Ca' D'Oro
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Ca' D'Oro
The Ca' d'Oro or Palazzo Santa Sofia is a palace on the Grand Canal in Venice, northern Italy. One of the older palaces in the city, its name means "golden house" due to the gilt and polychrome external decorations which once adorned its walls. Since 1927, it has been used as a museum, as the Galleria Giorgio Franchetti. It has long been regarded as the best surviving palazzo in Venetian Gothic architecture, retaining all the most characteristic features, despite some losses. On the facade, the loggia-like window group of closely spaced small columns, with heavy tracery with quatrefoil openings above, uses the formula from the Doge's Palace that had become iconic. There are also the byzantine-inspired decoration along the roofline, and patterning in fancy coloured stone to the flat wall surfaces. The smaller windows show a variety of forms with an ogee arch, capped with a relief ornament, and the edges and zone boundaries are marked with ropework reliefs. The third act of ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ...
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Contarini
The House of Contarini is one of the founding families of Venicehttps://archive.org/details/teatroaraldicose02tett, Leone Tettoni. ''Teatro araldico ovvero raccolta generale delle armi ed insegne gentilizie delle piu illustri e nobili casate che esisterono un tempo e che tutora fioriscono in tutta l'italia'', 1841. pagina 578 - 591 and one of the oldest families of the Italian Nobility. In total eight Doges to the Republic of Venice emerged from this family, as well as 44 Procurators of San Marco, numerous ambassadors, diplomats and other notables. Among the ruling families of the republic, they held the most seats in the Great Council of Venice from the period before the Serrata del Maggior Consiglio when Councillors were elected annually to the end of the republic in 1797. The Contarini claimed to be of Roman origin through their patrilineal descendance of the Aurelii Cottae, a branch of the Roman family Aurelia, and traditionally trace their lineage back to Gaius Aurel ...
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Piano Nobile
The ''piano nobile'' (Italian for "noble floor" or "noble level", also sometimes referred to by the corresponding French term, ''bel étage'') is the principal floor of a palazzo. This floor contains the main reception and bedrooms of the house. Characteristics The ''piano nobile'' is usually the first storey (in European terminology; second floor in American terms), or sometimes the second storey, containing major rooms, located above the rusticated ground floor containing the minor rooms and service rooms. The reasons for this were so the rooms above the ground floor would have finer views and to avoid the dampness and odours of the street level. This is especially true in Venice, where the ''piano nobile'' of the many '' palazzi'' is especially obvious from the exterior by virtue of its larger windows and balconies, and open loggias. Examples of this are Ca' Foscari, Ca' d'Oro, Ca' Vendramin Calergi, and Palazzo Barbarigo. Larger windows than those on other floors are usu ...
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Portego
Portego ("porch" in Venetian dialect) is a characteristic compositional element of the Venetian civil buildings built during the years of the Republic of Venice. The portego is similar to a reception hall but has peculiar features. History The portego is known from the ancient times; it is present even in the oldest Venetian palaces. In later centuries and especially during the emergence of the Renaissance architecture, the portego original central structure has changed substantially, allowing for T-shaped and L-shaped halls. Function In a typical Venetian palace, the portego is the local passage hall that joins the water portal with the land portal. On the ground floor, it serves as an entrance hall for loading goods, while on the upper floors the portego is used both as a reception hall and as a passing hall to access other rooms, located on both sides. Furthermore, the portego was crucial in providing ventilation and air circulation for the palazzo which, especially during medie ...
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Venetian Renaissance Architecture
Venetian Renaissance architecture began rather later than in Florence, not really before the 1480s, and throughout the period mostly relied on architects imported from elsewhere in Italy. The city was very rich during the period, and prone to fires, so there was a large amount of building going on most of the time, and at least the facades of Venetian buildings were often particularly luxuriantly ornamented. Compared to the Renaissance architecture of other Italian cities, there was a degree of conservatism, especially in retaining the overall form of buildings, which in the city were usually replacements on a confined site, and in windows, where arched or round tops, sometimes with a classicized version of the tracery of Venetian Gothic architecture, remained far more heavily used than in other cities. The Doge's Palace was much rebuilt after fires, but mostly behind the Gothic facades. The Venetian elite had a collective belief in the importance of architecture in bolstering c ...
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Palazzo Giustinian
The Palazzo Giustinian is a palace in Venice, northern Italy, situated in the Dorsoduro district and overlooking the Grand Canal next to Ca' Foscari. It is among the best examples of the late Venetian Gothic and was the final residence of Princess Louise of Artois. History and description The edifice was built in the late 15th century, perhaps with the participation of Bartolomeo Bon. The palace consisted originally of two separated sectors, one for each branch of the family, which were later joined by a façade; these are the ''Ca' Giustinian dei Vescovi'' (now housing part of the Ca' Foscari University) and the ''Ca' Giustinian dalle Zogie'' (now privately owned). Behind the façade, they are separated by an alley which, through a ''sottoportego'', or portico-tunnel, connects to the central portal. The two sub-palaces share numerous decorative features with the annexed ''Ca' Foscari''. They have an L-shaped plan with four floors, the upper ones having mullioned windows. A ...
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Palazzo Barbaro
The Palazzi Barbaro—also known as Palazzo Barbaro, Ca' Barbaro, and Palazzo Barbaro-Curtis—are a pair of adjoining palaces, in the San Marco district of Venice, northern Italy. They were formerly one of the homes of the patrician Barbaro family. The Palazzi are located on the Grand Canal of Venice, next to the Palazzo Cavalli-Franchetti and not far from the Ponte dell'Accademia. The buildings are also known as the Palazzo Barbaro-Curtis."Venice on foot, with the itinerary of the Grand Canal and several direct routes to useful places” Hugh A Douglas, C. Scribner's Sons, 1907, pg. 282 It is one of the least altered of the Gothic palaces of Venice.“Encyclopedia of Italian Renaissance & Mannerist art, Volume 1”
Jane Turner, New York, 2000, pg. 112J
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2019 Venice Flood
(, ; ) is the term used in Veneto, Italy for the exceptional tide peaks that occur periodically in the northern Adriatic Sea. The peaks reach their maximum in the Venetian Lagoon, where they cause partial flooding of Venice and Chioggia; flooding also occurs elsewhere around the northern Adriatic, for instance at Grado and Trieste, but much less often and to a lesser degree. The phenomenon occurs mainly between autumn and spring, when the astronomical tides are reinforced by the prevailing seasonal winds that hamper the usual reflux. The main winds involved are the sirocco, which blows northbound along the Adriatic Sea, and the bora, which has a specific local effect due to the shape and location of the Venetian Lagoon. Causes Precise scientific parameters define the phenomenon called ''acqua alta'', the most significant of which (i.e., the deviation in amplitude from a base measurement of "standard" tides) is measured by the hydrographic station located nearby the Bas ...
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Giorgio Franchetti
Giorgio may refer to: * Castel Giorgio, ''comune'' in Umbria, Italy * Giorgio (name), an Italian given name and surname * Giorgio Moroder, or Giorgio, Italian record producer ** ''Giorgio'' (album), an album by Giorgio Moroder * "Giorgio" (song), a song by Lys Assia * Giorgio Bruno, a character from the video game ''Time Crisis 4'' * Giorgio Zott, the main antagonist from the video game ''Time Crisis 3'' * Giorgio Beverly Hills, a prestige fragrance brand See also * Georgios * Georgio (other) * San Giorgio (other) San Giorgio, is the Italian form of Saint George. When used as the name of a person it is frequently contracted to Sangiorgio. Places Comuni Many towns and villages are named after the saint, including the following ''comuni'', or municipalities: ...
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Marie Taglioni
Marie Taglioni, Comtesse de Voisins (23 April 1804 – 22 April 1884) was a Swedish-born ballet dancer of the Romantic ballet era partially of Italian descent, a central figure in the history of European dance. She spent most of her life in the Austrian Empire and France. She was one of the most celebrated ballerinas of the romantic ballet, which was cultivated primarily at Her Majesty's Theatre in London and at the Théâtre de l'Académie Royale de Musique of the Paris Opera Ballet. She is credited with (though not confirmed as) being the first ballerina to truly dance ''en pointe''. Early life Taglioni was born in Stockholm, Sweden, to the Italian choreographer Filippo Taglioni and the Swedish ballet dancer Sophie Karsten, maternal granddaughter of the Swedish opera singer Christoffer Christian Karsten and of the Polish opera singer and actress Sophie Stebnowska. Her brother, Paul (1808–1884), was also a dancer and an influential choreographer; they performed together ea ...
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Alessandro Trubetzkoi
Alessandro is both a given name and a surname, the Italian form of the name Alexander. Notable people with the name include: People with the given name Alessandro * Alessandro Allori (1535–1607), Italian portrait painter * Alessandro Baricco (born 1958), Italian novelist * Alessandro Bega (born 1991), Italian tennis player * Alessandro Bordin (born 1998), Italian footballer * Alessandro Botticelli (1445–1510), Italian painter * Alessandro Bovo (born 1969), Italian water polo player * Alessandro Cagliostro (1743–1795), alias of occultist and adventurer Giuseppe Balsamo * Alessandro Calcaterra (born 1975), Italian water polo player * Alessandro Calvi (born 1983), Italian swimmer * Alessandro Cattelan (born 1980), Italian television preesenter * Alessandro Cortini (born 1976), Italian musician * Alessandro Criscuolo (1937–2020), Italian judge * Alessandro Del Piero (born 1974), Italian footballer * Alessandro Di Munno (born 2000), Italian footballer * Alessandro Evangelisti ...
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Fall Of The Venetian Republic
The fall of the Republic of Venice was a series of events that culminated on 12 May 1797 in the dissolution and dismemberment of the Republic of Venice at the hands of Napoleon Bonaparte and Habsburg Austria. In 1796, the young general Napoleon had been sent by the newly-formed French Republic to confront Austria, as part of the French Revolutionary Wars. He chose to go through Venice, which was officially neutral. Reluctantly, the Venetians allowed the formidable French army to enter their country so that it might confront Austria. However, the French covertly began supporting Jacobin revolutionaries within Venice, and the Venetian senate began quietly preparing for war. The Venetian armed forces were depleted and hardly a match for the battle-hardened French or even a local uprising. After the capture of Mantua on 2 February 1797, the French dropped any pretext and overtly called for revolution among the territories of Venice. By 13 March, there was open revolt, with Brescia a ...
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