''Cabaret du Néant'' (, "Cabaret of Nothingness"/"Cabaret of the Void") was a cabaret in Montmartre, Paris, founded in 1892. The ''Cabaret du Néant'' was an early pioneer of the modern theme restaurant and dealt with various aspects of mortality and death. The dark theme of the cabaret included magic tricks and illusions focusing on morbid subjects. The cabaret was first established in Brussels, subsequently moved to Paris, and promoted performances in New York City.Library Of Congress. The Journal, March 21, 1896
New York N.Y, 1895, Newspaper. Retrieved from the Library of Congress (Accessed December 03, 2017) The ''Cabaret du Néant'', along with the ''

Cabaret de L'Enfer ''Cabaret de l'Enfer'' (The Cabaret of Hell) was a famous cabaret in Montmartre, founded in November 1892 by Antonin Alexander and demolished in 1950 to allow for the expansion of a Monoprix supermarket. The ''Cabaret de L'Enfer'' was the counte ...

'' (Cabaret of Hell), and the ''

Cabaret du Ciel The ''Cabaret du Ciel'' (Cabaret of Heaven) was a well-known cabaret in the Montmartre district of Paris. The ''Cabaret du Ciel'' was an early version of modern theme restaurants, with a theme centered around celestial concepts connected to the ...

'' (Cabaret of Heaven), was part of a trio of themed restaurants established at around the same time in Montmartre.

History

The ''Cabaret du Néant'' was an early pioneer of the modern theme restaurant; its theme was death. The original theme restaurant, called at the time "Cabaret philosophique", was first established in Brussels in 1892, and soon after relocated to Boulevard Rochechouart in Paris under the name ''Cabaret de la Mort'' (The Cabaret of Death). In the 1890s, following the death of an area resident, the cabaret was renamed "''Cabaret du Néant''" because it was thought that "Néant" (nothingness) was less frightening to local residents. The cabaret was eventually moved to number 34, Boulevard de Clichy. At this address, the cabaret is listed under the category "Cabarets Artistiques" in the 1904 edition of '' Baedeker's Paris and Its Environs''. In 1896 the cabaret sponsored performances in New York City, at the Casino Chambers, Thirty-ninth Street and Broadway.

Theme

Inside the cabaret, the patrons were led by a monk through a dark hall to the drinking area, where the waiters were dressed as undertakers. Presenters would then show paintings of people who would transform into skeletons. The monk also led the patrons into another room, where a member of the audience was invited to participate in a magic trick, by entering a coffin. The volunteer was subsequently wrapped in a white shroud, and apparently transformed into a skeleton, and then back into human form. Once inside the drinking area, the customers were told to take "bières", a word meaning both a beer and a coffin ("

bier A bier is a stand on which a corpse, coffin, or casket containing a corpse is placed to lie in state or to be carried to the grave.''The American Heritage Dictionary of the English Language'' (American Heritage Publishing Co., Inc., New York, ...

") in French. In the "Salle d'Intoxication" (Intoxication Hall), which featured chandeliers made of human bones, customers drank alcoholic beverages served in cups shaped like human skulls, while sitting at coffin-shaped tables. The decor of the cabaret was redolent with skeletons and corpses.

Magic trick Magic, which encompasses the subgenres of illusion, stage magic, and close up magic, among others, is a performing art in which audiences are entertained by tricks, effects, or illusions of seemingly impossible feats, using natural means. It ...

s were performed in which patrons appeared to dissolve into skeletons and ghosts would enter the rooms of the cabaret. It was a place that provided entertainment for the patrons, while at the same time, the mock-gothic theme could also cause worry and distress. The ''Cabaret du Néant'' is credited with producing "one of the most original adaptations" of Pepper's ghost. '' Scientific American'' called the New York performance of the Cabaret " most interesting performance based upon the principles of the well known 'Pepper's ghost'".

Illustrations by W. C. Morrow

The following are illustrations by

W. C. Morrow William Chambers Morrow (July 7, 1854 – April 3, 1923) was an American writer, now noted mainly for his short stories of horror and suspense. He is probably best known for the much-anthologised story "His Unconquerable Enemy" (1889), about the ...

in his 1899 book ''Bohemian Paris of To-day''. File:Cabaret du Néant illustration by W. C. Morrow.png, ''Cabaret du Néant'' illustration by

File:Cabaret du Néant Waiter illustration by W. C. Morrow.png, ''Cabaret du Néant'' waiter illustration by W. C. Morrow File:Cabaret du Néant Death Chamber illustration by W. C. Morrow.png, ''Cabaret du Néant'' death chamber illustration by W. C. Morrow File:Cabaret du Néant Interior of Death Chamber illustration by W. C. Morrow.png, ''Cabaret du Néant'' interior of death chamber illustration by W. C. Morrow

Cultural Depictions

An interpretation of the ''Cabaret du Néant'' appears in poet Mina Loy's ''Three Moments in Paris.'' Although this sequence was published for the first time in three parts in the modernist journal ''Rogue'' in May 1915, the ''Café du Néant'' section appeared alone in ''International: A Review of Two Worlds'' in August 1914 - making it Loy's first published poem. The later version, which is the version most commonly circulated today, refers to the distinctive atmosphere akin to that of the ''Cabaret du Néant'' which was a venue in Paris in the early twentieth century when Loy was living in the city. Relying upon macabre images in a gothic setting Loy describes two lovers, meeting in 'the fulsome ambiente' of the ''Café du Néant,'' amidst burning 'tapers' and 'coffin tables'. In reference to the setting, which in turn is used to metaphorically reflect upon the relationship, Loy notes it is a 'factitious chamber of DEATH'.

History

Theme

Illustrations by W. C. Morrow

Cultural Depictions

References

Further reading