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Ballets By Jean-Philippe Rameau
Jean-Philippe Rameau (; – ) was a French composer and music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin. Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his ''Treatise on Harmony'' (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, ''Hippolyte et Aricie'' (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony. Nevertheless, Rameau's pre-eminence in the field of French opera was soon acknowledged, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norbert Dufourcq
Norbert Stéphane Jean-Marie Dufourcq (21 September 1904 – 19 December 1990) was a French organist, music educator, musicologist and musicographer. Biography Norbert Dufourcq was born in 1904 in Saint-Jean-de-Braye in the Loiret department of France. His parents were the historian Albert Dufourcq who worked as a professor at the University of Bordeaux and Madeleine Dufourcq, née Prot. He was the third of six children. Trained at the École des chartes and holder of a doctorate of literature, and an archivist/palaeographer, Norbert Dufourcq nonetheless devoted himself to music. An amateur organist (pupil of André Marchal), he served as titular organist of the organ of the Saint-Merri church in Paris from 1923 to his death. The Clicquot/ Cavaillé-Coll pipe organ was restored by the company in a under the direction of its owner between 1946 and 1947. Many stops were added to the instrument. A professor of music history at the Conservatoire de Paris from 1941 to 1975 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Stamitz
Johann Wenzel Anton Stamitz (Czech: Jan Václav Antonín Stamic; 18 June 1717 – 27 March 1757) was a Bohemian composer and violinist. His two surviving sons, Carl and Anton Stamitz, were composers of the Mannheim school, of which Johann is considered the founding father. His music is stylistically transitional between Baroque music, Baroque and Classical period (music), Classical periods. Life Stamitz was born in Havlíčkův Brod, Deutschbrod, Kingdom of Bohemia, Bohemia, into a family that came from Marburg (today Maribor, Slovenia). Stamitz spent the academic year 1734–1735 at the Charles University in Prague, University of Prague. After only one year, he left the university to pursue a career as a violin virtuoso. His activities during the six-year period between his departure from the university in 1735 and his appointment in Mannheim around 1741 are not precisely known. He was appointed by the Mannheim court in 1741 or 1742. Most likely, his engagement there result ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Le Riche De La Poupelinière
Alexandre Jean Joseph Le Riche de La Pouplinière, sometimes also written Popelinière ou Poupelinière (Paris, 1693 – 5 December 1762) was an immensely wealthy '' fermier général'', the only son of his father, Alexandre Le Riche (1663-1735), seigneur of Courgains, (Anjou) and Brétignolles (Touraine), likewise a ''fermier général''. Besides his post as tax farmer, he was mainly one of the greatest patrons of music and musicians of the eighteenth century. A true patron of the Enlightenment, he gathered round him a circle of artists, men of letters and musicians. He kept a private orchestra, "the best that was known in those days", according to Jean-François Marmontel (''"… le meilleur concert de musique qui fût connu dans ce temps-là."''), which was led for twenty-two years by Jean-Philippe Rameau, who was succeeded by Johann Stamitz and then by François-Joseph Gossec. The best Italian musicians, violinists, singers, were lodged with him and fed at his table, and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Campra
André Campra (; baptized 4 December 1660 – 29 June 1744) was a French composer and conductor of the Baroque era. The leading French opera composer in the period between Jean-Baptiste Lully and Jean-Philippe Rameau, Campra wrote several '' tragédies en musique'' and ''opéra-ballets'' that were extremely well received. He also wrote three books of cantatas as well as religious music, including a requiem. Biography Campra was the son of Giovanni Francesco Campra, a surgeon and violinist from Graglia, Italy, and Louise Fabry, from Aix-en-Provence. His father was his first music teacher. He was baptised on 4 December 1660 in the Église de la Madeleine in Aix. He became a choirboy in the Cathédrale Saint-Sauveur there in 1674 and commenced ecclesiastical studies four years later. He was reprimanded by his superiors in 1681 for having taken part in theatrical performances without permission, but was nevertheless made a chaplain on 27 May of that year. He served as ''maître de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Pignolet De Montéclair
Michel Pignolet de Montéclair (4 December 1667 – 22 September 1737) was a French composer of the baroque period. He was born Michel Pignolet in Andelot, Haute-Marne, France, and only later added "Montéclair" (the name of a fortress in his home town) to his name. Little is known of his life, and there are no known official portraits. He was the son of a weaver; his entrance into the choir school at the age of nine may have been the only chance of escaping the poverty of a weaver's life. In 1687, he went to Paris and joined the orchestra of the Opera, where he played the basse de violon. In Paris he studied with Jean-Baptiste Moreau. At some point between 1687 and the early years of the new century, he seems to have been ''maître de musique'' to the Prince de Vaudémont and to have followed him to Italy. It was probably from there that he brought the idea to add the double bass to the opera orchestra. All the time Montéclair must have worked as a music teacher of high re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Houdar De La Motte
Antoine Houdar de la Motte (18 January 167226 December 1731) was a French author. De la Motte was born and died in Paris. In 1693 his comedy, ''Les Originaux'' (Les originaux, ou, l'Italien), was a complete failure, and so depressed the author that he contemplated joining the Trappists. Four years later he began writing texts for operas and ballets, e.g. ''L'Europe galante'' (1697), and tragedies, one of which, ''Inès de Castro'' (1723), was an immense success at the Theâtre Français. He was a champion of the moderns in the revived controversy of the ancients and moderns. His ''Fables nouvelles'' (1719) was regarded as a modernist manifesto. Anne Dacier had published (1699) a translation of the ''Iliad'', and La Motte, who knew no Greek, made a translation (1714) in verse founded on her work. He said of his own work: "I have taken the liberty to change what I thought disagreeable in it." He defended the moderns in the ''Discours sur Homère'' prefixed to his translation, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Philippe Rameau By Jean-Jacques Caffieri - 20080203-03 , French singer
{{Disambig ...
Jean-Philippe may refer to: * ''Jean-Philippe'' (film) *Jean-Philippe (given name) See also *Jean Philippe Jean Philippe Gargantiel (, 27 November 1930 – 7 January 2022) was a French singer who represented France at the Eurovision Song Contest 1959. He returned to the contest in 1962 representing Switzerland. He was the first artist to compete fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexis Piron
Alexis Piron (9 July 1689 – 21 January 1773) was a French epigrammatist and dramatist. Life He was born at Dijon, where his father, Aimé Piron, was an apothecary. Piron senior wrote verse in the Burgundian language. Alexis began life as clerk and secretary to a banker, and then studied law. In 1719, when nearly thirty years old, he went to Paris, where an accident brought him money and notoriety. The jealousy of the regular actors produced an edict restricting the Théâtre de la Foire, or licensed booths at fair times, to a single character on the stage. None of the ordinary writers for this theatre would attempt a monologue-drama for the purpose, and Piron made a great success with a piece called ''Arlequin Deucalion'', representing Deucalion immediately after the Deluge, amusing himself with recreating in succession the different types of man. In 1728 he produced ''Les Fils ingrats'' (known later as ''L'Ecole des pères'') at the Comédie-Française. He attempted traged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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