was part of a trio of themed restaurants established at around th ...
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