Boston Expressionism
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Boston Expressionism
Boston Expressionism is an arts movement marked by emotional directness, dark humor, social and spiritual themes, and a tendency toward figuration strong enough that Boston Figurative Expressionism is sometimes used as an alternate term to distinguish it from abstract expressionism, with which it overlapped. Strongly influenced by German Expressionism and by the immigrant, and often Jewish, experience, the movement originated in Boston, Massachusetts, in the 1930s, continues in a third-wave form today, and flourished most markedly in the 1950s–70s. Most commonly associated with emotionality, and the bold color choices and expressive brushwork of painters central to the movement like Hyman Bloom, Jack Levine and Karl Zerbe, Boston Expressionism is also heavily associated with virtuoso technical skills and the revival of old master technique. The work of sculptor Harold Tovish, which spanned bronze, wood and synthetics is one example of the former, while the gold- and silverpoin ...
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American Figurative Expressionism
American Figurative Expressionism is a 20th-century visual art style or movement that first took hold in Boston, and later spread throughout the United States. Critics dating back to the origins of Expressionism have often found it hard to define. One description, however, classifies it as a Humanist philosophy, since it's human-centered and rationalist. Its formal approach to the handling of paint and space is often considered a defining feature, too, as is its radical, rather than reactionary, commitment to the figure. The term "Figurative Expressionism" arose as a counter-distinction to "Abstract Expressionism." Like German Expressionism, the American movement addresses issues at the heart of the expressionist sensibility, such as personal and group identity in the modern world, the role of the artist as a witness to issues such as violence and corruption, and the nature of the creative process and its implications. These factors speak to the movement's strong association with ...
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Chaïm Soutine
Chaïm Soutine (13 January 1893 – 9 August 1943) was a Belarusian painter who made a major contribution to the expressionist movement while living and working in Paris. Inspired by classic painting in the European tradition, exemplified by the works of Rembrandt, Chardin and Courbet, Soutine developed an individual style more concerned with shape, color, and texture than representation, which served as a bridge between more traditional approaches and the developing form of Abstract Expressionism. Early life Soutine was born Chaim-Iche Solomonovich Sutin, in Smilavičy (Yiddish: סמילאָוויץ, romanized: Smilovitz) in the Minsk Governorate of the Russian Empire (present-day Belarus). He was Jewish and the tenth of eleven children born to parents Zalman (also reported as Solomon and Salomon) Moiseevich Sutin (1858–1932) and Sarah Sutina (née Khlamovna) (died in 1938). From 1910 to 1913 he studied in Vilnius at a small art academy. In 1913, with his friends Pinchus Krem ...
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Jackson Pollock
Paul Jackson Pollock (; January 28, 1912August 11, 1956) was an American painter and a major figure in the abstract expressionist movement. He was widely noticed for his " drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles. It was called all-over painting and action painting, since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided the critics: some praised the immediacy of the creation, while others derided the random effects. In 2016, Pollock's painting titled ''Number 17A'' was reported to have fetched US$200 million in a private purchase. A reclusive and volatile personality, Pollock struggled with alcoholism for most of his life. In 1945, he married the artist Lee Krasner, who became an important influence on his career and on his legacy. Pollock died at the age of 44 in an ...
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Willem De Kooning
Willem de Kooning (; ; April 24, 1904 – March 19, 1997) was a Dutch-American abstract expressionist artist. He was born in Rotterdam and moved to the United States in 1926, becoming an American citizen in 1962. In 1943, he married painter Elaine Fried. In the years after World War II, de Kooning painted in a style that came to be referred to as abstract expressionism or "action painting", and was part of a group of artists that came to be known as the New York School. Other painters in this group included Jackson Pollock, Elaine de Kooning, Lee Krasner, Franz Kline, Arshile Gorky, Mark Rothko, Hans Hofmann, Nell Blaine, Adolph Gottlieb, Anne Ryan, Robert Motherwell, Philip Guston, Clyfford Still, and Richard Pousette-Dart. De Kooning's retrospective held at MoMA in 2011–2012 made him one of the best-known artists of the 20th century. Biography Willem de Kooning was born in Rotterdam, the Netherlands, on April 24, 1904. His parents, Leendert de Kooning and Cornelia N ...
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Bernard Chaet
Bernard Chaet (born 1924, Boston, MA - died 2012) was an American artist; Chaet is known for his colorful, dynamic modernist paintings and masterful draftsmanship, his association with the Boston Expressionists, and his 40-year career as a Professor of Painting at Yale University. His works also include watercolors and prints. In 1994, he was named a National Academician by the National Academy of Design. Collections, awards, and exhibitions Chaet's works are in the permanent collections of many important museums including: the Metropolitan Museum of Art in New York, the Museum of Fine Arts Boston, the Art Institute of Chicago, the Smithsonian American Art Museum in Washington, D.C., the Yale University Art Gallery in New Haven, CT, and the Addison Gallery of American Art in Andover, MA. Chaet is the recipient of many awards including: the National Foundation of the Arts and Humanities, Sabbatical Grant in 1967-68, the National Academy of Fine Arts, Benjamin Altman Award in Pain ...
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Boston School (painting)
The Boston School was a group of Boston-based painters active in the first three decades of the twentieth century. Often classified as American Impressionists, they had their own regional style, combining the painterliness of Impressionism with a more conservative approach to figure painting and a marked respect for the traditions of Western art history. Their preferred subject matter was genteel: portraits, picturesque landscapes, and young women posing in well-appointed interiors. Major influences included John Singer Sargent, Claude Monet, and Jan Vermeer. Key figures in the Boston School were Edmund C. Tarbell, Frank Weston Benson, and William McGregor Paxton, all of whom trained in Paris at the Académie Julian and later taught at the School of the Museum of Fine Arts. Their influence can still be seen in the work of some contemporary Boston-area artists. History The progenitors of the Boston School were Edmund C. Tarbell, Frank Weston Benson, and William McGregor Paxto ...
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Oskar Kokoschka
Oskar Kokoschka (1 March 1886 – 22 February 1980) was an Austrian artist, poet, playwright, and teacher best known for his intense Expressionism, expressionistic portraits and landscapes, as well as his theories on vision that influenced the Viennese Expressionist movement. Early life The second child of Gustav Josef Kokoschka, a Bohemian goldsmith, and Maria Romana Kokoschka (née Loidl), Oskar Kokoschka was born in Pöchlarn. He had a sister, Berta, born in 1889; a brother, Bohuslav, born in 1892; and an elder brother who died in infancy. Oskar had a strong belief in omens, spurred by a story of a fire breaking out in Pöchlarn shortly after his mother gave birth to him. The family's life was not easy, largely due to a lack of financial stability of his father. They constantly moved into smaller flats, farther and farther from the thriving centre of the town. Concluding that his father was inadequate, Kokoschka drew closer to his mother; and seeing himself as the head of th ...
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Max Beckmann
Max Carl Friedrich Beckmann (February 12, 1884 – December 27, 1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s, he was associated with the New Objectivity (''Neue Sachlichkeit''), an outgrowth of Expressionism that opposed its introverted emotionalism. Even when dealing with light subject matter like circus performers, Beckmann often had an undercurrent of moodiness or unease in his works. By the 1930s, his work became more explicit in its horrifying imagery and distorted forms with combination of brutal realism and social criticism, coinciding with the rise of nazism in Germany. Life Max Beckmann was born into a middle-class family in Leipzig, Saxony. From his youth he pitted himself against the old masters. His traumatic experiences of World War I, in which he volunteered as a medical orderly, coincided with a dramatic transformation of his s ...
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School Of The Museum Of Fine Arts, Boston
The School of the Museum of Fine Arts at Tufts University (Museum School, SMFA at Tufts, or SMFA; formerly the School of the Museum of Fine Arts, Boston) is the art school of Tufts University, a private research university in Boston, Massachusetts. It offers undergraduate and graduate degrees dedicated to the visual arts. It is affiliated with the Museum of Fine Arts. SMFA is also a member of the Association of Independent Colleges of Art and Design (AICAD), a consortium of several dozen leading art schools in the United States. The school is accredited by the National Association of Schools of Art and Design. History The school was founded in 1876 under the name School of the Museum of Fine Arts, Boston (SMFA). From 1876 to 1909, the school was housed in the basement of the original Museum building in Copley Square. When the Museum moved to Huntington Avenue in 1909, the School moved into a separate, temporary structure to the west of the main building. The permanent buil ...
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Degenerate Art
Degenerate art (german: Entartete Kunst was a term adopted in the 1920s by the Nazi Party in Germany to describe modern art. During the dictatorship of Adolf Hitler, German modernist art, including many works of internationally renowned artists, was removed from state-owned museums and banned in Nazi Germany on the grounds that such art was an "insult to German feeling", un-German, Freemasonic, Jewish, or Communist in nature. Those identified as degenerate artists were subjected to sanctions that included being dismissed from teaching positions, being forbidden to exhibit or to sell their art, and in some cases being forbidden to produce art. ''Degenerate Art'' also was the title of an exhibition, held by the Nazis in Munich in 1937, consisting of 650 modernist artworks chaotically hung and accompanied by text labels deriding the art. Designed to inflame public opinion against modernism, the exhibition subsequently traveled to several other cities in Germany and Austria. While m ...
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Nazism
Nazism ( ; german: Nazismus), the common name in English for National Socialism (german: Nationalsozialismus, ), is the far-right totalitarian political ideology and practices associated with Adolf Hitler and the Nazi Party (NSDAP) in Nazi Germany. During Hitler's rise to power in 1930s Europe, it was frequently referred to as Hitlerism (german: Hitlerfaschismus). The later related term "neo-Nazism" is applied to other far-right groups with similar ideas which formed after the Second World War. Nazism is a form of fascism, with disdain for liberal democracy and the parliamentary system. It incorporates a dictatorship, fervent antisemitism, anti-communism, scientific racism, and the use of eugenics into its creed. Its extreme nationalism originated in pan-Germanism and the ethno-nationalist '' Völkisch'' movement which had been a prominent aspect of German nationalism since the late 19th century, and it was strongly influenced by the paramilitary groups that emerged af ...
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Street Scene 2 By Jack Levine
A street is a public thoroughfare in a built environment. It is a public parcel of landform, land adjoining buildings in an urban area, urban context, on which people may freely assemble, interact, and move about. A street can be as simple as a level patch of soil, dirt, but is more often pavement (material), paved with a hard, durable surface such as Tarmacadam, tarmac, concrete, cobblestone or brick. Portions may also be smoothed with asphalt, embedded with track (rail transport), rails, or otherwise prepared to accommodate non-pedestrian traffic. Originally, the word ''street'' simply meant a paved road ( la, via strata). The word ''street'' is still sometimes used informally as a synonym for ''road'', for example in connection with the ancient Watling Street, but city residents and urban planning, urban planners draw a crucial modern distinction: a road's main function is transportation, while streets facilitate public interaction.
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